Don't be misled by the record cover, which attributes this disc to the Aggrovators. In fine print on the back of the jacket/jewel box, you will see the magic words "All tracks mixed by the late King Tubby 1975-1976," and "All tracks produced by Bunny Lee." This is a dub mix of a Johnny Clarke album, and Tubby (and Lee) are in fine form.
Granted, there are better individual performances of the various symphonies from conductors as diverse as Eugen Jochum, Leonard Bernstein, Trevor Pinnock, and Thomas Fey; but when all is said and done this remains the finest complete set of Haydn symphonies yet recorded, and its basic musicality only seems to grow more impressive over time.
Arriving a scant four months after their last full-length, Don't Get Lost finds Brian Jonestown Massacre trekking ever further afield into the psych wilderness. Since launching his Cobra Studio in Berlin, bandleader Anton Newcombe has turned his operation into a bursting warehouse of sound, opening the floodgates to deliver a torrent of new music over the early 2010s. Bearing the name of a song from 2016's Third World Pyramid, the 14-track Don't Get Lost offers a pretty wide cross-section of BJM's various modes, with a particular emphasis on electronic experimentations.
These chamber works bring Sony's adventurous, timely Ligeti series to a natural pinnacle. Long the challenger of stylistic stasis and customary demonstrations of excellence, Ligeti has outdone himself here (as he did with the fantastic Mechanical Music release). The Trio for Violin, Horn, and Piano (1982) challenges its players to stay in step with each other even while expanding virtuosity to the breaking point. Marie-Luise Neunecker plays such full horn parts that they roll flow over the tonal bounds, as does Saschko Gawriloff's violin and Pierre-Laurent Aimard's piano… –Andrew Bartlett..