Emanuela Galli

Barbara Strozzi - Diporti di Euterpe - Emanuela Galli - Paul Beier - Ensemble Galilei

Barbara Strozzi - Diporti di Euterpe - Emanuela Galli - Paul Beier - Ensemble Galilei
EAC RIP | APE + CUE + LOG | NO COVER | 240Mb
Classical | Stradivarius STR 336087

Cavina, La Venexiana - Monteverdi: Scherzi Musicali (2009)  Music

Posted by peotuvave at Aug. 2, 2015
Cavina, La Venexiana - Monteverdi: Scherzi Musicali (2009)

Cavina, La Venexiana - Monteverdi: Scherzi Musicali (2009)
EAC Rip | Flac (Image + cue + log) | 242 MB | MP3 320Kbps CBR | 131 MB | 1 CD | Full Scans
Genre: Classical | Label: Glossa | Catalog Number: 920915

La Venexiana has recorded all eight volumes of Monteverdi's madrigals, the Selva morale e spirituale and L'Orfeo. Here we have the Scherzi musicali published in Venice by Bartolomeo Magni in 1632, although pieces from other publications, such as the Arie di diversi raccolte of Vincenti (1634) and the Quarto scherzo delle ariose vaghezze of Milanuzzi (1624) are also included. By way of contrast, the finishing touch is provided by a dazzling and moving rendition of the Lamento di Arianna in an arrangement by Cavina himself, wherein the voice of Emanuela Galli, the star of this disc, is draped in a string ensemble led by Svetlana Fomina.
Giuliano Prandi, Ghislieri Choir & Consort - Jommelli: Sacred Music - Roma 1751 [2013]

Jommelli - Sacred Music: Roma 1751 (Giuliano Prandi, Emanuela Galli, Romina Basso) [2013]
Classical | Deutsche Harmonia Mundi 88883725182 | TT: 77.00 | EAC (FLAC, cue, log) | Covers | 351 Mb

Ghislieri Choir & Consort is a vocal and instrumental ensemble specialized in Italian sacred music of the 18th century. With regular invitations from major international festivals and prestigious European concert halls; from 2010 the ensemble records for Sony International. The ensemble was born in 2003 in the historic Ghislieri College of Pavia by the meeting between its director, Giulio Prandi, and the musicians Jorge Alberto Guerrero, Maria Cecilia Farina and Marco Bianchi. In addition to the consecrated authors of the late baroque and classical repertoire, with a special predilection for Mozart’s sacred production, the ensemble is passionately devoted to the rediscovery of the sacred Italian repertoire of the 18h century, displaying regularly in concert rare or unpublished works found through constant research work. The recording activity of Ghislieri Choir & Consort is mainly devoted to this repertoire.
Handel - Le Cantate Italiane, I – VII (La Risonanza, Fabio Bonizzoni) [2006-2010]

George Frideric Händel - Le Cantate Italiane, vol. I – VII (La Risonanza, Fabio Bonizzoni) [2006-2010]
EAC Rip | FLAC, IMG+CUE, LOGs | Covers | 7cd, 2.49 GB
Classical | Label: Glossa Music | Catalog Number: GCD 921521-921527

The chamber cantata flourished in Italy as a counterpart to public opera and oratorio, cultivated by aristocratic patrons for their personal enjoyment. Perhaps because of its essentially private origins, this pervasive Baroque form remains little known today. During his years in Italy (1706-1710), George Frideric Handel composed nearly 100 cantatas for a series of important patrons, but they have tended to be passed over in favor of his larger operas, oratorios, concertos and orchestral suites. The plan of La Risonanza to perform and record all of the cantatas with instrumental accompaniment (about one-third of the total) is therefore of signal importance for all music lovers, as it will bring this extraordinarily beautiful music once again to life (2006-2009).
Handel - Giulio Cesare in Egitto, Hwv 17 (George Petrou) [2010]

Handel - Giulio Cesare in Egitto, Hwv 17 (George Petrou) [2010]
EAC Rip | FLAC, IMG+CUE, LOG | Scans Covers | 3cd, 1.01 GB
Classical | Label: MDG | Catalog Number: 609 1604-2

It could be argued that Händel’s Giulio Cesare is, in a sense, the La Bohème of Baroque opera: surely performed both more frequently and more widely afield than any of Händel’s other operas, Giulio Cesare is the most popular of Händel’s operas and the one that is most known even by audiences with limited exposure to Baroque opera. This familiarity led to the long-held assumption that Giulio Cesare was likewise the finest of Händel’s operatic scores, a supposition that has been challenged during the past two decades by more frequent – and more impressive – performances of Händel’s lesser-known operas…

La Venexiana - Monteverdi: Ottavo Libro dei Madrigali (2005)  Music

Posted by tirexiss at Sept. 6, 2017
La Venexiana - Monteverdi: Ottavo Libro dei Madrigali (2005)

La Venexiana - Monteverdi: Ottavo Libro dei Madrigali (2005)
XLD | FLAC (image+.cue, log) | Covers + Digital Booklet | 03:13:03 | 852 MB
Genre: Classical, Vocal | Label: Glossa | Catalog: GCD 920928

Claudio Monteverdi's late works, like those of Beethoven, contain singular mixtures of simplicity and complexity. Book Eight of his madrigals are about love and war, themes as elemental as they come. Yet consider the madrigal Ogni amante è guerrier (Every Lover is a Warrior, track 6 on the first CD of this set), with its text by Ottavio Rinuccini that subtly conflates the two ideas. Monteverdi's setting, for a low voice, is moody, involved, and philosophical.

Pino Nicotri - Emanuela Orlandi (2013) [Repost]  eBooks & eLearning

Posted by edi1967 at Sept. 2, 2017
Pino Nicotri - Emanuela Orlandi (2013) [Repost]

Pino Nicotri - Emanuela Orlandi (2013)
Baldini & Castoldi | 2013 | ASIN: B00FHB146G | 267 pages | EPUB/PDF | 10 MB

A un quarto di secolo di distanza, il mistero della scomparsa della quindicenne Emanuela Orlandi continua a registrare periodiche riesplosioni a base di "rivelazioni", "certezze" e "supertestimoni" che rivelano immancabilmente il loro vero volto: depistaggi, falsi scoop e false speranze. In occasione del 25esimo anniversario della scomparsa sono dilagati gli ormai famosi manifesti recanti il volto sorridente di Emanuela e il battage sulle rivelazioni dell'ultima supertestimone in ordine di tempo. Quella Sabrina Minardi che essendo stata a suo tempo l'amante di Enrico "Renatino" De Pedis, boss della banda della Magliana, si presta molto bene a un rilancio ancora più intrigante e denso di misteri, cioè a un altro "Romanzo criminale" arricchito da una tomba da principe della Chiesa per un principe del crimine.
La Venexiana, Claudio Cavina - Luzzaschi: Concerto Delle Dame (2011)

La Venexiana, Claudio Cavina - Luzzaschi: Concerto Delle Dame (2011)
XLD | FLAC (image+.cue, log) | Covers Included | 53:42 | 264 MB
Genre: Classical, Vocal | Label: Glossa | Catalog: GCD920919

The Concerti delle Dame, or Concerts of the Ladies, were secret events held by the Duke of Ferrara, using a consort of sopranos at his court. The organizer was the duke's court composer, the melodiously named Luzzasco Luzzaschi, who also composed chromatic madrigals in a language approaching that of Gesualdo. But these works experimented with the declamatory, chordal, highly ornamented style that became known as the seconda pratica.
La Venexiana, Claudio Cavina - Luzzaschi: Quinto Libro De Madrigali (2013)

La Venexiana, Claudio Cavina - Luzzaschi: Quinto Libro De Madrigali (2013)
XLD | FLAC (image+.cue, log) | Covers Included | 69:16 | 283 MB
Genre: Classical | Label: Glossa | Catalog: GCD C80905

The Ferrarese Luzzasco Luzzaschi, a pupil of Cipriano de Rore and teacher in turn of Girolamo Frescobaldi, much admired and praised by the self-same Gesualdo da Venosa, has passed into history as the principal musical inspiration for the Concerto delle Dame, that vocal trio with instrumental accompaniment (for which Glossa has very recently produced a new recording).

Ernesto Galli Della Loggia - Il tramonto di una nazione  eBooks & eLearning

Posted by Karabas91 at June 22, 2017
Ernesto Galli Della Loggia - Il tramonto di una nazione

Ernesto Galli Della Loggia - Il tramonto di una nazione
Italian | 2017 | 344 pages | ASIN: B0725Q12DZ | EPUB | 1,6 MB