Clean version. 2 CD Set. 37 tracks. A nicely packaged collection of the band's greatest hits that commemorates their reunion and 2005 world tour. All the essentials are on disc one, which is generously crammed with choice cuts from the Aqua Net years - from the sleek glam rock of 'Too Fast For Love' and strip-club anthem 'Girls, Girls, Girls' to the runny mascara ballad 'Without You' and comedy hocus-pocus of 'Shout at the Devil'. Having just barely survived the '80s, the band gets inexplicably serious on the second disc, delving into 'Planet Boom' and 'Generation Swine'. But there's no reason to fret–the compilation is merely doing its job and succeeds brilliantly in tracing the rise and fall of a band whose legacy is turning out to be far greater than anyone ever imagined. Universal.
This two-in-one set features a pair of LPs by REO Speedwagon, R.E.O. Speedwagon and R.E.O./T.W.O., originally issued in 1971 and 1972. These 16 tracks include such original compositions as "Anti-Establishment Man," "Five Men Were Killed Today," "Being Kind (Can Hurt Someone Sometimes)," and the Chuck Berry classic "Little Queenie."
Platée was one of the most highly regarded of Rameau's operas during his lifetime. It even pleased critics who had expressed hostility to his musical style during the Querelle des Bouffons (an argument over the relative merits of French and Italian opera). Melchior Grimm called it a "sublime work" and even Rameau's bitter enemy Jean-Jacques Rousseau referred to it as "divine". The reason for this praise may be because these critics saw Platée, a comic opera, paving the way for the lighter form of opera buffa they favoured.
The great collection with the best of I Nomadi, the live "Album Concerto" with Francesco Guccini, demos, rarities and 7 previously unreleased tracks singed by Augusto Daolio. Contains also a booklet with rare photos and images.
Deep Purple were bombastic as hell, but as a template for the next wave of hard rock bands, the group did a pretty good job of showing how it’s done, picking just the right song to cover and also writing one or two rock classics like “Smoke on the Water” to give it all credence. This two-disc set collects all the band’s singles and EPs released between 1968 and 1980, and while it thins out considerably toward the end of that run, the quality here is revealing – this band clearly bridges the British Invasion era with…
The “Jazz album of the decade 2000 – 2010” (London Times). In a word: wow. Since their 1993 debut album, the Esbjörn Svensson Trio, or E.S.T., as it is usually called, have taken the jazz world by storm, winning numerous awards, playing sold-out world tours, topping the charts, and generally enjoying a popularity that's exceeded that of almost any other jazz group in years. The trio was also the first European jazz group to grace the cover of Down Beat magazine, which led to long discussions about the heritage of jazz and the validity of European jazz; and, naturally, it caused some listeners to perceive an artificial hype and discredit the band for simply not being as brilliant as everyone says they are.
For those who have never heard of W.E.T. the band comprise of Jeff Scott Soto on lead vocals and keyboards, Erik Mårtensson on rhythm/lead guitar and backing/lead Vocals, Robert Säll on keyboards/guitar & backing vocals, Magnus Henriksson on rhythm/lead guitar and backing vocals, Robban Bäck on drums and Andreas Passmark on bass. So if any of those names means anything to you, you will know that the band has on paper the highest pedigree, being something of an AOR supergroup.
In 2014, Mark Oliver Everett received "the freedom of the City of London" (in essence, a key to the city) the same week as his band Eels performed and recorded this set at the Royal Albert Hall. There's a bit of irony here: four years earlier, he was arrested as a suspected terrorist while strolling through Hyde Park. The raucous Eels of Wonderful, Glorious is not the band that showed up for this concert (which is also captured so handsomely on video for inclusion in the package). This version of the band is in suits, not track wear. Everett is mostly at the piano. The Eels introduce the show with brief, lilting versions of "Where I'm At," Disney's "When You Wish Upon a Star" from Pinocchio, "The Morning," and "Parallels" before Everett greets the audience with a wry, humorous monologue.