This magnificent collection spans almost half a century, from three of Rachmaninov's Op 39 Etudes-Tableaux that Vladimir Ashkenazy recorded in 1963, to his version of the First Sonata, which was released two years ago. It's wonderfully comprehensive, including the four piano concertos and the Paganini Rhapsody, the works for two pianos (the Suites and the Symphonic Dances with André Previn, some smaller-scale pieces with Ashkenazy's son Vovka), and all manner of occasional pieces and transcriptions as well as the major solo piano works.
The emotional content, lyricism and direct appeal of Gavin Bryars’s music are unique, reflecting a contemporary composer’s absorption and transformation of several centuries of musical craftsmanship in order to reflect his, and our, own epoch. Originally written for harpsichord, After Handel’s Vesper is a strong illustration of Bryars’s post-minimal interests in early music repertoire. Ramble on Cortona, derived from 13th-century music, makes expressive use of the piano’s resonant qualities, while in the highly-coloured, almost impressionistic The Solway Canal, landscapes pass by as if in a dream.
Outstanding execution by Jeroen Van Veen with superb sound quality. Einaudi's work is difficult to categorize as he pulls classical, pop, new age and cinematic ideas into thoughtfully crafted modern pieces. Highly appealing because it's simply all very good.
Dutch pianist Ralph van Raat's collection of Arvo Pärt's piano music spans nearly 50 years of his career, from student pieces written in 1958 to a work from 2006. This would not be the right album for listeners looking primarily for Pärt's legendary austere simplicity, but it would be ideal for anyone already familiar with the composer looking for exposure to the broad stylistic and expressive range of which he is capable.