Chet Baker's West Coast cool comes to the Big Apple on Chet Baker in New York. The project would be Baker's first – in a four album deal – with the Big Apple-based Riverside Records. The bicoastal artist incorporates his decidedly undernourished sound and laid-back phrasing into the styling of Al Haig (piano), Johnny Griffin (tenor sax), Paul Chambers (bass), and Philly Joe Jones (drums)…
This Is Jazz, Vol. 2 isn't an ideal overview of Chet Baker's seminal Columbia recordings, but it isn't bad, either. Many of the featured 16 songs are among Baker's very best, giving novices a good idea of the sound, style, and depth of his music, even if it doesn't provide an ideal context. Nevertheless, This Is Jazz doesn't intend to provide context, which will undoubtedly frustrate collectors and jazz purists…
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. There may never be another Chet Baker, but on this particular night in Zagreb, poor Baker was not playing his best: His chops are weak, and his voice is strained and shallow. Still, these four duos, with longtime collaborator, guitarist Philip Catherine, have their rewards, such as the lengthy, substantial, and melodic solos by the guitarist.
After having released seven recordings for the Italian EGEA label in settings ranging from solo to trio, when pianist Enrico Pieranunzi was asked what he'd like to do next, he immediately replied, "a CD with piano, sax, bass and—a string quartet." Given the green light, Pieranunzi put together a series of pieces that seamlessly combine the rich culture of the string quartet with the improvisational verve of a jazz chamber trio. The result, Les Amants , successfully marries these two traditions in a way that is respectful to both, balancing them perfectly in a combination that is dramatic without being melodramatic, sweet without being syrupy, and completely accessible without losing a certain sense of exploration.
Unico musicista italiano ad aver piu volte suonato e registrato nello storico Village Vanguard di New York, Enrico Pieranunzi propone alla Casa del Jazz, una performance col suo trio europeo. Saranno con lui il contrabbassista olandese Jasper Somsen ed il batterista francese Andre Ceccarelli, suoi partner in una sua recente registrazione live in Germania per la serie "European Jazz Legends". Brani originali scritti per l'occasione e libere improvvisazioni saranno il filo conduttore di un viaggio affascinante all'interno del trio, formazione con cui da sempre Pieranunzi ha dato il meglio di se, guadagnandosi una reputazione di assoluto valore internazionale.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. ‘Live in Rosenheim’ was issued posthumously, and is billed as ‘Chet Baker’s last recording as a quartet’. It has been suggested that Chet’s performance is tired and lackluster, but he sounds on fairly good form. ncludes "Funk In Deep Freeze", "Portrait In Black And White" and "In A Sentimental Mood".
The Gerry Mulligan Quartet of 1952-53 was one of the best-loved jazz groups of the decade and it made stars out of both the leader and trumpeter Chet Baker. Mulligan and Baker had very few reunions after 1953 but this particular CD from 1957 is an exception. Although not quite possessing the magic of the earlier group, the music is quite enjoyable and the interplay between the two horns is still special. With expert backup by bassist Henry Grimes and drummer Dave Bailey, these 13 selections (plus two new alternate takes) should please fans of both Mulligan and Baker.