Woody Guthrie was born on July 14th, 1912 in Okemah, Oklahoma. Over the decades, his songs have run around the world like a fast train on a well oiled track. They've become the folk song standards of the nation, known and performed in many languages throughout the world. Woody Guthrie at 100! Live at the Kennedy Center, is the CD/ DVD centennial celebration of the birth of America's greatest folk singer, Woody Guthrie. John Mellencamp, Jackson Browne, Tom Morello, Donovan, Ani DiFranco, Rosanne Cash, Old Crow Medicine Show and others perform many of Guthrie's classics along with recently recorded lyrics from the Woody Guthrie Archives.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. George Adams and Don Pullen knock it out of the park on this one – finding great company in each other's presence, and really moving things forward in the process! The set begins with a long track titled "Mingus Metamorphosis", and that really sums up the spirit of the record – an 80s reworking of all the ideas that the players had learned from Mingus, but with an individual, personal sense that's all their own – and very different than some of the more standard modes of the Mingus Dynasty group that continued the legacy in a more direct manner. Adams is bold one minute, lyrical the next – and plays both tenor and flute – alongside Pullen on piano, Cameron Brown on bass, and Dannie Richmond on drums.
This CD is quite a bit different than most audiophile releases for it contains rare rather than famous recordings. 1959's The Fourth Herd (which features an all-star group of studio musicians and Woody Herman alumni along with his octet of the time) was only put out briefly by Jazzland while the music on 1962's The New World of Woody Herman was never available commercially before; both were originally cut for the SESAC Transcribed Library and were available only to selected radio stations on a subscription basis…
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A firey session from the quartet of George Adams and Don Pullen – a set that has the group stretching out in some of their most spiritual modes, yet still finding plenty of time to swing as well! Adams is tremendous on tenor – a very fresh voice in the post-Coltrane world, with phrasing that is all his own – even more amplified when he switches to flute – and Pullen's got this ability to go outside, and show his knowledge of the darker corners of the keyboard – yet never let that side of his playing overwhelm things, possibly because the rhythmic accompaniment from Cameron Brown on bass and Dannie Richmond on drums is so strong. Tracks are all long, and very individual – with the group in high spirits on the titles "Earth Beams", "Magnetic Love Field", "Saturday Nite In The Cosmos", "More Flowers", and "Dionysus".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. The togetherness here comes from great interplay between the piano of Don Friedman and guitar of Klaus Flenter – two players who work surprisingly well on the record, and each seem to bring out the best in each other! Freidman's tones on the piano have this extra-chromatic approach, which is really echoed in the guitar at times – often in the album's more dynamic moments, which have a vibe that's quite different than Don's regular trio outings. The rest of the group features Henk Haverhoek on bass and Eric Ineke on drums – and titles include "Vieux Roue", "Minor Ballad", "Autumn In Summer", "Lonely Evening", "Elba", "New Dawn", and "Mohonk Blues".
Reissue with the latest remastering. Features original cover artwork. Probably recorded in the mid-'80s, this delightful collaboration between American trumpeter Woody Shaw and the Tone Janša Quartet works on nearly every level. Janša shares the front line with the trumpeter, and is a perfect foil for Shaw on each of Janša's instruments, tenor and soprano saxophones and flute. Janša's fluid, driving lines fit beautifully with Shaw's concepts. Even more importantly, Shaw is in great form, and there is an electricity in the air that infuses each track.