Reissue with DSD remastering. Comes with liner notes. Right from the start, a vastly different Weather Report emerges here, one that reflects co-leader Joe Zawinul's developing obsession with the groove. It is the groove that rules this mesmerizing album, leading off with the irresistible 3/4 marathon deceptively tagged as the "Boogie Woogie Waltz" and proceeding through a variety of Latin-grounded hip-shakers. It is a record of discovery for Zawinul, who augments his Rhodes electric piano with a funky wah-wah pedal, unveils the ARP synthesizer as a melodic instrument and sound-effects device, and often coasts along on one chord.
"Twenty years of Discovery" - Nicholas Gunn with thirteen tracks from his best selling albums plus two unreleased bonus tracks.
Once in a while a rare talent emerges in the competitive arena of contemporary instrumental music. Recording artist Nicholas Gunn has planted himself firmly in the forefront of remarkable talent. Nicholas Gunn's formal training was as a student of the Royal School of Music in Rochester, England, Gunn's birthplace. It was there that he studied the flute and learned basic theory and music appreciation. When Gunn moved to Southern California, he began writing, producing and performing his own material from his at-home, state-of-the-art production facility.
Features 24 bit digital remastering. Comes with a description. An unusual global session for Atlantic Records – an album that has John Lewis presenting work by three other musicians that he feels are ripe for wider discovery! The set's got some killer work from Rene Utreger – a key Parisian player in the postwar years, working here with dexterity that's almost at a Bud Powell level! Dick Katz is also featured on the set – with some nice colors and tones in the mix, similar to some of the work he'd go onto do for Atlantic and other labels. And perhaps the least known here is the British player Derek Smith – stepping out with a lyrical style that's captured surprisingly well here – and which makes the record a key addition to Smith's catalog.
While it's true that Grover Washington, Jr.'s first album as a leader was the wonderful Inner City Blues album on Creed Taylor's Kudu label, the sessions included here predate it and feature Washington Jr. in the role of sideman to Charles Earland, Johnny "Hammond" Smith, Boogaloo Joe Jones, and Leon Spencer Jr.. The nine cuts included here were recorded between September 1970 and August 1971. Most of them are straight-ahead blowing B-3 dates where the emphasis on groove and grit is equal and pervasive. While there isn't a weak track here and Washington's playing is deeper in the register than in his later material, there is one irritating factor about the assemblage of the album.
With the Skylark "experiment" behind him, Paul Desmond reverted back to the relaxed quartet format that suited him well in the past. The reason? Through Jim Hall, he found a little-known, splendid guitarist in Toronto named Ed Bickert who became his new gigmate in 1974, and this album was meant to show his discovery off. In fact, it sparked a Desmond renaissance where he regained a good deal of the witty spark and erudite cool of his collaborations with Hall, no matter how unfashionable it was to play this way in 1974.
Seven Days Music present Smooth Jazz Chill Out Lounge. All tracks compiled by J.Deere.
Reissue with latest remastering. Comes with new liner notes. The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. What is most remarkable is the way Kelly fits into this particular blend of the Miles band. Kelly's interplay with Chambers is especially brilliant, because his sense of blues phrasing inside counterpoint harmony is edgy and large, with left-hand chords in the middle register rather than sharp right-hand runs to accentuate choruses.