Avant garde. Eccentric. A maniac. Wild and adventurous. Off the wall. Extraordinary. No marketing hyperbole - this is how the players of the Orchestra of the Age of Enlightenment describe Carl Philip Emmanuel Bach and his music. One of the many children of JS Bach, CPE Bach always lived in his father’s shadow, and now is an almost unknown figure at least beyond the classical cogniscenti. How can such an unknown be considered a gamechanger? A listen to his music reveals just why – it constantly shifts, wrongfooting the listener when they least expect it with wild changes of direction and colour – it is bright, effervescent, and is a fascinating link between the music of his father (and the Baroque era) and Joseph Haydn (and the Classical era).
You are a product of the Enlightenment. In fact, the philosophy behind so much that has created the modern concept of Self—politics, economics, psychology, science and technology, education, art—was invented as recently as the Enlightenment of the 18th century. In The Enlightenment Invention of the Modern Self, literary scholar Leo Damrosch of Harvard University considers the time when ideas about the self were first considered.
This documentary series explores the fact that from Google, and Facebook and Wikipedia to the systems of democracy, finance, manufacture and the law; many aspects of modern life owe their existence to a single defining period: the Age of Enlightenment of the 18th century. Filmed in locations across Britain, France, Germany, Portugal and America, this illuminating series brings to life some of the key characters of the era - Newton, Erasmus, Darwin, Voltaire, Diderot, Condorcet, Frederick the Great and Thomas Jefferson - and the ideas that shaped the world we live in today.
The young violinist Alina Ibragimova is already established as an admired recording artist, standing alongside great artists of the past and present with her versions of Bach and Beethoven’s violin works. She appears on this latest release with the Orchestra of the Age of Enlightenment and Vladimir Jurowski (in his Hyperion premiere) in a programme which includes a classic of the concerto repertoire: Mendelssohn’s Violin Concerto in E minor, Op 64.