Double Tony Award winning stage director Desmond McAnuff’s production, hailed by the New York Times as “rich with ideas and theatrically daring”, presents Faust as an atomic scientist inhabiting a dark world shot through with Cold War resonances. Alongside Kaufmann, a typically gold-standard Met cast includes the “phenomenal” Rene Pape as Mephistopheles and the “ideally-suited” Marina Poplavskaya as Marguerite. Star conductor Yannick Nezet-Seguin draws an “elegant, darkly textured performance” from the Metropolitan Opera orchestra.
This is French opera at his best, before this authentic style was gone: beautiful silver tones from a now lost period. I bought this record more than 40 years ago and it is still unpassed.
I can´t believe this recording isn´t in the catalogue anymore ,Montserrat Caballé , Giacomo Aragall and Paul Plishka , et al are fantastic . Anyone who owns this recording surely understands my enthusiasm about it .
Angela Gheorghiu stars as Marguerite alongside a divine cast of operatic superstars, including Roberto Alagna, Bryn Terfel, Simon Keenlyside and Sophie Koch, in David McVicar's spectacular 2004 production of Gounod's best known opera, Faust, for the Royal Opera House in London. This production was the Royal Opera Company's first performance of Gounod's Faust in 18 years. Gounod's Faust is the story of a scholar who sells his soul to the Devil in exchange for unlimited knowledge and worldly indulgences. McVicar's innovative production sets this story around the time of the Franco-Prussian War (1870) in the gothic, seamy underbelly of Paris. He characterizes Faust, performed by Roberto Alagna, as a man both torn between the theater and religion, and grappling with his own sexuality.
The CD format for opera on records coincides with (and perhaps encourages) the modern habit in the opera house of running two or more acts together without an interval. Some operas benefit from this, but I don't think Faust is one of them. It strikes a genial bargain. ''I won't waste your time,'' it promises, ''but don't bother to come along if you haven't got a full evening-out to spare.''
David Zinman's performance of Coppelia is beautifully played and most naturally recorded. The warm acoustic of the Rotterdam concert hall certainly suites Delibes colourful scoring, and the gracefully delicate string-playing is nicely flattered. 'Les Sylphides' is a compilation of works by Frédéric Chopin. It was conceived as a ballet by Mikhail Fokin in 1909, and orchestrated by Roy Douglas in 1936. 3. Faust: Ballet Music by Charles Gounod.