David Zinman's performance of Coppelia is beautifully played and most naturally recorded. The warm acoustic of the Rotterdam concert hall certainly suites Delibes colourful scoring, and the gracefully delicate string-playing is nicely flattered. 'Les Sylphides' is a compilation of works by Frédéric Chopin. It was conceived as a ballet by Mikhail Fokin in 1909, and orchestrated by Roy Douglas in 1936. 3. Faust: Ballet Music by Charles Gounod.
Private Release. Four CD's in a spiral bound serrated black cover and semi-transparent and black slips. A record of the Faust 'Day in the Life' special presented by Andy Wilson and Ian Land for Resonance Radio, 4th August 2002. Combines live, rare and previously unreleased tracks as well as interviews with Chris Cutler and Jochen Irmler. Chris Cutler's interview is spread across disc A:III,VIII,XII,XVII,XXIV. The tracks B:1-1V recorded live at The Garage, London, 1996. B:V-VIII are solo tracks by Jochen Irmler. B:IXf is an interview recorded with Jochen especially for the Resonance show. Disc Z is made up of Keef Robert's Faust Redux project. U:VI-XV recorded live at Real Art Ways, Hartford, CT, USA, 5 May 1994. U:XVI is Ian Morrisson's Elektron (Coulomb Remix). No longer available.
Doktor Faust remained a fragment at the time of the composer's death. Busoni died in 1924, unable to complete what he himself described as his ''state masterpiece'' - an opera to which he had a deep personal attachment. The missing scenes from the score - the appearance of Helen and Faust's closing monologue - were completed by his pupil, Philipp Jarnach, whom Busoni had become acquainted with during his period in exile in Zürich. In this form the opera was given its first performance in Dresden in 1925. Then in the 1980s the conductor Anthony Beaumont came across previously undiscovered sketches by Busoni and produced a new version of Doktor Faust, which was premiered in Bologna in 1985. The current recording uses the Jarnach score.
Considered by many music historians as one of the most important group out of Germany, Faust were certainly ahead of their time. They took their music to unsuspecting heights somewhere in between Can, Velvet Underground, Neu, LA Dusseldorf or Henry Cow but also much farther and can be considered as founding fathers of the Industrial Rock. Having made their debut in 71 in Hamburg, Faust will never stop their groundbreaking and will be always one step ahead of everybody else including the groups above mentioned and are the prime example of Rock In Opposition (RIO) along with Henry Cow. Faust is definitely not for the faint-hearted person and can only be recommended in small doses because it is very dangerous for the sanity of the average proghead.
A very free adaptation of Marlowe's 'Doctor Faustus', Goethe's 'Faust' and various other treatments of the old legend of the man who sold his soul to the devil. Svankmajer's Faust is a nondescript man who, after being lured by a strange map into a sinister puppet theatre, finds himself immersed in an indescribably weird version of the play, blending live actors, clay model animation and giant puppets.
The unjustly neglected piano quartet (J76) was completed in September of the year 1809, which the 22-year-old Weber spent in Stuttgart. It was originally offered to the publisher Hans Georg Nägeli, but he rejected it, advising the composer that it created wanton ‘confusion in the arrangement of its ideas’ and indeed too obviously imitated the ‘bizarreries’ of Beethoven. However, the work was issued a year later by the Bonn firm of Beethoven’s friend and admirer Nikolaus Simrock, whose ears were more receptive to the peculiarities of the score than Nägeli.
I can´t believe this recording isn´t in the catalogue anymore ,Montserrat Caballé , Giacomo Aragall and Paul Plishka , et al are fantastic . Anyone who owns this recording surely understands my enthusiasm about it .
Faust is a grand opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré’s play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe’s Faust, Part 1. It debuted at the Théâtre Lyrique (Théâtre-Historique, Opèra-National, Boulevard du Temple) in Paris on March 19, 1859...