Official Release #85. This triple volume package contains an audio documentary tracing the conception and construction of Frank Zappa's We're Only in It for the Money (1968) and Lumpy Gravy (1968) masterworks. As the second entry in the Project/Object series (the first being the MoFo Project/Object in 2006 that gathered four CDs worth of goodies from the Freak Out! era), the modus operandi for Lumpy Money (2009) remains much the same as its predecessor. Presented within are primary components from both works in several unique – and formerly unissued – incarnations and configurations. It should also be noted that neither of Zappa's mid-'90s approved masters for We're Only in It for the Money or Lumpy Gravy are found here. Instead of retreading those – which (as of this 2009 writing) remain in print on the Rykodisc label – the nearly three-and-a-half hours served up here offer an embarrassment of insight into the development of the music, as well as the modular recording style that Zappa was evermore frequently incorporating into his craft.
Was it that Zappa's music was so far ahead of its time, or was it just not what we thought a weirdo genius like him should be doing? Either way, since his death, his stature as a serious composer has grown. Lumpy Gravy missed most by a mile … Full Descriptionbecause it was the first of Zappa's 'challenging' orchestral pieces, and not what his audience had come to expect. Performed by the Abnuceals Emuukha Electric Symphony Orchestra & Chorus, it was a lengthy instrumental suite broken up by equally 'challenging' dialogue. On the back cover, Frank looks out and asks, 'is this phase 2 of We're Only In It For The Money?'. No, we don't think so.
Ranked #23 in Mojo's "The 50 Most Out There Albums Of All Time"
Ranked #23 in Mojo's "The 50 Most Out There Albums Of All Time" - "Apparently Frank's favourite, LUMPY GRAVY is certainly a masterpiece. Of sorts."
Was it that Zappa's music was so far ahead of its time, or was it just not what we thought a weirdo genius like him should be doing? Either way, since his death, his stature as a serious composer has grown. Lumpy Gravy missed most by a mile because it was the first of Zappa's 'challenging' orchestral pieces, and not what his audience had come to expect. Performed by the Abnuceals Emuukha Electric Symphony Orchestra & Chorus, it was a lengthy instrumental suite broken up by equally 'challenging' dialogue. On the back cover, Frank looks out and asks, 'is this phase 2 of We're Only In It For The Money?'. No, we don't think so.
The early Zappa albums were treasured by the few and totally misunderstood by the majority. The brilliant SGT. PEPPER satire of the cover should have garnered extra sales, but no. Zappa's scathing wit homed in on modern middle-class America and West Coast hippies. The album offered 19 vignettes incorporating avant garde, doo-wop, some relatively conventional pop music and a lot of hilarious dialogue that was so hip it has never dated.
Lumpy Gravy, Frank Zappa's first solo album, was released months before the Mothers of Invention's third LP (even though its back cover asked the question: "Is this phase two of We're Only in It for the Money?") and both were conceptualized and recorded at the same time. We're Only in It for the Money became a song-oriented anti-flower power album with one contemporary/musique concrète/sound collage hybrid piece by way of conclusion. Lumpy Gravy collaged bits of orchestral music, sonic manipulations, spoken words, and occasional pop ditties into two lumps of 16 minutes each.
3CDs OF INVALUABLE ZAPPA BROADCASTS. INCLUDES SETS FROM HIS 1973 TOUR, COMPILED BY THE MAN HIMSELF. This triple CD features three rare recordings, all originally broadcast on FM radio, and now available here in this superb fold out digipack set. Featuring performances made at; Central Park, New York in 1968, with the original Mothers Of Invention (and featuring numbers from both the early and late sets on the day in question); from the TV & simultaneous radio transmission from Udel in Holland in 1970 (the first live show by the second incarnation of the Mothers, and featuring Flo & Eddie in the ranks) and, on the third CD, a collection of live performances from Zappa s 1973 tour, from a tape put together by Frank himself and broadcast on New Year s Eve 1974. The tracks and shows represented on this set illustrate the spectrum of Zappa and his various groups live abilities across the first decade of the man s career, and in so doing reveal a quite fascinating trajectory of Frank Zappa's live work.
Official Release #109. Original Recordings And Mixes Produced By Frank Zappa. Little Dots contains more recordings of the under-documented Petit Wazoo Ensemble, which toured at the end of 1972 (previously heard officially on Imaginary Diseases). Again, the sound isn't pristine here, but it's quite listenable. The show starts with a very early version of "Cosmik Debris," but other than that and "Rollo" the material is all new (mostly due to being largely improvised). "Little Dots, Pt. 1" is a previously unreleased piece that features bassist Dave Parlato and drummer Jim Gordon in dialogue, joined by FZ on guitar about halfway though. "Little Dots, Pt. 2" kicks off with a Tony Duran slide solo, and heads into a trombone solo followed by another FZ guitar solo.
Official Release #94. Finer Moments is a curious but mostly excellent compilation of (mostly) instrumental odds and ends put together by FZ in 1972 that went (mostly) unreleased until 2012. Disc one concentrates on the 1968-1969 Mothers. The first four tracks are from a 1969 Royal Albert Hall show that was partially documented in the film Uncle Meat. "Sleazette" is a great guitar solo, but the Mozart piece loses quite a bit without the "ballet" visuals. "The Wailing Zombie Music" sounds part-composed/part-conducted improvisation. "The Old Curiosity Shoppe" is a nice jam from 1971 featuring some nice wah-wah alto sax from Ian Underwood and wicked soloing from FZ.