Granted, there are better individual performances of the various symphonies from conductors as diverse as Eugen Jochum, Leonard Bernstein, Trevor Pinnock, and Thomas Fey; but when all is said and done this remains the finest complete set of Haydn symphonies yet recorded, and its basic musicality only seems to grow more impressive over time.
Arriving a scant four months after their last full-length, Don't Get Lost finds Brian Jonestown Massacre trekking ever further afield into the psych wilderness. Since launching his Cobra Studio in Berlin, bandleader Anton Newcombe has turned his operation into a bursting warehouse of sound, opening the floodgates to deliver a torrent of new music over the early 2010s. Bearing the name of a song from 2016's Third World Pyramid, the 14-track Don't Get Lost offers a pretty wide cross-section of BJM's various modes, with a particular emphasis on electronic experimentations.
These chamber works bring Sony's adventurous, timely Ligeti series to a natural pinnacle. Long the challenger of stylistic stasis and customary demonstrations of excellence, Ligeti has outdone himself here (as he did with the fantastic Mechanical Music release). The Trio for Violin, Horn, and Piano (1982) challenges its players to stay in step with each other even while expanding virtuosity to the breaking point. Marie-Luise Neunecker plays such full horn parts that they roll flow over the tonal bounds, as does Saschko Gawriloff's violin and Pierre-Laurent Aimard's piano… –Andrew Bartlett..
It might seem curious that Radiohead guitarist and composer Jonny Greenwood ended up collaborating with Shye Ben Tzur and the Rajasthan Express. But they make exultant and warmly human music together. Greenwood's role is subdued even when the riotous music is not.
Released October 2012 - Limited Edition of 1,000 CDs. It contains long-form instrumentals, mostly improvised compositions centered around keyboards, treated guitars and electronica. Hard to describe but somewhere between the 'Non Stop Mystery Action' album and some of the live improvs I (Bill Nelson) performed at last year's Leeds College of Music concert. Only 7 tracks but it is over 74 minutes long in total. This release sees a return to Bill's 'nostalgia for the future' home-spun music, which has represented his sound for a number of years now. This is one of two releases put together for the annual Nelsonica get-together recently in York. 'Return To Tomorrow', the other release, is next up.