Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A superior post-bop pianist influenced by Bill Evans and McCoy Tyner but long possessing his own sound, Enrico Pieranunzi is one of the top jazz pianists living in Italy. Perhaps the reason for the prevalence of Pieranunzi trio recordings can be summed-up in the following excerpt from Wim van Eyle’s insert notes to Enrico’s New Lands trio recording: “One of the most enjoyable of all Jazz forms is the piano trio: three is an ideal number for improvising together with great possibilities of interplay within the trio. If there are stylistic boundaries they can be crossed and passed at all times, the trio format is an ideal format, a start point for superb Jazz playing”
This was the perfect setting during his later years. The trumpeter (who also sings on two of the six songs) sounds very relaxed and comfortable while accompanied by the duo of guitarist Doug Raney and bassist Niels Pedersen, taking some consistently lyrical solos on the six standards.
Two absolutely superb piano players from different musical worlds: Bruno Canino, as a representative of art music, and Enrico Pieranunzi, as a representative of jazz. Two Americas, the Northern one and the Southern one, and some of the greatest composers from both. To what extent is music beautifully gifted with making a universal language flow out, beyond genres, places, artists, composers, performers? Listening to Americas one is again led to realize that apparent contrasts are actually bonds consisting of irresistible mutual attractions, common points, osmotic relations. The Americas project has been conceived for two pianos intertwining like cultures and musical worlds do. Here, between Canino and Pieranunzi, it matters little who is playing “what” and “when”.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. There may never be another Chet Baker, but on this particular night in Zagreb, poor Baker was not playing his best: His chops are weak, and his voice is strained and shallow. Still, these four duos, with longtime collaborator, guitarist Philip Catherine, have their rewards, such as the lengthy, substantial, and melodic solos by the guitarist.
After having released seven recordings for the Italian EGEA label in settings ranging from solo to trio, when pianist Enrico Pieranunzi was asked what he'd like to do next, he immediately replied, "a CD with piano, sax, bass and—a string quartet." Given the green light, Pieranunzi put together a series of pieces that seamlessly combine the rich culture of the string quartet with the improvisational verve of a jazz chamber trio. The result, Les Amants , successfully marries these two traditions in a way that is respectful to both, balancing them perfectly in a combination that is dramatic without being melodramatic, sweet without being syrupy, and completely accessible without losing a certain sense of exploration.
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. ‘Live in Rosenheim’ was issued posthumously, and is billed as ‘Chet Baker’s last recording as a quartet’. It has been suggested that Chet’s performance is tired and lackluster, but he sounds on fairly good form. ncludes "Funk In Deep Freeze", "Portrait In Black And White" and "In A Sentimental Mood".