Fortissimo

666 3 - Demonio fortissimo  Comics

Posted by Lebedev30 at May 13, 2016
666 3 - Demonio fortissimo

666 3 - Demonio fortissimo
Editeur(s) : Zenda | Scénario: Froideval | Heroïc fantasy
Français | CBR | 50 pages | 44.5 MB

Nova Era - Fortissimo (2014)  Music

Posted by varrock at Aug. 3, 2015
Nova Era - Fortissimo (2014)

Nova Era - Fortissimo (2014)
MP3 CBR 320 kbps | Tracks: 15 | 47:42 min | 109 Mb
Style: Neoclassical, Electronic, Ambient, New Age | Label: ndres Roca / Nova Era Music Inc

Hear the words “classical music” and what comes to mind? Somber images of suits and symphony halls, or perhaps your grandparents’ old LPs? If you think a classical performance is too formal or dull, then you owe it to yourself to check out Nova Era. Based in Orlando, Nova Era is breathing new life into classical music with a modern approach. Much more than an attempt at Mozart: Plugged-In, Nova Era’s updated arrangements bring out the timeless appeal of classics such as Vivaldi’s Four Seasons and Pachelbel’s Canon.

Alberto Fortis - Fortissimo (1999)  Music

Posted by Inter2009 at Oct. 4, 2009
Alberto Fortis - Fortissimo (1999)

Alberto Fortis - Fortissimo (1999)
MP3 VBR ~320 Kbit/Sec | 146 Mb | Rs.com | covers
Italian Pop
Hammond - Reflections: The Solo Piano Works of Andrzej & Roxanna Panufnik (2014)

Hammond - Reflections: The Solo Piano Works of Andrzej & Roxanna Panufnik (2014)
EAC Rip | Flac (Tracks + cue + log) | 211 MB | 1 CD | Full Scans
Genre: Classical | Label: Bis | Catalog Number: 2003

Andrzej Panufnik once wrote ‘Music gets its eternal beauty from an ideal balance of emotion and intellect’. Although Panufnik is primarily known as a composer of symphonies and large-scale orchestral pieces, his three original works for solo piano perfectly illustrate this motto. They are all highly crafted, demonstrating the composer’s fascination with mirror forms and symmetrical patterns.
Egisto Macchi - L'Assassinio Di Trotsky + Il Delitto Matteotti: Original Soundtracks (1990)

Egisto Macchi - L'Assassinio Di Trotsky + Il Delitto Matteotti: Original Soundtracks (1990)
EAC | FLAC (Image) + cue.+log ~ 203 Mb | Mp3, CBR320 kbps ~ 120 Mb | Scans included
Soundtrack, Score | Label: Beat Records | # CD CR 15 | 00:39:31

Egisto Macchi has written two very good musical scores for two movies telling events of human history, filled with big drama and pain: “THE TROTSKY ASSASSINATION” directed by Joseph Losey in 1972 and “THE MATTEOTTI MURDER” directed by Florestano Vancini in 1973. All the Contemporary side of Egisto Macchi’s music powerfully explodes in these two scores, as complex and effective results of his work as a member of NUOVA CONSONANZA, a musical school touching the roots of “TROTSKY” and “MATTEOTTI” Both scores are recorded here for the first time. It gives Soundtracks collectors and music buffs a chance to enter a new and fascinating world, where orchestra and extraordinary electronic sounds are joined.
Isserlis, Hough - Rachmaninov, Franck: Cello Sonatas (2003) (Repost)

Isserlis, Hough - Rachmaninov, Franck: Cello Sonatas (2003)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 235 MB
Genre: Classical | Label: Hyperion | Catalog Number: 67376

Playing together for the first time for Hyperion, Hough and Isserlis are stunningly matched in this large-scale passionate romantic programme. The sonatas stand at the centre of the meaty repertoire established by Brahms—whose two cello sonatas Steven Isserlis has recorded for us in an award-winning disc accompanied by Peter Evans (CDA66159)—and characterised by grand sweeping gestures, lush melody, and heartfelt emotions that sear from pathos to frenzy. The Franck is, of course, an alternative version the composer wished for his violin sonata, a transition that many feel to be the work's happiest incarnation.

Cristiano Malgioglio - Cara Mina Ti Scrivo (2010)  Music

Posted by edi1967 at Dec. 12, 2010
Cristiano Malgioglio - Cara Mina Ti Scrivo (2010)

Cristiano Malgioglio - Cara Mina Ti Scrivo (2010)
Mp3 @ 320 kbps | 1CD | 14 Tracks | 00:52:02 | 119 mb
Genre: Pop | Label: Azzurra Music

Paroliere di Mina da trentaquattro anni, Cristiano Malgioglio si è deciso a raccogliere in un album tutte le sue personali interpretazioni dei brani che nel tempo ha scritto per la Tigre di Cremona.
Ralph van Raat, Hakon Austbo - Olivier Messiaen: Visions de l'Amen; Claude Debussy: En blanc et noir (2012)

Olivier Messiaen: Visions de l’Amen; Claude Debussy: En blanc et noir (2012)
Ralph van Raat (piano), Håkon Austbø (piano)

EAC | FLAC | Image (Cue&Log) ~ 195 Mb | Mp3 (CBR320) ~ 144 Mb | Artwork included
Genre: Classical | Label: Naxos | # 8.572472 | Time: 01:02:38

Both the works on this recording were written during wartime. Debussy’s 1915 En blanc et noir, composed during a late creative burst, is his musical response to the horrors of World War I. Messiaen’s revolutionary Visions de l’Amen from 1943, written to be performed by the composer and his teenage pupil, Yvonne Loriod, is a profound religious meditation whose emotional intensity is overwhelming. The role of the two pianos is clearly divided. Melodic and expressive elements are confined to the second piano, Messiaen’s part, whereas all that is percussion, brilliance and rhythmic development is heard in the first piano, Loriod’s part.
Vademecum per l’organizzazione dei viaggi d’istruzione anche nei luoghi della memoria

Vademecum per l’organizzazione dei viaggi d’istruzione anche nei luoghi della memoria by Romolo Vitelli
Italian | 2015 | ISBN: n/a | 287 pages | PDF | 19.5 MB
Bamberger Symphoniker; Jose Serebrier - P. I. Tchaikovsky - Shakespeare: Hamlet; The Tempest; Romeo and Juliet (2002)

P. I. Tchaikovsky - Shakespeare: Hamlet; The Tempest; Romeo and Juliet (2002)
Bamberger Symphoniker; José Serebrier, conductor

EAC | FLAC | Image (Cue&Log) ~ 244 Mb | Mp3 (CBR320) ~ 145 Mb | Artwork included
Genre: Classical | Label: BIS | # BIS-CD-1073 | Time: 01:01:48

What a good idea to couple Tchaikovsky's three fantasy overtures inspired by Shakespeare. José Serebrier writes an illuminating note on the genesis of each of the three, together with an analysis of their structure. He notes that once Tchaikovsky had established his concept of the fantasy overture in the first version of Romeo andJuliet in 1869 – slow introduction leading to alternating fast and slow sections, with slow coda – he used it again both in the 1812 Overture and Hamlet. The Tempest (1873) has similarly contrasting sections, but begins and ends with a gently evocative seascape, with shimmering arpeggios from strings divided in 13 parts. It's typical of Serebrier's performance that he makes that effect sound so fresh and original. In many ways, early as it is, this is stylistically the most radical of the three overtures here, with sharp echoes of Berlioz in some of the woodwind effects. The clarity of Serebrier's performance, both in texture and in structure, helps to bring that out, as does a warm and analytical BIS recording. Hamlet, dating from much later, is treated to a similarly fresh and dramatic reading, with Serebrier bringing out the yearningly Russian flavour of the lovely oboe theme representing Ophelia.