Chopin's two piano concertos have long been admired more as pianistic vehicles than as integrated works for piano and orchestra. But in his revelatory new recording, Krystian Zimerman suggests otherwise: The opening orchestral tuttis have so much more light, shade, orchestral color, and detail, you wonder if they've been rewritten. Every gesture, every instrumental solo is so specifically characterized that by the time the piano makes a dramatic entrance, the pieces have become operas without words.
Nikolai Borisovich Obukhov (Nicolas Obouhow) (1892–1954) was a modernist and mystic Russian composer, active mainly in France. An avant-garde figure who took as his point of departure the late music of Scriabin, he fled Russia along with his family after the Bolshevik Revolution, settling in Paris. His music is notable for its religious mysticism, its unusual notation, its use of an idiosyncratic 12-tone chromatic language, and its pioneering use of electronic musical instruments in the era of their earliest development.
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