In his extensive liner notes to this double-disc, Bill Fay claims that only David Tibet would have released Still Some Light, a collection of demos from 1970 and 1971 gathered from various sources, and a disc of new songs…
Altoist Johnny Hodges and organist Wild Bill Davis made quite a few records together during the 1960s, although each of their efforts had slightly different personnel. In the case of this long out-of-print Verve LP, they are assisted by trombonist Lawrence Brown, guitarist Grant Green, bassist Richard Davis, drummer Ben Dixon and, on three numbers, pianist Hank Jones. With the exception of "Take the 'A' Train" and the two ballads "The Nearness of You" and "Peg O' My Heart," the material (including three Hodges originals and Duke Ellington's "Imbo") is quite obscure. The group always swings, and it is interesting to hear Hodges in this setting; pity that this LP's music has not yet been reissued on CD.
Kenny Wheeler is among the most lyrically commanding yet daring of modern trumpeters. There's a palpable ease of execution, and a poignant human quality, to his distinctive timbre, as on the title tune where his fluttering descents into the lower register, the cracked yet powerful vocal inflections, and the sudden emission of high harmonics suggest a whistling column of air slowly leaking from a balloon. And from the moody Spanish tinge of "Present Past" to the raga-ish Nordic gravity of "Unti," alto player Lee Konitz matches Wheeler's lyric ease with a singing sound and rhythmic buoyancy all his own.
Official reissue of Bill Nelson’s classic & long deleted six cd boxed set originally released in 2002. Eestores the original boxed set artwork & book. Esoteric Recordings’ imprint Cocteau Discs are very pleased to announce the re-release of one of the most sought after titles in BILL NELSON’s extensive solo catalogue, the boxed set "NOISE CANDY”. Originally released in 2002 on the Tone Swoon imprint, the set was available for a matter of months before the distributors ceased to exist. "NOISE CANDY” was a fascinating project that gathered together a host of recordings made by Bill at his various home studios between 1990 and 2000. Featuring 121 tracks, the set comprised 6 CDs of songs and instrumental music, each CD an album in their own right and entitled variously "Old Man Future Blows the Blues”, "Stargazing With Ranger Bill”, "Sunflower Dairy Product”, "King Frankenstein”, "Console” and "Playtime”.
…Nevertheless, its cavalcade of contradictory moods has its own coherence, and is more musical than most pop music soundtracks. Plus, this has no familiar material, nor does it have anything that would be a single on Clear Channel, which is why it works as an album of its own – it doesn't just reflect the movie; it follows its own logic, and displays fearless imagination. It makes you hungry for Vol. 2, both the movie and soundtrack.