Official Release #85. This triple volume package contains an audio documentary tracing the conception and construction of Frank Zappa's We're Only in It for the Money (1968) and Lumpy Gravy (1968) masterworks. As the second entry in the Project/Object series (the first being the MoFo Project/Object in 2006 that gathered four CDs worth of goodies from the Freak Out! era), the modus operandi for Lumpy Money (2009) remains much the same as its predecessor. Presented within are primary components from both works in several unique – and formerly unissued – incarnations and configurations. It should also be noted that neither of Zappa's mid-'90s approved masters for We're Only in It for the Money or Lumpy Gravy are found here. Instead of retreading those – which (as of this 2009 writing) remain in print on the Rykodisc label – the nearly three-and-a-half hours served up here offer an embarrassment of insight into the development of the music, as well as the modular recording style that Zappa was evermore frequently incorporating into his craft.
Was it that Zappa's music was so far ahead of its time, or was it just not what we thought a weirdo genius like him should be doing? Either way, since his death, his stature as a serious composer has grown. Lumpy Gravy missed most by a mile … Full Descriptionbecause it was the first of Zappa's 'challenging' orchestral pieces, and not what his audience had come to expect. Performed by the Abnuceals Emuukha Electric Symphony Orchestra & Chorus, it was a lengthy instrumental suite broken up by equally 'challenging' dialogue. On the back cover, Frank looks out and asks, 'is this phase 2 of We're Only In It For The Money?'. No, we don't think so.
Ranked #23 in Mojo's "The 50 Most Out There Albums Of All Time"
Ranked #23 in Mojo's "The 50 Most Out There Albums Of All Time" - "Apparently Frank's favourite, LUMPY GRAVY is certainly a masterpiece. Of sorts."
Was it that Zappa's music was so far ahead of its time, or was it just not what we thought a weirdo genius like him should be doing? Either way, since his death, his stature as a serious composer has grown. Lumpy Gravy missed most by a mile because it was the first of Zappa's 'challenging' orchestral pieces, and not what his audience had come to expect. Performed by the Abnuceals Emuukha Electric Symphony Orchestra & Chorus, it was a lengthy instrumental suite broken up by equally 'challenging' dialogue. On the back cover, Frank looks out and asks, 'is this phase 2 of We're Only In It For The Money?'. No, we don't think so.
The early Zappa albums were treasured by the few and totally misunderstood by the majority. The brilliant SGT. PEPPER satire of the cover should have garnered extra sales, but no. Zappa's scathing wit homed in on modern middle-class America and West Coast hippies. The album offered 19 vignettes incorporating avant garde, doo-wop, some relatively conventional pop music and a lot of hilarious dialogue that was so hip it has never dated.
Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album with one contemporary/musique concrète/sound collage hybrid piece by way of conclusion. Lumpy Gravy collaged bits of orchestral music, sonic manipulations, spoken words, and occasional pop ditties into two lumps of 16 minutes each.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
Frank Vincent Zappa was an American musician, composer, activist and filmmaker. His work was characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity, and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist…
Official Release #99. After numerous delays those who pre-ordered Frank Zappa’s Roxy By Proxy have finally received their CDs. The 13-track release was recorded at The Roxy in Los Angeles on December 9 and 10, 1973. Frank is listed as the producer of the project, which was mixed in 1987, though Gail Zappa and Joe Travers are listed as producers for the CD and compilation. John Polito mastered the CD in 2011 and it includes liner notes from band member Ruth Underwood.
Official Release #108. Original recordings produced by Frank Zappa. In September of 1978, Frank Zappa took the stage with his rockin' teenage combo (Ike Willis, Denny Walley, Tommy Mars, Peter Wolf, Arthur Barrow, Ed Mann, and the great Vinnie Colaiuta) at the Uptown Theater in Chicago. This album is the entire show and fans are going to love it. The leadoff track is a cool unheard guitar instrumental called "Twenty-One." Played in a 21-beat rhythm, it seems related to "Thirteen" from around the same time period (on YCDTOA, Vol. 6). "Easy Meat" features an earlier arrangement and a nasty guitar solo, while "Village of the Sun" adds a weird interlude with some additional lyrics that sets up the vamp for another fantastic guitar solo.
Official Release #102. Directed, Written, Music Composed & Performed by FRANK ZAPPA. Frank Zappa s concerts at the Roxy Theatre in Holywood in December 1973 are legendary. Frank and the Mothers played three nights on December 8th, 9th & 10th and these shows formed the basis of the Roxy & Elsewhere album that was released in 1974. However the performances were also filmed in 16mm and this footage has been sitting in the Zappa vault ever since. Now fully restored by the Zappa Family Trust this live concert film is being made available for the first time. It captures Frank and the Mothers at the height of their powers and includes material that is unique to these performances. This is a highly anticipated release for Zappa fans who have waited many years for the concert footage to finally be released.