By 1952, pianist Lennie Tristano was starting to withdraw from public performances, spending most of his time teaching. This formerly unknown recording matches him with four of his best students: altoist Lee Konitz, tenor-saxophonist Warne Marsh, bassist Peter Ind and drummer Al Levitt. Together they explore six common chord changes, five of them given new titles. Although not essential, this music is quite enjoyable and a good example of Lennie Tristano's unique approach to jazz improvisation.
On this 2001 album, Norwegian pianist/composer/producer Bugge Wesseltoft further refines his concept of 'the new conception of jazz'. Having started out playing stereotypically Nordic ECM-style jazz, Bugge (pronounced 'Boogie') formed the jazzland label and brought out several records in a new, experimental jazz style that fused elements of electronic music with traditional jazz instrumentation to excellent effect.
Stan Kenton could not and would not confine himself to only one category. His ensembles were musical hermaphrodites and his band was his instrument, on whose sound he worked with unusual instrumentation and above all with courageous arrangers, composers and idiosyncratic soloists. In 1972, after a break of several years, the Stan Kenton Orchestra went on tour through Europe. At this time Stan Kenton was preceded by his reputation as the legend of progressive jazz.
Jazz 4 All Seasons is a Compilation CD released in 1993, This compilation unites great artists like Wayne Henderson, Wilton Felder, Ronnie Laws, Chet Baker.
This reissue of Fusion and Thesis, the two albums the new Jimmy Giuffre 3 made in 1961, prior to their breakthrough and breakup in 1962, is nothing short of a revelation musically. Originally produced by Creed Taylor, who was still respectable back then, the two LPs have been complete remixed and remastered by ECM proprietor and chief producer Manfred Eicher and Jean Philippe Allard and contain complete material from both sessions resulting in one new track on Fusion and three more on Thesis.