Other Aspects is unlike any other title in Eric Dolphy's catalog. The startling 15-minute composition "Jim Crow," recorded in 1962 with an unidentified rhythm section and operatic singer, shows his embracing of 20th century classical composition. Strong Indian influence is heard on 1960's "Improvisations and Tukras," featuring Dolphy's flute mixed with tabla and tamboura. The final three pieces were also recorded in 1960: "Inner Flight 1 and 2" are solo flute pieces, while "Dolphy'n" is a collaboration with bassist Ron Carter featuring Dolphy on alto. This music remained in the private collection of Dolphy's friend Hale Smith until the recordings were handed over to Blue Note in 1985. While Other Aspects is fascinating, and in its own way essential, it should be one of the final discs obtained for your Dolphy library.
Features 24 bit remastering and comes with a mini-description. Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s.
This recently-discovered release is certainly the jazz find of the year so far in 2007. In much the way that John Coltrane/Thelonious Monk Live at Carnegie Hall and, to some extent, the live Coltrane document One Up, One Down, Cornell 1964 brings a major piece of jazz history into focus in the best way possible–with an actual recording that documents it.
For years, Last Date was thought of as Eric Dolphy's final recording until Unrealized Tapes (from nine days later) was released; Dolphy passed away only 18 days after performing this music. This LP from the European West Wind label features the great Dolphy on alto and bass clarinet with a sextet that includes trumpeter Donald Byrd, tenor saxophonist Nathan Davis and a French rhythm section performing four of his compositions including the otherwise unknown "Springtime." Eric Dolphy collectors will have to get this gem.
A quarter of a century after his death at 36, the astonishing saxophonist and flutist Eric Dolphy is still influencing and inspiring the most adventuresome jazz musicians. Dolphy was daring and iconoclastic while fully immersed in the jazz tradition. His musicianship was so thorough that innovators like Charles Mingus and John Coltrane held him in awe. In a dream partnership, Dolphy and trumpeter Booker Little made a handful of recordings in 1960 and '61, shortly before Little's own premature death. The first of them are in this album. Included is the rare "Serene," never before issued with the session's other material.
Out to Lunch! was Eric Dolphy's only recording for Blue Note Records as a leader and was originally issued as BLP 4163 and BST 84163. Today it is generally considered one of the finest albums in the label's history, as well as one of the high points in 1960s avant-garde jazz and in Dolphy's discography. Tony Williams had turned 18 a few months (75 days) before this recording, and is listed as "Anthony Williams" on the album cover. A few months after recording this album, Dolphy went on a European tour with Charles Mingus. He died shortly thereafter of a diabetic shock. His brilliant 1964 debut as a leader on Blue Note, recorded just four months before his death.