The infectious tales and astounding details in The Disappearing Spoon follow carbon, neon, silicon, and gold as they play out their parts in human history, finance, mythology, war, the arts, poison, and the lives of the frequently mad scientists who discovered them.
German art rock innovators Can were known for creating relentlessly experimental albums boiled down from endless improvisational sessions, but they possessed a keen sensibility for writing offbeat pop songs. They released a decent amount of 45s, all of which are collected in one place for the first time on The Singles. Even though some of these selections appeared in longer form on the group's seminal albums, here they're presented as three- or four-minute edits. In the case of tracks like Tago Mago's sprawling centerpiece "Halleluwah" or the lovely riverside drift of Future Days' title track, the single version distills them to their essence, concentrating on the moments with the heaviest grooves and most up-front vocals. Of course, Can's albums contained plenty of tracks that were obvious choices for singles, and tunes like the smooth, trippy "She Brings the Rain" and the immortal funk jams "Vitamin C" and "Mushroom" are among the most memorable and instantly appealing selections in the group's sprawling catalog. Two of the group's poppiest singles even managed to become genuine chart hits at the time of their release.