‘Electric Blue’ is the debut solo album release by Erasure frontman Andy Bell, co-written and produced by Manhattan Clique (Philip Larsen and Chris Smith). Originally released in October 2005 on Sanctuary Records, the album includes the hit single ‘Crazy’ and follow up ‘I’ll Never Fall In Love’, as well as duets with Jake Shears (Scissor Sisters) and Claudia Brucken (Propaganda/Act). The new 3 CD 2017 deluxe version of the album (previously unavailable for a decade) features over 200 minutes of music, includes unreleased tracks and remixes, as well as updated 2017 remixes. It also includes a brand new continuous 45 minute dub mix of key album tracks, freshly reimagined by Manhattan Clique, as well as the remastered version of the original album…
Electric Ladyland is the third and final studio album by English-American rock band the Jimi Hendrix Experience, released in October 1968. By mid-November, it had charted at number one in the United States, where it spent two weeks at the top spot. Electric Ladyland was the Experience's most commercially successful release and their only number one album. It peaked at number six in the UK, where it spent 12 weeks on the chart. Although the album confounded critics in 1968, it has since been viewed as Hendrix's best work and one of the greatest rock records of all time. Electric Ladyland has been featured on many greatest-album lists, including Q magazine's 2003 list of the 100 greatest albums and Rolling Stone's list of the 500 greatest albums of all time, on which it was ranked 54th.
Southern Culture On The Skids' new studio album, The Electric Pinecones, released September 16th on the band’s own imprint, Kudzu Records. Featuring a dozen original tunes - 11 brand new songs and a whole-lotta NOLA remake of the SCOTS classic, “Swamp Fox”.
This late-'80s work finds the minimalist composer mixing acoustic and taped material to great effect. The disc's centerpiece is "Different Trains," a work that frames Reich's impressions of his boyhood train trips between his mother in Los Angeles and his father in New York; Reich also intersperses references to the much more harrowing train rides Jews were forced to take to Nazi concentration camps. Using the fine playing of the Kronos Quartet as a base, Reich layers the work with the taped train musings of his governess, a retired Pullman porter, and various Holocaust survivors – vintage train sounds from the '30s and '40s add to the riveting arrangement. And for some nice contrast, Reich recruits guitarist Pat Metheny to create a similarly momentous piece in "Electric Counterpoint" (Metheny plays live over a multi-tracked tape of ten guitars and two electric basses). Two fine works by Reich in his prime.