Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. A superior post-bop pianist influenced by Bill Evans and McCoy Tyner but long possessing his own sound, Enrico Pieranunzi is one of the top jazz pianists living in Italy. Perhaps the reason for the prevalence of Pieranunzi trio recordings can be summed-up in the following excerpt from Wim van Eyle’s insert notes to Enrico’s New Lands trio recording: “One of the most enjoyable of all Jazz forms is the piano trio: three is an ideal number for improvising together with great possibilities of interplay within the trio. If there are stylistic boundaries they can be crossed and passed at all times, the trio format is an ideal format, a start point for superb Jazz playing”
A compilation of two Pacific Jazz LPs (# 9 and 15), recorded in 1953 and 1954. The earlier session features Chet with Jack Montrose (tenor sax) Herb Geller (alto sax) and Bob Gordon (baritone sax), and every tune on the session is a knockout. Especially wonderful are "Bockhanal" (in 2 takes) and "Headline"; both swing like crazy. The later session has Montrose again with Bill Holman (tenor sax) Bob Brookmeyer (trombone) and Bud Shank (baritone sax). Here the standout tracks are "The half dozens," "Stella by starlight," and "Dot's groovy."
Chet Baker & Crew : The Forum Theatre Recordings. Sometimes known as the Prince of Cool and the James Dean of jazz, Chet Baker was one of the most popular and controversial jazz musicians. He was the primary exponent of West Coast school of cool jazz (that was in early and mid-1950s). As a trumpeter, he had an intimate and romantic style of playing music, and attracted a lot of attention beyond jazz, mainly because of his movie star looks. Baker earned much attention and critical praise through the 1950s, particularly for albums featuring his vocals (Chet Baker Sings, It Could Happen to You). Jazz historian Dave Gelly described the promise of Baker's early career as "James Dean, Sinatra, and Bix, rolled into one." His well-publicized drug habit also drove his notoriety and fame. Baker was in and out of jail frequently before enjoying a career resurgence in the late 1970s and '80s.
Three European jazz legends ! Don't miss their new project together around classic composer Claude Debussy for the release of their new album : "Monsieur Claude - [A Travel with Claude Debussy]"
Like a number of live Chet Baker albums released over the last ten years, this one documents a concert that took place shortly before his tragic death (having recently resumed his drug habit, he fell from a hotel room window in 1988). Unlike most of them, though, this one shows him to have still been in complete control of his musical faculties, playing not just beautifully and well, but with energy and even speed despite his deteriorating health. His singing, too, sounds uncannily like that of the quiet young sex symbol he'd been in the 1950s, before age and heroin ravaged his face and emptied his eyes.
This 1989 CD issue compiles all known sides cut during a July 26, 1956, session led by Chet Baker (trumpet) and Art Pepper (alto sax). Keen-eyed enthusiasts will note that this particular date occurred during a remarkable week – July 23 through July 31 – of sessions held at the behest of Pacific Jazz label owner and session producer Dick Bock at the Forum Theater in Los Angeles. The recordings made during this week not only inform The Route, but three other long-players as well: Lets Get Lost (The Best of Chet Baker Sings), Chet Baker and Crew, and Chet Baker Quintet at the Forum Theatre.
In 1964, trumpeter Chet Baker returned to the United States after five sometimes-traumatic years spent overseas (which included a long stay in an Italian jail for drug abuse). Baker recorded prolifically during his first 14 months back in the States, including a set for Colpix, two records for Limelight, and, in a busy three-day period, five albums for Prestige titled Groovin', Comin' On, Cool Burnin', Smokin', and Boppin' With the Chet Baker Quintet. The Prestige sets have been long overlooked and only partially reissued in the past, but in 1997 they reappeared as three CDs.