Emanuela Galli

Fabio Bonizzoni, La Risonanza, Emanuela Galli, Roberta Invernizzi - Handel: Le Cantate per il Marchese Ruspoli, Vol. 2 (2007)

Fabio Bonizzoni, La Risonanza, Emanuela Galli, Roberta Invernizzi - Handel: Le Cantate per il Marchese Ruspoli, Vol. 2 (2007)
EAC | FLAC | Image (Cue & Log) ~ 354 Mb | Total time: 74:03 | Scans included
Classical | Label: Glossa | # 4GCD 921522 | Recorded: 2005

In the autumn of last year Fabio Bonizzoni and La Risonanza embarked on a journey taking a fresh look – musicologically as well as musically – at the chamber cantatas to Italian texts and with instrumental accompaniment composed by Georg Frideric Handel during his stay in Italy. Where the first release on Glossa focused on works associated with Cardinal Pamphili in Rome, this new recording contains pieces – including the dramatic cantata Armida abbandonata and Handel’s ‘own’ Hunt Cantata – originating in the establishment of the Marquis Ruspoli and written for sopranos such asMargherita Durastante and Vittoria Tarquini.
Barbara Strozzi - Diporti di Euterpe - Emanuela Galli - Paul Beier - Ensemble Galilei

Barbara Strozzi - Diporti di Euterpe - Emanuela Galli - Paul Beier - Ensemble Galilei
EAC RIP | APE + CUE + LOG | NO COVER | 240Mb
Classical | Stradivarius STR 336087
George Petrou, Orchestra of Patras - Handel: Giulio Cesare (2010)

George Petrou, Orchestra of Patras - Handel: Giulio Cesare (2010)
EAC | FLAC | Image (Cue & Log) ~ 1.02 Gb | Total time: 75:50+78:48+77:23 | Scans included
Classical | Label: MDG | # 609 1604-2 | Recorded: 2008

It is a studio production with all the benefits of excellent acoustics, perfect balance, no disturbing noises from stage movements or audience reactions and the option to re-record momentary lapses. And there is another advantage: these studio sessions were based on a staged production at the Thesaloniki Concert Hall in March 2008! I suppose this is a misprint. If it is, this is the only error in this wholly delightful production.

Andrea Galli - Dalla Chiesa  eBooks & eLearning

Posted by Karabas91 at Dec. 14, 2017
Andrea Galli - Dalla Chiesa

Andrea Galli - Dalla Chiesa
Italian | 2017 | 318 pages | ISBN: 8804680881 | EPUB | 4 MB
Claudia Galli - Lifesurfing. Sulle onde del potere creativo per rimuovere gli auto-sabotaggi e svelare una magicà realtà (2013)

Claudia Galli - Lifesurfing. Sulle onde del potere creativo per rimuovere gli auto-sabotaggi e svelare una magicà realtà (2013)
Italian | Anima | 2013 | PDF | Pages 100 | ASIN: B00H4JOJ84 | 5 MB

Lifesurfing è un testo che offre un percorso studiato per arrivare a stimolare il Potere Creativo che può manifestarsi in ognuno di noi, nel momento in cui diveniamo in grado di andare oltre i soliti meccanismi che ci imprigionano, impedendoci di realizzarci. La metodologia del Coaching, indirizzata soprattutto al risveglio della nostra capacità di Essere e alla rimozione di quegli auto-sabotaggi che inconsapevolmente inneschiamo, è qui integrata con Antichi Saperi ormai dimenticati. Una volta veniva chiamata Magia, ma ora siamo giunti a un punto in cui scienza ed esoterismo si incontrano.
Giorgio Galli - Le coincidenze significative. Da Lovecraft a Jung, da Mussolini a Moro, la sincronicità e la politica

Giorgio Galli - Le coincidenze significative. Da Lovecraft a Jung, da Mussolini a Moro, la sincronicità e la politica
Italian | 2016 | 196 pages | ASIN: B01CT6FWW8 | EPUB | 0,8 MB

Partendo da un concetto definito da Jung nel 1950, quello di sincronicità, Giorgio Galli propone un’analisi della realtà politica italiana e internazionale dell’ultimo secolo, attraverso l’individuazione di «coincidenze significative» fra gli eventi della storia. Esse, secondo lo psicoanalista svizzero, riguarderebbero fatti non vincolati da un rapporto di causa ed effetto (l’uno non è la conseguenza dell’altro) ma caratterizzati appunto da sincronicità (avvengono nello stesso tempo), e che presenterebbero un’evidente comunanza di significato.
Elena Biscuola, Mauro Borgioni, Allabastrina, La Pifarescha & Elena Sartori - La liberazione di Ruggiero dall'isola di Alcina (

Elena Biscuola, Mauro Borgioni, Allabastrina, La Pifarescha & Elena Sartori - La liberazione di Ruggiero dall'isola di Alcina (
Classical, Opera | MP3 CBR 320 kbps | 01:19:10 | 182 MB
Label: Glossa | Release Year: 2017

Daughter of the singer and composer Giulio Caccini, Francesca Caccini (1587-after 1641) was not only a singer, harpsichordist, lutenist, guitarist, but also, without a doubt, the first woman to compose operas. Her first known public appearance dates from October 1600, when she was thirteen years old with her father and some other members of her family during the celebrations of the marriage of Henry IV and Marie de Medici. As a young adult, she pursues a full-time career as a full-time court musician with the Grand Duchy of Tuscany and then with Catherine de Lorraine.

Cavina, La Venexiana - Monteverdi: Scherzi Musicali (2009)  Music

Posted by peotuvave at Aug. 2, 2015
Cavina, La Venexiana - Monteverdi: Scherzi Musicali (2009)

Cavina, La Venexiana - Monteverdi: Scherzi Musicali (2009)
EAC Rip | Flac (Image + cue + log) | 242 MB | MP3 320Kbps CBR | 131 MB | 1 CD | Full Scans
Genre: Classical | Label: Glossa | Catalog Number: 920915

La Venexiana has recorded all eight volumes of Monteverdi's madrigals, the Selva morale e spirituale and L'Orfeo. Here we have the Scherzi musicali published in Venice by Bartolomeo Magni in 1632, although pieces from other publications, such as the Arie di diversi raccolte of Vincenti (1634) and the Quarto scherzo delle ariose vaghezze of Milanuzzi (1624) are also included. By way of contrast, the finishing touch is provided by a dazzling and moving rendition of the Lamento di Arianna in an arrangement by Cavina himself, wherein the voice of Emanuela Galli, the star of this disc, is draped in a string ensemble led by Svetlana Fomina.
Giuliano Prandi, Ghislieri Choir & Consort - Jommelli: Sacred Music - Roma 1751 [2013]

Jommelli - Sacred Music: Roma 1751 (Giuliano Prandi, Emanuela Galli, Romina Basso) [2013]
Classical | Deutsche Harmonia Mundi 88883725182 | TT: 77.00 | EAC (FLAC, cue, log) | Covers | 351 Mb

Ghislieri Choir & Consort is a vocal and instrumental ensemble specialized in Italian sacred music of the 18th century. With regular invitations from major international festivals and prestigious European concert halls; from 2010 the ensemble records for Sony International. The ensemble was born in 2003 in the historic Ghislieri College of Pavia by the meeting between its director, Giulio Prandi, and the musicians Jorge Alberto Guerrero, Maria Cecilia Farina and Marco Bianchi. In addition to the consecrated authors of the late baroque and classical repertoire, with a special predilection for Mozart’s sacred production, the ensemble is passionately devoted to the rediscovery of the sacred Italian repertoire of the 18h century, displaying regularly in concert rare or unpublished works found through constant research work. The recording activity of Ghislieri Choir & Consort is mainly devoted to this repertoire.
Monteverdi - L'Incoronazione di Poppea (Claudio Cavina, La Venexiana) (2010)

Monteverdi - L'Incoronazione di Poppea (Claudio Cavina, La Venexiana) (2010)
Classical | Eac. Flac, Img+Cue, Log | Covers | 1006.89 MB
Label: Glossa | TT: 3:24:40

This fiery performance of L'incoronazione di Poppea (referred to here as Il Nerone, the title used in Busenello's libretto) is driven by the resonant honesty of the characters' extreme and frequently volatile emotional states, which the soloists convey with singing of exceptional individuality, purity, and tonal beauty. The 2009 recording was made soon after a series of staged performances in France, Germany, and Italy, and it shows; the singers and instrumentalists have the freedom that comes from an easy familiarity with the score and with each other that allows them to perform with a spontaneity that sounds like they are making the music up on the spot. Characterizations are especially strongly drawn, and conductor Claudio Cavina is able to lead the group with the extremely flexible tempos that Monteverdi is known to have advocated. The instrumental ensemble is dominated by plucked strings, so the accompaniment initially sounds somewhat twangy and brittle, but the program notes make a strong case for the historical precedent for the use of these instruments, and the ear eventually adjusts to the sound.