Still trying to recover from the effects of a devastating 1995 stroke, Les McCann relaxed and put out a playful jazz/funk album with a cast of dozens that in some ways harkens back to some of his Atlantic sides from the 1970s. Unlike his other post-stroke albums, he doesn't play any keyboards here, leaving them in the hands of Ricky Peterson, with an emphasis on the Hammond B3. Rather, McCann is content just to sing and rap – again, a throwback and fallback to records made a quarter-century before. At 66, McCann sounds considerably different – older and a little shakier on the ballads, but still sly and willing. The grooves are OK in a minimally updated '70s funk manner, but the material, coming from a variety of sources, is rather ordinary as a whole.