Complete Story by Rock'n'Roll Star Eddie Cochrane in the text and music. 4 CD compilation Box Set includes 113 songs. The release also includes a booklet of 60 pages with many rare photographs, a comprehensive discography and detailed biography of the English language.
At a time when urban radio was obsessed with the hip-hop-minded new jack swing of Bell Biv DeVoe, Bobby Brown, and Guy (among others), Charles & Eddie turned to pre-1980 African-American music for inspiration. The male vocal duo's first album, Duophonic, owes a major debt to the classic Northern soul of the '60s and '70s...
Duke at the Roadhouse: Live in Santa Fe features clarinetist Eddie Daniels and pianist Roger Kellaway in concert performing a variety of songs by the great Duke Ellington. Also joining in on several songs is cellist James Holland. Recorded as a benefit concert for the New Mexico Center for Therapeutic Riding, the album is a swinging and highly entertaining set that showcases the sensitive group interplay between Daniels and Kellaway. While most of the songs here are standards, the approach is anything but, and tracks like "In a Sentimental Mood" and "Sophisticated Lady" have a languid, poetic, and harmonically sophisticated quality that speaks to the high level of craft on display here. Anyone who loves these musicians will want to seek out this superb album.
At a time when many aspiring musicians drew inspiration from the Beatles and the Rolling Stones, these brothers set sail for Scotland in the hopes of making a name for themselves in Edinburgh’s burgeoning folk scene. Already accomplished performers, having won numerous competitions in Ireland, the Fureys weren’t content at home.
Not that this artist isn't pretty cool; far from it. Credited either as Bob Hardaway or Robert Hardaway, he spent much of the 20th century at the top of the studio musician scene in Los Angeles, playing a bewildering array of woodwind instruments — even bass clarinet, English horn, and alto flute — on a tall stack of records that stylistically give the impression of having been snatched at random out of a burning used record store, the Partridge Family, Dinah Washington, Bonnie Raitt, and his efforts with the Eddie Shu/Bob Hardaway Jazz Practitioners among them.
Charlie Sepúlveda is trumpeter of power and nuance. On this recording, Sepúlveda takes on the challenge of preserving culture without being trapped by it.
He can take a tried-and-true classic like "Besamé Mucho," and instead of falling into the routine he completely modernizes it, stripping the tune of his sometime over-emphasized bolero rhythm and makes something completely new and communicative.
This Fantasy 2001 two-fer reissue features saxophonist Eddie "Lockjaw" Davis in session with a quintet that includes the Shirley Scott trio (Scott, organ; George Duvivier, bass; Arthur Edgehill, drums) and conga player Ray Barretto. It was released as Eddie Lockjaw Davis Meets Shirley Horn as Moodsville 30 in 1960. With the exception of a quartet recording released on Stompin' (Prestige 7456), the rest was another quintet with pianist Horace Parlan, drummer Art Taylor, Buddy Catlett on bass, and Willie Bobo on conga, issued as Goin' to the Meetin' in 1962 as Prestige 7242.
The second album pairing Palmieri and Tjader, Bamboleate moves beyond El Sonido Nuevo into the respective territories of each artist. "Bamboleate" is the Latin cooker ones expects from Palmieri but didn't find on the more subdued El Sonido Nuevo. "Semejanza" is an equally affecting jazz lilt led by Tjader. Framed by a melody that could have come straight off the Vince Guaraldi Trio's Charlie Brown Christmas album, it has an equally indelible, locomotive rhythm. Tjader's samba, "Samba de Los Suenho," is a welcome departure from the relative rigidity of El Sonido Nuevo.