Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.
This massive 6 CD set was a limited edition of 2000 copies worldwide. This set is the live recordings on two separate nights, 31 December 1969, and 1 January 1970, at the Fillmore East. Set includes 48 tracks and booklet.
As an enduring work, Fillmore East: June 1971 is a mixed bag, but it does represent the peak of the Flo & Eddie edition of the Mothers. Most of the songs are essentially comedy routines set to music, often dealing with the life of a touring rock musician and, of course, the various opportunities for sexual adventure therein; in one scenario, Mark Volman and Howard Kaylan reprise their Turtles hit "Happy Together" in exchange for sexual favors.
The Allman Brothers Band at Fillmore East has long been regarded as one of rock's great live albums, but portions of those legendary performances have also wound up on albums like Eat a Peach and the Duane Allman Anthology.
The creative vision of Miles Davis was at its most mercurial in the late '60s and early '70s. He advanced the language of jazz (and pop) not just … Full Descriptionwith each album, but practically with each gig. A perfect case in point is this live two-disc set. LIVE AT THE FILLMORE EAST is like manna from heaven for Miles fans, its nine cuts all previously unreleased performances from a formation of Miles's band that didn't stabilize long enough for a studio release. A considerably different version of this band had recorded the groundbreaking BITCHES BREW not much more than six months before this Fillmore appearance, but the record released as AT THE FILLMORE in 1971, featured yet another incarnation, sans Wayne Shorter, whose last gig with Miles is captured here.
Accordingly, this release finds Davis and cohorts in transition between the abstract jazz-rock of BITCHES BREW and the funkified, modal jams of subsequent recordings. The two sets documented here draw largely from BITCHES BREW, but the variations just a few months down the line are startling. Chick Corea's ring-modulated electric piano creates a Stockhausen-like maelstrom of sound, while Shorter plays some of the most daring, freewheeling solos of his career. Dave Holland splits the difference between funk, rock, and jazz, joining with Jack DeJohnette's roiling drums to forge a tumbling sonic carnival ride. The entire band blazes through every tune working on all cylinders, making a monstrously joyful noise by which the rest of us are still edified, even decades after the fact.
On April 20 Universal Music are releasing a 3-LP / 2-CD set of The Who’s stunning 1968 live performance at Bill Graham’s Fillmore East theatre in New York.