Composer John Cage (1912-1992) is one of the classical world’s best known experimental composers and theorists. Electronic Music for Piano is one of Cage’s least known pieces because the score is among his most enigmatic and consequently, there are few commercial recordings of it. Written in Stockholm in 1964 on hotel letterhead, the notes ask the performer to select parts from his Music for Piano 4-84 and use electronic equipment. Everything else is up to the artist’s discretion. Enter Tania Chen, the U.K.-based pianist who has become a revered and leading interpreter of Cage’s work. Recording in both London and Berkeley, CA, Chen joined forces with Thurston Moore (Sonic Youth), David Toop (former member of The Flying Lizards, and recording artist on Brian Eno’s Obscure label) and Jon Leidecker (aka Wobbly, who has also worked with Negativland) to create a new version of this piece helmed by Gino Robair composer, musician, and scholar.
Frank Borell is one of the well known chill german producers and famous and popular for his mystic chillsound. His projects "Frank Borell, Dreamscape, Mahoroba and Airstream" has become cult status at compilations like Dubai Chill Lounge, Ibiza chill Session, Lounge del Mare, Island of chill and many more. For the fans of "Frank Borell" Manifold Music is now releasing his special album "Mystic Ibiza Cafe". Frank Borell sounds are moving in the area of the soundscapes of Ambient, the world of Chillout to the smooth transition of Lounge-Sounds.
Includes continuous mix by DJ Maretimo.
Every year it's an issue: how does one stomach the onset of holiday music? With an endless stream of overplayed pop stars stirring what Sufjan Stevens calls "That Creepy Christmas Feeling," how does one navigate the sound of the season? Back in 2001, Stevens began making annual EPs of traditional carols and songs mixed with his own holiday-themed tunes. With 2006 and Volume 5, he's compiled a perfect gift for the Christmas-inclined indie rockster: all five EPs in one box, separately slipcased, plus a booklet filled with lyric sheets, chord charts, a Rick Moody essay, and more.
This might look like a harmless modern classical record, but it scared the living shit out of me, maybe more so than anything else I’ve ever reviewed for KFJC, and that’s really saying something.