La produzione di ECM è sconfinata ed estrarne una raccolta antologica sarebbe stato davvero improbo. Musica Jazz ha voluto così sottolineare un aspetto non sempre chiaro ai più, ovvero la qualità artistica e strumentale dei musicisti italiani, caratteristiche che hanno meritato l’attenzione di Manfred Eicher e del suo staff. E anche in questo caso la selezione non è stato semplice, costringendo a trascurare – obtorto collo ma per prosaiche ragioni di spazio – alcune eccellenti produzioni del passato.
This is a marvelous release, equally perfect in conception, execution, and engineering. The program locates the intellectual origins of the American avant-garde composers Morton Feldman and John Cage not in postwar European developments, but in the music of Erik Satie, who with each decade seems a more pioneering figure. Feldman and Cage here seem not modernists, but postmodernists. Front and center at the beginning is Feldman's masterpiece Rothko Chapel (1967), a chamber-ensemble-and-chorus evocation of the Houston, Texas, chapel adorned with paintings by, and partly designed by, the Abstract Expressionist painter Mark Rothko.
Between March 2004 and May 2006 András Schiff performed the complete cycle of Beethoven’s Piano Sonatas at the Tonhalle, Zürich, recorded and released by ECM New Series. This collection presents the encores from these concerts. What does one play after Beethoven sonatas? András Schiff: “For me it's essential not to seek entertainment but rather to look for pieces that are closely related to the previously heard sonatas.” The pianist explores links to Schubert, Mozart, Haydn and Bach. For all the interconnecting strands of musical history, András Schiff’s selection of encores also adds up to a thoroughly enjoyable ‘recital’ disc in its own right.
Keyboardist Craig Taborn’s Daylight Ghosts is his third ECM release as a leader, a quartet album following acclaimed solo and trio recordings. In addition to Taborn on piano and electronic keyboards and drummer Dave King, the quartet features two New York jazz luminaries, reed player Chris Speed and bassist Chris Lightcap. Each member draws from a broad artistic background, as informed by rock, electronica and diverse strains of world music as by the various permutations of jazz improvisation. Daylight Ghosts is animated by dynamism and spectral ambience, acoustic and electric sounds and groove and lingering melody.
Enjoy three A-list players teaming up to celebrate the sorties into the wilder reaches of jazz-rock made by Tony Williams’s band, Lifetime. John Scofield is at his bluesy best vying with the versatile Hammond of Larry Goldings, Jack DeJohnette on drums is a precise mix of grace and fire.
The stage cantata David features Eleni Karaindrou’s music for a unique piece of Aegean drama, a verse play with words by an unknown 18th century poet from the island of Chios. Its text (first published only in 1979), invites a musical response and Greek composer Karaindrou rises splendidly to the challenge, imaginatively moving between past and present in her settings for mezzo-soprano and baritone singers, instrumental soloists, choir and orchestra.
One of the best collections of Indian Vocal Music ever. Some rare and hard to find tracks and musicians are included in this very large disc set - 14 discs in total. The inlays within the pack provide song track details as well as the history of each musician. For anyone wishing to gain an insight into the Classical tradition, this is one of the best collections to start with. Saregama is proud to present this premium pact of 14 CDs that is a labor of respect and adulation. Comprising of vocal music spread over 108 years. The next step was to then select the 100 artistes featured herein over 135 tracks, their Gharanas their Gayakis and the Guru Shishya Parampara imbibed by them. This pack gives connoisseurs a glimpse of the creativity of performing artistes their methodologies their thinking patterns and how & why their signature styles also been artistes of repute with a prowess of their own.
The Danish String Quartet has had some wildly original programming ideas; here they settle for just a well-thought-out set of contemporary pieces. All three of these string quartets are early works by composers who have since gone on to renown; at the time of the album's 2016 release, Hans Abrahamsen was gaining lots of attention from well beyond his native Denmark.
Black Ice is a nice image for Dutch pianist Wolfert Brederode’s new trio music, with its gleaming lyricism, transparency, and hint of danger, as well as sleek melodic invention both from the leader and from Icelandic bassist Gulli Gudmundsson. Brederode and Gudmundsson have collaborated often over the last two decades in contexts from free improvisation to theatre music and have a keenly honed intuitive understanding. Jasper van Hulten is a resourceful addition to the team, a tone-sensitive drummer adept at embellishing the sensitive musical language and sense of interplay. The album, recorded at Lugano’s Studio RSI in July 2015 and produced by Manfred Eicher, is issued as the Brederode Trio goes on tour in the Netherlands…