Peter Schreier is unquestionably one of the greatest tenors of the twentieth century. For over 40 years he was known above all for his embodiment of Mozart tenor roles, and dazzled as a lieder singer in songs by Schubert, Schumann and Hugo Wolf. The sacred works of Johann Sebastian Bach, his oratorios and passions, formed another key element in the repertory of this native Saxon. He sang at all the world’s major opera houses – at the New York Met, at La Scala in Milan, in Buenos Aires, Vienna and Paris – and needless to say on his “home turf” of Dresden and Berlin. Not forgetting his many years of guest appearances at the Bayreuth and Salzburg Festivals. It was in Salzburg, in 1967, that he sprang into the breach as Tamino in place of Fritz Wunderlich, who died so tragically young. The successes that followed thick and fast upon that were to make Peter Schreier into the opera world’s Mozart tenor of choice in the course of the following decades.
Beethoven's Missa Solemnis was performed on 13 and 14 February, 2010 at the traditional memorial concert to commemorate the bombardement of Dresden during the last weeks of World War II. Under Christian Thielemann, the Staatskapelle Dresden proved itself exeptionally qualified to master this work´s magnificent challenges. Thielemann “conjured up the gigantic cosmos of the Missa with such lightness and grace that its mystery seemed to reveal itself”, wrote the Frankfurter Allgemeine Zeitung.
"A few years ago, the name of Johann David Heinichen came out of the blue as a wonderful surprise. Baroque music lovers around the world were amazed to discover an obscure composer who, in his best works, was second to none–easily comparable to Vivaldi in terms of originality, rhythmic exuberance, and boundless imagination. (…) The Fiori Musicali ensemble, on period instruments, plays with enthusiasm and poetic commitment. The virtuosity may not be as extreme as that of Concerto Köln, but each performance reaches a perfect balance between expressive ardor and precision–a quality mirrored by the accurate and natural sonics of the Radio Bremen engineers." ~classicstoday
Rudolf Kempe (born 14 June 1910 in Dresden, died 12 May 1976 in Zürich) was a German conductor. (…) from 1967 to his death conducted the Munich Philharmonic, with whom he made international tours and recorded the first quadraphonic set of the Beethoven symphonies. In the final months of his life, Kempe was the chief conductor of the BBC Symphony Orchestra. The opening concert of the Henry Wood Promenade Concerts on 16 July 1976, in which he was to have conducted his BBC forces in Beethoven's Missa solemnis, became a memorial concert for him following Kempe's death in Zürich aged 65.
Acclaimed for his great recordings of works by Mozart and Berlioz, it is a little surprising that Sir Colin Davis is not equally hailed for his superb renditions of Schubert's symphonies, a repertoire for which this conductor's blending of Classical elegance and Romantic passion is perfectly suited. Previously released as a box set in 1996, this RCA Complete Collection reveals Davis as a masterful interpreter of Schubert's unique uses of symphonic form; and his performances have real momentum and coherence, the two qualities that hold these symphonies together. Davis' sense of trajectory is plainly evident in the first six symphonies, which adhere to Classical models and depend on forward motion and clear structures to convey the unity of their movements. But propulsion is even more critical in the more expansive frameworks of the Symphony No. 8, "Unfinished," and the Symphony No. 9, "The Great".