Hollow pathos is not his thing. From an artist like Mariss Jansons Friedrich Schiller’s Ode: “An die Freude” must receive a far deeper significance, which also fully encompasses the doubt and profound hope embodied in this text. And thus, in Jansons’s recording of the Ninth Symphony, the choral finale does not degenerate to mere superficial orgy of jubilation, but rather becomes a delicately balanced, wisely developed drama. On October 27, 2007, the Symphonieorchester des Bayerischen Rundfunks played Beethoven’s Ninth in the presence of the Pope in the Vatican. The recording of this memorable concert is now being released in the highest audiophile recording quality as a multi-channel SACD.
"…Stockfisch has reproduced the live feel of this extraordinary group with great precision. The separation of the instrumentation (especially between guitar and violin, and accordions) eliminates the occasional dint of live recording. The balance of the sound seems proportionate. Vocals never impinge on the music, and vice versa. Live At Stockfisch Studio is a towering achievement." ~audiophile-audition
"…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections." ~folk roots
If Wishbone Ash can be considered a group who dabbled in the main strains of early-'70s British rock without ever settling on one (were they a prog rock outfit like Yes, a space rock unit like Pink Floyd, a heavy metal ensemble like Led Zeppelin, or just a boogie band like Ten Years After?), the confusion compounded by their relative facelessness and the generic nature of their compositions, Argus, their third album, was the one on which they looked like they finally were going to forge their own unique amalgamation of all those styles into a sound of their own…
The Police were back in 1983 with Synchronicity, which hit No. 1 everywhere and remained on top a phenomenal 17 weeks in the U.S. The gold, Grammy-winning "Every Breath You Take" was No. 1 for eight weeks. "Wrapped Around Your Finger" was Top 10 and both "King Of Pain" and "Synchronicity II" became Top 20 hits. The quadruple platinum album took home a Grammy as well. "I do my best work when I'm in pain and turmoil," Sting told Rolling Stone. And indeed, the dissolution of his first marriage produced some of his best work yet, including "King of Pain" and the stalker's anthem "Every Breath You Take." There was pain and turmoil in the band, too — it would be the Police's last album."
Blind Faith was cursed at its very inception by being billed as a supergroup. This was truly a pity, because for all the classic beauty of its only recording, Blind Faith was a band that never had a legitimate opportunity to come together as a performing ensemble. Hyped to the hilt and rushed into a massive, chaotic tour, the band fell apart after its final American concerts when Eric Clapton packed it in to join Delaney & Bonnie's band. Despite the hurried and mysterious nature of the recording of the album Blind Faith, it produced two classic hits "Can't Find My Way Home" and "Presence of the Lord".
FELICIANO: A Name That is Synonymous with music. It is synonymous with an international presence that has influenced popular music for more than two generations. It is synonymous with a presence that has bridged musical styles in a way that has never been equaled. Jose Feliciano is recognized as the first Latin Artist to cross over into the English music market, opening the doors for other artists who now play an important role in the American music industry. As importantly, Feliciano has been acclaimed by critics around the world as "The greatest living guitarist"…
To many, the Lahti Symphony Orchestra has become synonymous with excellence in Sibelius repertoire. Its numerous recordings with the previous chief conductor Osmo Vänskä have received countless distinctions and awards, and the orchestra is universally regarded as having a very special affinity for the music of their great compatriot.