Eliot

Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major (2017)

Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major
Classical, Choral, Vocal | WEB FLAC (tracks) & d. booklet | 73:39 min | 330 MB
Label: SDG | Tracks: 27 | Rls.date: 2017

The Monteverdi Choir and English Baroque Soloists celebrate Christmas with a mixed programme of J.S. Bach’s sacred choral works. As we approach the 500th Anniversary of the Lutheran Church, these works transport listeners to 18th-century Leipzig for a traditional Christmas celebration. The programme moves from the intimacy of “Süßer Trost” to the vast celebration of joy that is Bach's Magnificat. The Bach at Christmas project is dedicated to the memory of philanthropist and patron of the Monteverdi choir, Sir Ralph Kohn. The concerts from which these recordings were taken took place at the Alte Oper, Frankfurt, in December of 2016.
Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major (2017)

Monteverdi Choir, English Baroque Soloists & John Eliot Gardiner - Bach: Magnificat in E-Flat Major & Missa in F Major (2017)
MP3 CBR 320 kbps | 01:13:55 | 169 Mb
Classical, Vocal | Label: Soli Deo Gloria

A new live recording of Bach’s Lutheran Mass in F Major (BWV223), Cantata "Süßer Trost, mein Jesus kömmt (BWV 151) and Magnificat in E flat (BWV243a), recorded in London at the end of a European tour in December 2016.

Handel - Jephtha, HWV 70 (John Eliot Gardiner)  Music

Posted by ArlegZ at March 12, 2011
Handel - Jephtha, HWV 70 (John Eliot Gardiner)

Handel - Jephtha, HWV 70 (John Eliot Gardiner)
Classical | EAC | Flac(Image)+Cue, Logs, Scans | 734.15 MB
CD1:58’53; CD2:57’28; CD3:42’00 | 16 Jan 2008 | DECCA

The plot of "Jephtha" is based, with alterations, on Chapter XI of Judges. This begins, "Now Jephtha the Gileadite was a mighty man of valour, and he was the son of a harlot." He was disinherited by his half-brothers, the sons of Gilead's legitimate wife, and went into exile, becoming a kind of outlaw leader. Now the Israelites, including [hose of Gilead, who have been following Mrange gods, are being oppressed by the Ammonites. [/quote]
Gluck - Orphée et Euridice (John Eliot Gardiner, Magdalena Kozená, Patricia Petibon)

Gluck - Orphée et Euridice (John Eliot Gardiner, Magdalena Kozená, Patricia Petibon)
DVD 9 | NTSC 16:9 (720x480) | MPEG-2 | LinearPCM, 2 ch; DTS, 5 ch | Language: Francais | Subtitles: English, Francais, Deutsch | 100 min | 6.94 GB
Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
Recorded at the Theatre Musical de Paris-Chatelet in 1999 | Released: 2000 | Label: EMI

A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf  eBooks & eLearning

Posted by IrGens at Sept. 21, 2017
A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf

A Secret Sisterhood: The Hidden Friendships of Austen, Bronte, Eliot and Woolf by Emily Midorikawa, Emma Claire Sweeney
English | June 1, 2017 | ISBN: 1781315949, 054488373X | EPUB | 320 pages | 3 MB

The Edinburgh Companion to T. S. Eliot and the Arts  eBooks & eLearning

Posted by First1 at Sept. 15, 2017
The Edinburgh Companion to T. S. Eliot and the Arts

The Edinburgh Companion to T. S. Eliot and the Arts by Frances Dickey, John D. Morgenstern
English | August 1st, 2016 | ISBN: 1474405282 | 337 pages | EPUB/PDF (True) | 29.80 MB

From his early "Curtain Raiser" to the late Four Quartets, T. S. Eliot took an interest in all the arts, drawing on them for poetic inspiration and for analysis in his prose. T. S. Eliot and the Arts provides extensive, high quality research about his many-sided engagement with painting, sculpture, museum artefacts, architecture, music, drama, music hall, opera and dance, as well as the emerging media of recorded sound, film and radio.

John Eliot Gardiner - Bach: St Matthew Passion BWV 244 (2017)  Music

Posted by SERTiL at Aug. 24, 2017
John Eliot Gardiner - Bach: St Matthew Passion BWV 244 (2017)

John Eliot Gardiner - Bach: St Matthew Passion BWV 244
EAC Rip | FLAC (tracks)+cue, log, m3u, d. booklet | 160:28 min | 683 MB
Label: Soli Deo Gloria ‎– SDG725 | Tracks: 68 | Rls.date: 2017
Classical, Vocal, Choral

A new live recording of Bach’s St Matthew Passion (Matthäuspassion BWV 244), recorded in Pisa Cathedral during the Anima Mundi Festival as part of the Monteverdi Choir and Orchestra’s 2016 tour.

Postcolonial George Eliot  eBooks & eLearning

Posted by AvaxGenius at Aug. 20, 2017
Postcolonial George Eliot

Postcolonial George Eliot By Oliver Lovesey
English | PDF | 2017 | 313 Pages | ISBN : 1137332115 | 3.74 MB

This book examines the range of the colonial imaginary in Eliot’s works, from the domestic and regional to ancient and speculative colonialisms. It challenges monolithic, hegemonic views of George Eliot — whose novelistic career paralleled the creation of British India — and also dismissals of the postcolonial as ahistorical. It uncovers often-overlooked colonized figures in the novels.
The World Broke in Two: Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster and the Year That Changed Literature

Bill Goldstein, "The World Broke in Two: Virginia Woolf, T. S. Eliot, D. H. Lawrence, E. M. Forster and the Year That Changed Literature"
ISBN: 0805094024 | 2017 | EPUB | 405 pages | 15.29 MB
John Eliot Gardiner, The English Baroque Soloisits, The Monteverdi Choir - Mozart: La clemenza di Tito [1991]

John Eliot Gardiner, The English Baroque Soloisits, The Monteverdi Choir - Mozart: La clemenza di Tito [1991]
EAC | FLAC | Image (Cue & Log) ~ 473 Mb | Total time: 58:20+59:44 | Scans included
Classical | Label: Archiv Produktion | # 431 806-2 | Recorded: 1990

Listening to this work so soon after hearing Zauberflote one is amazed anew that Mozart could write two such totally contrasted pieces within months of each other. Here, in the composer's last opera seria, we are in another world, one of formality tempered by the deep emotions engendered by love and jealousy. Instead of birdcatchers and Masonic rights we are dealing with historic figures in a supposedly historic context with down-to-earth feelings. For each Mozart finds precisely the appropriate music.