Deluxe two disc (CD + PAL/Region 0 DVD) edition of this live release from the male half of Roxette. The CD includes 21 tracks recorded live throughout his '09 European tour while the bonus DVD features his full concert Live at Cirkus along with music videos.
British multi-instrumentalist Mike Oldfield offers up this warmly crafted sequel to his 1975 classic Ommadawn, marking a return to a more organic style of composing. After polling fans online about what type of approach they'd like to hear, Oldfield was overwhelmingly urged to revisit the acoustic style heard on his first three albums. Eager for the challenge, he spent nearly a year in his studio crafting what would become 2017's Return to Ommadawn, an instrumental meditation on the prog-folk fantasy world he'd originally imagined four decades prior. A true solo effort, Oldfield plays every instrument on the record, which is divided into "Part I" and "Part II," each lasting about 20 minutes in a nod to the original's vinyl format.
This special edition of the 1976 album will contain new Steven Wilson stereo remixes on CD 1, although this is of the version of the album re-recorded for a TV Special. Only five multi-track master tapes for the actual album could be located and new stereo remixes of those tracks are also appended on the first disc. The second CD consists of a complete flat transfer of the original stereo mix, and eight bonus tracks (seven of which are 2015 remixes). This bonus material includes two unheard songs: Salamander’s Ragtime (not related to album track Salamander), and Commercial Traveller. A third outtake Advertising Man was planned to be included but was not sufficiently complete to merit inclusion.
Having released two albums in a nine month period between October 1981 and July 1982, “Three of a Perfect Pair” is the final part of the recorded trilogy begun with “Discipline” and “Beat”. Originally released in April 1984, from the pointillist minimalism of the title track through to the urgent rush of ‘Sleepless’ and the album’s closer ‘Larks’ Tongues in Aspic III’ - the only reference to the 1970s incarnations of the band – Crimson’s distinctive mixture of rock, electronica, funk and pure pop songs, ensured the group’s status as one of the most interesting and innovative bands of the decade.