Pinnock’s performances of the Bach Harpsichord Concertos first appeared in 1981 and have dominated the catalog ever since. In the solo concertos he plays with real panache, his scholarship tempered with excellent musicianship." "The double, triple and quadruple concertos are digital, and the combination of period instruments and playing of determined vigour certainly makes a bold effect.
Simon Preston's recordings of the complete set of Handel's organ concertos with Trevor Pinnock and The English Concert was the first to use the latest musicological research by Anthony Hicks. These recordings remain unsurpassed from a scholarly point of view, and the performances themselves remained a benchmark for at least a decade. They may not be the best versions available now but still have a lot to offer. Preston's performances are alert and still sound very vibrant and strong, yet it must be confessed that the rather harsh sound of Preston's instrument in Opus 7 verges on becoming joyless at times.