Violent Femmes is the debut album by Violent Femmes. Mostly recorded in July 1982, the album was released by Slash Records on vinyl and on cassette in April 1983, and on CD in 1987 with two extra tracks "Ugly" and "Gimme the Car". Violent Femmes is the band's most successful album to date and went platinum eight years after its release. The album achieved what is believed to be a unique feat by going gold, four years after its release, without having yet made an appearance on Billboard's Top 200 album chart. Slant Magazine listed the album at #21 on its list of "Best Albums of the 1980s".
Import-only five CD set from the Alt-Rock trio contains a quintet of their original non-remastered albums packaged in replica cardboard sleeves. Box set includes: "Violent Femmes" (1983); "Hallowed Ground" (1984); "The Blind Leading the Naked" (1986); "3" (1989); "Why Do Birds Sing?" (1991).
Add It Up is not quite the definitive Violent Femmes compilation one might hope for, even if it does feature 23 tracks and adds essential later items missing from their first comp, Debacle: The First Decade. There are several charming rarities to hook dedicated fans, who will likely find several favorites missing (perhaps another song or two could have been substituted for the between-song bits). The group's self-titled debut does a better job of encapsulating why they were important, and remains the first Femmes album to buy; besides, no compilation that includes live versions of "Kiss Off" and "Add It Up" in place of the original studio cuts can claim to be definitive. However, even casual fans who enjoyed Violent Femmes will find post-debut songs like "American Music" and "I Held Her in My Arms" to be essential, so even if Add It Up is a little too imperfect to be a necessary first purchase, it's definitely a necessary second purchase. Unless you're a die-hard fan, it will likely be the only other Violent Femmes disc you'll need.
The first performances of Les Femmes Vengées (The Avenged Women) in 1775 restored the fortunes of Francois-André Danican Philidor, which had been wavering since the great success of Tom Jones a decade earlier. His opéra-comique, which foreshadows the plot of Mozarts Così fan tutte (Mozart had been in Paris during the first performances of Philidors work), offers delicious opportunities for mock-indignation and repartee in its arias and ensembles. This recording presents the complete music. Opera Lafayette and Ryan Browns recording of Philidors Sancho Pança [8.660274] was hailed as a witty, authentic interpretation by the American Record Guide.