Jazz Icons: Art Blakey & The Jazz Messengers features what many consider to be one of the finest line-ups in the history of jazz—Art Blakey (Drums), Bobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55-minute concert, filmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin', is the only known visual document of this influential band who were together for only six months.
It was, at the time, one of the highest-grossing rock tours ever, grossing over 11 million dollars in an era when such figures were uncommon. Such success camouflaged the chaos behind the scenes – the bitter fights and feuds, the excess and indulgence that led to Crosby, Stills, Nash & Young pocketing about a half million dollars each, when all was said and done. Big bucks were the reason the CSNY 1974 tour even existed. Efforts to record a new album in 1973, their first since 1970's breakthrough Déjà Vu, collapsed but manager Elliot Roberts and promoter Bill Graham convinced the group to stage the first outdoor stadium tour in the summer of 1974, with the idea that CSNY would test-drive new material in concert, then record a new studio album in the fall, or maybe release a live record from the historic tour. Neither happened.
Simon & Garfunkel reunited on September 19, 1981, to perform a free concert in Central Park, New York City. This two-record set presents some of the duo's biggest hits in a live context, and also allows listeners a chance to hear what many Simon solo numbers could sound like in S&G mode. [The Concert in Central Park was re-released as a 40-track CD/DVD set in 2015.]
A lost treasure from the legendary Thelonious Monk – a live date recorded in Paris at the end of the 60s – late in Monk's life, and every bit as wonderful as his famous 60s studio work with his quartet! Of that group, only Charlie Rouse remains on tenor sax – but Rouse is more than enough to make things great, and the interplay between his tenor and Monk's piano is completely sublime – full of angular movements, underscored with plenty of soul – and given support from Nate Hygelund on bass and either Paris Wright or Philly Joe Jones on drums. There's a rough edge to the music that's really great – that sharper, more sinister vibe that Monk could have in a live setting – and titles include "Light Blue", "Bright Mississippi", "I Mean You", "Ruby My Dear", "I Love You Sweetheart Of All My Dreams", "Crepuscule With Nellie", and "Nutty". Special package comes with a bonus DVD of the performance!
Features 24 bit remastering and comes with a mini-description. Not really the last concert ever from the Modern Jazz Quartet – but a set that seemed so at the time, given that the group went their separate ways for a number of years! The record's got the combo in really top form – very much back to the basics of their early time on Atlantic Records, with a sublime focus on that unique sound that no other group like this could match.
THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. A deep philological work, beginning with the original recordings on original master tapes, patiently integrally remastered paying strict attention to sound quality.
This fascinating release comprises live recordings made at the end of 1956, when Miles accepted an offer to tour Europe with a formation called the Birdland All Stars, which also included Lester Young and the Modern Jazz Quartet, along with European musicians such as pianist René Urtréger, bassist Pierre Michelot and drummer Christian Garros. We have here the one and only existing evidence of Miles playing with Lester Young and with the MJQ. It also presents a rare occasion to find Miles playing as the sole horn in a quartet format.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. This is a fun quartet playing a very nice combination of Bossa-Samba-Jazz. Their version (Chick de Ipanema) has a fantastic incidental combination of two of the most amazing Bossa songs of all times in the same song; Girl from Ipanema and Summer Samba in a smooth and subtle way that will blow you away. Their other renditions to Bossa classics are amazing. Check them out, you'll love them.