Never a Dull Moment is the fourth solo album by rock musician Rod Stewart. It was released in the summer of 1972; that year it became a UK number-one album for two weeks and reached number two on the US Album chart. The track "You Wear It Well", co-written by Stewart and classical guitarist Martin Quittenton, was a smash hit (another UK No. 1; in US No. 13), as well as "Twisting the Night Away", a song originally recorded and written by Sam Cooke. Like many of Stewart's albums from the era, Never a Dull Moment features significant musical contributions from the members of his band Faces. Other guest musicians included Ray Jackson of the band Lindisfarne on mandolin, Spike Heatley on upright bass, Gordon Huntley on steel guitar, Dick Powell on violin and Pete Sears on piano and bass.
Kay Kingsley, a sophisticated and successful songwriter in New York City. falls in love with a widowed rancher, Chris Heyward, she meets at the Madison Square Garden Rodeo and they get married, and leave for his ranch in the west. Her friends warn her of an early disillusionment with life on a ranch, far away from the glitter and bright lights of Broadway. Kay makes one difficulty adjustment after another, as the ranch is presided over by Chris's kids, and an incident occurs with a neighbor that prompts Kay to return to her glamorous life in New York. But she soon finds her heart is with Chris and his children.
Never a Dull Moment is a 1972 album by rock musician Rod Stewart. It became a UK number-one album (for two weeks) and reached number two on the US Album chart the same year. The track, "You Wear It Well", co-written by Stewart and classical guitarist Martin Quittenton, was a smash hit (another UK No. 1; in USA No. 13), as well as "Twistin' the Night Away", a song originally recorded by Sam Cooke.
Essentially a harder-rocking reprise of Every Picture Tells a Story, Never a Dull Moment never quite reaches the heights of its predecessor, but it's a wonderful, multi-faceted record in its own right. Opening with the touching, autobiographical rocker "True Blue," which finds Rod Stewart trying to come to grips with his newfound stardom but concluding that he'd "rather be back home," the record is the last of Stewart's series of epic fusions of hard rock and folk…
Ostinato is an anthology which brings together the most representative works of the art of improvisation and of a musical form based on a unique concept of the basso, which is repeated sequentially throughout the compositions.