Dizzy Basie

A Thousand Honey Creeks Later: My Life in Music from Basie to Motownand Beyond  eBooks & eLearning

Posted by thingska at Nov. 21, 2015
A Thousand Honey Creeks Later: My Life in Music from Basie to Motownand Beyond

A Thousand Honey Creeks Later: My Life in Music from Basie to Motownand Beyond by Johnny Otis
English | Oct. 15, 1997 | ISBN: 081956320X, 0819563188 | 296 Pages | EPUB | 1.6 MB
Jazz Casual - Count Basie, Dizzy Gillespie, John Coltrane (2000)

Jazz Casual - Count Basie, Dizzy Gillespie, John Coltrane (2000)
Video: NTSC, MPEG-2 at 6 000 Kbps, 720 x 480 at 29.970 fps | Audio: AC-3 6ch. at 384 Kbps, AC-3 2ch. at 384 Kbps
Genre: Jazz | Label: Rhino | Copy: Untouched | Release Date: 22 Aug 2000 | Runtime: 88 min. | 4,32 GB (DVD5)

The first DVD of Ralph Gleason's Jazz Casual TV series combines three separate 30-minute programs previously available individually as videos; obviously this is the better way to acquire them, both financially and from a preservation standpoint. Count Basie's appearance is a bit unusual. Gleason parks himself next to the piano following the opening number and remains there throughout the show, making Basie seem nervous and rather uncomfortable with his host during the interview excerpts and rarely, if ever, looking Gleason in the eye while talking to him.
Count Basie & Oscar Peterson - Satch And Josh... Again (1978) [Remastered 1998]

Count Basie & Oscar Peterson - Satch And Josh… Again (1978) [Remastered 1998]
EAC | FLAC (log,image+cue) -> 265 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 118 Mb (5% Rec.) | Scans -> 45 Mb
Jazz, Swing | Label: Original Jazz Classics / Pablo Records, OJCCD 960-2/0025218696029 | 1998 | 00:51:57

Recorded three years after their first full album together, this second encounter between Count Basie and Oscar Peterson on twin pianos (this time with a quartet) is as strong as the original, alternating standards with blues. Both Peterson and Basie have one number apiece on electric piano, making this album historic as well as quite musical. –Scott Yanow

Count Basie - Sophisticated Swing (1997)  Music

Posted by SuniR at Jan. 19, 2017
Count Basie - Sophisticated Swing (1997)

Count Basie - Sophisticated Swing (1997)
EAC | FLAC (log,tracks+cue) -> 237 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 149 Mb (5% Rec.) | Scans included
Jazz, Swing | Label: Camden / BMG, #:74321 451902 | 1997 | 00:59:33

One of jazz music's all-time greats, bandleader/pianist Count Basie was a primary shaper of the big-band sound that characterized mid-20th century popular music. In 1958, Basie became the first African-American male recipient of a Grammy Award. One of jazz music's all-time greats, he won many other Grammys throughout his career and worked with a plethora of artists, including Joe Williams and Ella Fitzgerald. This CD presents compositions played Count Basie with his orchestra, instrumentalists, rhythm section and his sextet from 1947-50 years.
Frank Sinatra & Count Basie - It Might As Well Be Swing (1964) [Remastered 2010]

Frank Sinatra & Count Basie - It Might As Well Be Swing (1964) [Remastered 2010]
EAC | FLAC (log,tracks+cue) -> 186 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 81 Mb (5% Rec.) | Scans included
Vocal Jazz, Swing | Label: Universal Music, #:460502670466 | 2010 | 0:27:24

Frank Sinatra and Count Basie's second collaboration, It Might as Well Be Swing, was a more structured, swing-oriented set than Sinatra-Basie, and in many ways the superior album. The album consists of then-recently written songs, arranged as if they were swing numbers. The results work splendidly, not just because arranger/conductor Quincy Jones found the core of each of the songs, but because Basie and his band were flexible…
Count Basie & Joe Williams - Count Basie Swings, Joe Williams Sings (1955) Reissue 1993

Count Basie & Joe Williams - Count Basie Swings, Joe Williams Sings (1955)
EAC | FLAC | Tracks (Cue&Log) ~ 135 Mb (incl 5%) | Mp3 (CBR320) ~ 103 Mb (incl 5%) | Scans ~ 62 Mb
Vocal Jazz, Swing, Big Band, Standarts | Label: Verve | # 519 852-2 | Time: 00:42:56

Joe Williams' debut as the featured vocalist in Count Basie's band was one of those landmark moments that even savvy observers don't fully appreciate when it occurs, then realize years later how momentous an event they witnessed. Williams brought a different presence to the great Basie orchestra than the one Jimmy Rushing provided; he couldn't shout like Rushing, but he was more effective on romantic and sentimental material, while he was almost as spectacular on surging blues, up-tempo wailers, and stomping standards. Basie's band maintained an incredible groove behind Williams, who moved from authoritative statements on "Every Day I Have the Blues" and "Please Send Me Someone to Love" to brisk workouts on "Roll 'Em Pete" and his definitive hit, "All Right, OK, You Win".

Count Basie & His Orchestra - 88 Basie Street (1984) {JVC XRCD}  Music

Posted by tiburon at Aug. 27, 2016
Count Basie & His Orchestra - 88 Basie Street (1984) {JVC XRCD}

Count Basie & His Orchestra - 88 Basie Street (1984) {JVC XRCD}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 270MB + 5% Recovery
MP3 CBR 320 Kbps | 139MB + 5% Recovery
Genre: Jazz, Big Band

One of Basie's final albums, the very appealing title cut seems to sum up his career, a lightly swinging groove with a strong melody. Two small-group performances with guest Joe Pass on guitar and the tenor of Kenny Hing add variety to aparticularly strong set.
Dizzy Gillespie - One Night In Washington (1955) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]

Dizzy Gillespie - One Night In Washington (1955) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 280 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (png) -> 117 Mb | 5% repair rar | 24-bit remaster
© 2013 Elektra / Musician / Rhino / WEA / Warner Japan | WPCR-27313 | Jazz Best Collection 1000 Series
Jazz / Bop / Trumpet

Features 24 bit remastering and comes with a mini-description. A rare 50s performance – featuring a smoking version of "The Afro Suite" – plus some more boppish numbers too! Dizzy Gillespie was recruited as a special guest to perform on March 13, 1955, in concert with the Orchestra (a Washington, D.C., big band), a date that was recorded by Bill Potts and not initially released until 1983 by Elektra Musician. Although there was only a brief rehearsal of Gillespie with the band prior to their performance of the trumpeter's "The Afro Suite" (which includes "Manteca" plus a trio of pieces written in collaboration with Chico O'Farrill), they provide excellent support for this extended work, which features the composer extensively.
Dream Lucky: When FDR was in the White House, Count Basie was on the radio, and everyone wore a hat...

Dream Lucky: When FDR was in the White House, Count Basie was on the radio, and everyone wore a hat… by Roxane Orgill
Smithsonian; 1 edition | April 22, 2008 | English | ISBN: 0060897503 | 242 pages | PDF | 892 KB

The time: 1936-1938. The mood: Hopeful. It wasn't wartime, not yet. The music: The incomparable Count Basie and Benny Goodman, among others. The setting: Living rooms across America and, most of all, New York City.
Norman Granz` Jazz In Montreux - Count Basie Jam '75 (2002)

Norman Granz` Jazz In Montreux - Count Basie Jam '75 (2002)
Video:PAL, MPEG-2 at 4 987 Kbps, 720 x 576 (1.333) at 25.000 fps | Audio: AC-3 6ch. at 448 Kbps, DTS 6ch. at 1 510 Kbps, PCM 2ch. at 1 536 Kbps
Genre: Jazz | Label: Eagle Rock | Copy: Untouched | Release Date: 2 Dec 2002 | Runtime: 65 min. | 4,16 GB (DVD5)
Subtitles: French, English, Italian, Dutch, Portuguese, Spanish, German

Inarguably one of the most important figures in 20th-century American music, jazz impresario Norman Granz introduced live jazz to mainstream audiences with his Jazz at the Philharmonic concert series, founded four record labels including the legendary Verve Records, managed the careers of icons Ella Fitzgerald and Oscar Peterson, and produced a roster of some of the greatest artists in jazz history: Charlie Parker, Lester Young, Bud Powell, Count Basie, Billie Holiday, Stan Getz, Dizzy Gillespie, Ben Webster, Lionel Hampton, Benny Carter, Roy Eldridge, and many more. In addition, Granz was dedicated to fighting racism in America by refusing to play to segregated audiences, paying his artists well above average, and offering equal benefits to both black and white musicians all in the mid-1940s to late 1950s, years before the prominence of the burgeoning civil rights movement.