Jazz Icons: Art Blakey & The Jazz Messengers features what many consider to be one of the finest line-ups in the history of jazz—Art Blakey (Drums), Bobby Timmons (Piano), Jymie Merritt (Bass), Benny Golson (Sax) and the legendary trumpet player, Lee Morgan. Lost for nearly 50 years, this historic 55-minute concert, filmed in Belgium in 1958, one month to the day after they recorded their masterpiece Moanin', is the only known visual document of this influential band who were together for only six months.
The explosive transformation of Miles Davis’ “second great Quintet” with Wayne Shorter (tenor sax), Herbie Hancock (piano), Ron Carter (bass), and Tony Williams (drums) is laid bare on this release. Culled from original state-owned television and radio sources in Belgium, Denmark, France, Germany, and Sweden, the program spans five northern European festival performances over the course of nine days in October-November 1967. The audio shows consist entirely of previously unreleased or previously only bootlegged material. This is a 3-CD + DVD package, with an 8-panel digipak with 28-page booklet.
An incredible tribute to German pianist Jutta Hipp – one of the few female players in the postwar European jazz scene, and one of the few who managed to make a splash on this side of the Atlantic too! Jutta's best known to American audiences for a handful of records she cut for Blue Note – and this set takes those records, and moves way way past them – to including a huge range of material that really opens up our understanding of Hipp's music in her all-too-short career! The CDs feature early German recordings – in a number of sessions with small groups that include a quintet with Emil Mangelsdorff on alto and Joki Freeund on tenor, a number of performances in the New Jazz Stars group of tenorist Hans Koller, work in a quintet with Attila Zoller on guitar, another sextet with Albert Mangelsdorff on trombone, and a group co-led with baritone saxoponist Lars Gullin.
According to Anglagard‘s own discography, playing at Progfest in 1993 was one of their earliest live gigs. The young group at work had just released their first album Hybris and what you hear is a young group at work whose ambition and hunger steamrolled over their few deficiencies. This debut album and its follow up Epilog were two of the first to light a fire under what was a growing revival in the symphonic progressive rock of the 70s…
Masters Of American Music The Story Of Jazz may be the most concise informative documentary on jazz to date. Five discs consisting of six and a half hours of material is presented in concise, informative segments. Comparisons to Ken Burns Jazz are inevitable, but unnecessary. This documentary combines extremely rare footage of performances and interviews to analyze the evolution of jazz and highlight four of its icons. Originally a television 'mini-series', the release of this limited edition digitally re-mastered set is good news for the world of jazz.
Once one of the most visible and winning jazz vibraphonists of the 1960s, then an R&B bandleader in the 1970s and '80s, Roy Ayers' reputation s now that of one of the prophets of acid jazz, a man decades ahead of his time.
Produced for release by John Matarazzo, head of Hudson Street Entertainment group, this 109-minute long DVD includes highlights from the 1990 and 1991 issues of the now defunct Live Under The Sky jazz festival. Filmed in Tokyo, starts with an all-star quartet - Herbie Hancock, Pat Metheny, Dave Holland (on electric bass!) and Jack DeJohnette - performing "Jack In".
To the layman like myself, Jeff Healey was known primarily as a blues guitarist. He grew up in Toronto and was diagnosed with retinoblastoma, and had his eyes surgically removed before his first birthday. Despite this, he managed to carve out a niche for himself in blues, and even helped parlay the praise of his debut album "See the Light" into a speaking role in the 1989 cult classic Road House.