Enrico Pieranunzi Chet Baker

Enrico Pieranunzi Trio - New Lands (1984) {2015 Japan Timeless Jazz Master Collection Complete Series}

Enrico Pieranunzi Trio - New Lands (1984) {2015 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 109 Mb
Full Artwork @ 600 dpi (png) -> 276 Mb | 5% repair rar
© 2015 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6329
Jazz / Post Bop / Hard Bop / Piano Trio

Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A superior post-bop pianist influenced by Bill Evans and McCoy Tyner but long possessing his own sound, Enrico Pieranunzi is one of the top jazz pianists living in Italy. Perhaps the reason for the prevalence of Pieranunzi trio recordings can be summed-up in the following excerpt from Wim van Eyle’s insert notes to Enrico’s New Lands trio recording: “One of the most enjoyable of all Jazz forms is the piano trio: three is an ideal number for improvising together with great possibilities of interplay within the trio. If there are stylistic boundaries they can be crossed and passed at all times, the trio format is an ideal format, a start point for superb Jazz playing”

Chet Baker Meets Enrico Pieranunzi - Soft Journey - 1980  Music

Posted by mfrwiz at May 13, 2010
Chet Baker Meets Enrico Pieranunzi - Soft Journey - 1980

Chet Baker Meets Enrico Pieranunzi - Soft Journey - 1980
Lossless (Ape Image + Cue + Log + auCDtect Report): 178 Mb | EAC Secure Mode Rip | Mp3 (CBR 320 kbps): 97 Mb | HQ Complete Scans | WinRar Files (3% recovery)
Audio CD (20 Oct 2008) - Number of Discs: 1 - Label: Egea - Catalog Number: SCA 140 - Source: eMule
Jazz
Chet Baker - Italian Movies (1958-1964) {3CD Set Moochin' About MOOCHIN03 rel 2013}

Chet Baker - Italian Movies (1958-1964) {3CD Set Moochin' About MOOCHIN03 rel 2013}
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© 1958-64, 2013 Moochin' About | MOOCHIN03
Jazz / Cool / Stage & Screen / Continental Jazz / Original Score / Trumpet

Before delving into the music on this collection, it's important to offer a note of caution to Chet Baker fans: Italian Movies is not a really a compilation of the trumpeter's work, so much as a series of film scores by the great composer Piero Umiliani between 1958 and 1964 on which he is featured either as a soloist or as part of the orchestra. It might better have been marketed to Umiliani fans, but it's tough to fault label Moochin' About for a little creative license when repackaging a previous issue of this music that appeared on Liuto Records – that one was co-billed to the pair. Other than on disc three – where Baker doesn't get to solo until track nine in the score for 1962's Smog, yet is still featured for 20 minutes – there is plenty of him to go around as he works amid his Italian contemporaries.
Chet Baker - The Complete Pacific Jazz Live Recordings of Chet Baker with Russ Freeman (1954) {3CD Mosaic MD3-113 rel 1986}

Chet Baker - The Complete Pacific Jazz Live Recordings of The Chet Baker Quartet with Russ Freeman (1954) {3CD Mosaic MD3-113 rel 1986}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 745 Mb | MP3 @320 -> 413 Mb
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© 1954, 1986 Pacific Jazz / Mosaic Records | MD3-113
Jazz / Cool / West Coast Jazz / Trumpet / Piano

The independent jazz reissue label Mosaic Records garnered a rightful reputation as industry leaders and enthusiast favorites with deluxe and strictly limited-edition packages such as this one. The contents of this four-LP/three-CD collection are derived from two performances during the summer of 1954 and feature the Chet Baker Quartet: Baker (trumpet/"boom bam" percussion), Russ Freeman (piano), Carson Smith (bass), and Bob Neel (drums). The two performances – recorded July 21 at Santa Cruz's Civic Auditorium and August 10 at The Tiffany Club in Los Angeles, respectively – are presented chronologically.
Chet Baker - The Complete Pacific Jazz Studio Recordings of the Chet Baker Quartet with Russ Freeman (1953-56) {Mosaic MD3-122}

Chet Baker - The Complete Pacific Jazz Studio Recordings of the Chet Baker Quartet with Russ Freeman (1953-56) {3CD Set Mosaic MD3-122 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 805 Mb | MP3 @320 -> 434 Mb
Full Artwork @ 300 dpi (png) -> 174 Mb | 5% repair rar
© 1953-56, 1989 Pacific Jazz / Mosaic Records | MD3-122
Jazz / Cool / West Coast Jazz / Trumpet / Piano

This essential four-LP box set features trumpeter Chet Baker leading his own group during the 1953-1956 period (shortly after the breakup of the Gerry Mulligan Quartet) with pianist Russ Freeman, either Bob Whitlock, Carson Smith, Joe Mondragon, Jimmy Bond, or Leroy Vinnegar on bass, and Bobby White, Larry Bunker, Shelly Manne, Bob Neel, Peter Littman, or Lawrence Marable on drums. Baker is heard at his coolest (mostly before he became influenced by Miles Davis); some of the later selections also feature his first recorded vocals. Because the Mosaic box sets are limited editions, they should be acquired as soon as possible.
Chet Baker Trio - The Touch of Your Lips (1979) {SteepleChase SCCD 31122 rel 1989}

Chet Baker Trio - The Touch of Your Lips (1979) {SteepleChase SCCD 31122 rel 1989}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 172 Mb | MP3 @320 -> 111 Mb
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© 1979, 1989 SteepleChase ProductionsApS | SCCD 31122
Jazz / Cool / West Coast Jazz / Standards / Trumpet

This was the perfect setting during his later years. The trumpeter (who also sings on two of the six songs) sounds very relaxed and comfortable while accompanied by the duo of guitarist Doug Raney and bassist Niels Pedersen, taking some consistently lyrical solos on the six standards.
Gerry Mulligan & Chet Baker - Carnegie Hall Concert (1974) {Epic EPC 450554 2 rel 1987}

Gerry Mulligan & Chet Baker - Carnegie Hall Concert (1974) {Epic EPC 450554 2 rel 1987}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 405 Mb | MP3 @320 -> 166 Mb
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© 1974, 1987 CTI / Epic / CBS | EPC 450554 2
Jazz / Cool / West Coast Jazz / Saxophone / Trumpet

At this 1974 concert baritonist Gerry Mulligan and trumpeter Chet Baker had one of their very rare reunions; it would be only the second and final time that they recorded together after Mulligan's original quartet broke up in 1953. Oddly enough, a fairly contemporary rhythm section was used (keyboardist Bob James, vibraphonist Dave Samuels, bassist Ron Carter, drummer Harvey Mason, and in one of his first recordings, guitarist John Scofield). However, some of the old magic was still there between the horns, and in addition to two of Mulligan's newer tunes, this set (the first of two volumes) also includes fresh versions of "Line for Lyons" and "My Funny Valentine."
Enrico Pieranunzi/Marc Johnson/Joey Baron - Live In Japan (2CD) (2007) {Cam Jazz}

Enrico Pieranunzi/Marc Johnson/Joey Baron - Live In Japan (2CD) (2007) {Cam Jazz}
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MP3 CBR 320kbps | RAR | 287 mb
Genre: jazz

Enrico Pieranunzi, Marc Johnson and Joey Baron performed together in Tokyo and released highlights from it as a 2CD set called Live In Japan. Recorded in 2004, it was released in 2007 by Cam Jazz.
Enrico Pieranunzi/Marc Johnson/Joey Baron - As Never Before (2008) {Cam Jazz}

Enrico Pieranunzi/Marc Johnson/Joey Baron - As Never Before (2008) {Cam Jazz}
EAC Rip | FLAC with CUE and log | scans | 369 mb
MP3 CBR 320kbps | RAR | 158 mb
Genre: jazz

As Never Before is a 2008 collabopration album between Enrico Pieranunzi, Marc Johnson and Joey Baron. This was released on the Cam Jazz label.
Chet Baker & Bud Shank - Theme Music From "The James Dean Story" (1956) {Pacific Jazz 07777 7 95251 2 6 rel 2000}

Chet Baker & Bud Shank - Theme Music From "The James Dean Story" (1956) {Pacific Jazz 07777 7 95251 2 6 rel 2000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1956, 2000 Pacific Jazz / Capitol | 07777 7 95251 2 6
Jazz / Cool / West Coast Jazz / Soundtracks

West coast cool purveyors Chet Baker (trumpet) and Bud Shank team up to provide the incidental soundtrack to The James Dean Story (1958). Granted, the biopic was presumably made to cash in on the actor's untimely demise, but movie buffs also recognize it as one of director Robert Altman's earliest features. The score was written by Leith Stevens, who had previously worked on Private Hell 36 (1954), The Wild One (1954), and the Oscar-winning sci-fi classic Destination Moon (1950). Those credentials may have gotten Stevens the gig, but his contributions remain somewhat of a double-edged sword.