Reissue with the latest remastering. Features original cover artwork. A familiar grouping, but one that's presented here in a very different way – as bassist David Williams is up front in the lead, instead of working in his more familiar role in the trio of pianist Cedar Walton! Yet Walton's on board for this debut set from Williams as a leader – as is drummer Billy Higgins – and it's wonderful to hear the way they change things up slightly to give David more time in the spotlight, and to hear the way that Williams hits some of his more lyrical, melodic modes too – qualities that further our love of his talents on the bass, which were already great enough when working behind Walton. Cedar gets in plenty of solos along the way, but often cedes more time to Williams.
Reissue with the latest remastering. Features original cover artwork. A great take on the classic European mode of presenting an American tenorist with local trio backing – a date that has pianist Rein De Graaff providing rhythm for the duo of David Newman and Marchel Ivery! Newman's tenor opens up with a freer, more spontaneous vibe than on some of his more composed albums of a few years before – and he plays some especially nice flute at points, with this biting tone that reminds us just how great he can be on the instrument. Ivery's nice too – really getting the right sort of swing from De Graaff on piano, Koos Serierse on bass, and Erik Ineke on drums – and the players each take solos on most numbers, one track features only Newman, and another only Ivery.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. There's a lot of great chromatic elements going on here – thanks to the work of John Scofield on guitar, who's at that key point where he could effortlessly balance melody and tone with these edges that are sharp, but also very spacious – kind of a wide style that really reaches out and wraps up the rest of the players in the group! Not that the record's one of John's as a leader, because the real driving force here is David Liebman on tenor and soprano sax – but he also seems to let Scofield set the tone at many times – which opens up work from the rest of the players, who include Terumasa Hino on trumpet, Ron McClure on bass, and Adam Nussbaum on drums. This approach makes the record a lot less arch than some of Liebman's other material from the time – and titles include "Reunion", "Moontide", "Move On Some", "Autumn In New York", "If They Only Knew", and "Capitstrano".
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese.An album with a terrible cover – but a wonderful sound! Underneath this ridiculous bikini-clad cover lies some of the best work that Louis Hayes and Joe Farrell cut during the 80s – a freewheeling and open session that's steep on soul, and filled with the best energy both players could muster! The group's a quartet, with Farrell on tenor, soprano, and flute, Hayes on drums, Rob Van Den Broeck on piano, and Harry Emmery on bass. Farrell's inventiveness, as always, is incredible – restrained from some of his over-the-top work in the 70s – but in a good way, one that has him really focusing on the construction of his solos, and coming up with some wonderfully soulful notes that hold the lively rhythms of the tunes together. All tracks are long, and titles include "Miles Mode", "Vim N Vigor", "Arab Arab", and "Besame Mucho".
Sgt. O'Farrell an Army soldier on an island in the South Pacific during World War II is trying to bring the two basics of life to his fellow servicemen, women and beer. The supply ship carrying the beer is torpedoed and the contingent of nurses consists of six males and ugly nurse Nellie Krause. If he could at least try to salvage the shipment of beer.