There are two types of accordionists in jazz: Richard Galliano and everyone else. Galliano plays his instrument with the fluidity and looseness of a saxophonist, the technique of a classical pianist, and the individuality of a singer. Few are close to being on his level. The Ruby, My Dear sessions find Galliano in New York, interacting with bassist Larry Grenadier and drummer Clarence Penn. While the intriguing repertoire includes a tango, a couple of jazz standards ("Ruby, My Dear" and…
Reissue with SHM-CD format and new 24bit remastering. One of the most obscure Johnny Smith albums for Roost – and one of the most striking, too! The album takes the sound of Johnny's guitar and backs it with some larger arrangements from Irwin Kostal – very mellow, and very string-laden – with a dreamy late nite quality that's even moodier than that of Johnny's small combo records. There's an eerie mood to the set that really grabs us, and which seems to deepen even more on repeated listenings (probably enhanced by the painting of a child on the cover – as you'd expect a lady from the "sweetheart" title!)
The harmonically advanced trumpeter Thad Jones is a perfect contrast to the tenor of Dexter Gordon on this enjoyable Prestige LP. Gordon was somewhat forgotten in the United States at the time (his "comeback" was still four years away), but is in excellent form on the four numbers, particularly during a passionate version of "The First Time Ever I Saw Your Face."
Go is the tenth studio album by jazz musician Dexter Gordon, recorded on August 27, 1962 and released in the same year on Blue Note. According to the liner notes by Ira Gitler, this session was "not recorded in a nightclub performance but, in its informal symmetry, it matches the relaxed atmosphere that the best of those made in that manner engender. Everyone was really together, in all the most positive meanings of that word." It was recorded by Rudy Van Gelder at the Van Gelder Studio in Englewood Cliffs. Since its release, Go has received very positive reviews from critics, with Allmusic giving it a five star rating. The album was re-released in March 1999 as part of Blue Note's RVG Series, produced by Michael Cuscuna.
Jazz Undulation is an exciting live album that captured tenor saxophonist Johnny Griffin in an interesting and unusual setting. Bassist Jimmy Woode and drummer Kenny Clarke were frequent collaborators of Griffin's at the time, all three living in Europe and being members of the Clarke-Boland Big Band. Pianist Hampton Hawes was visiting Europe at the time, and probably just happened to meet them in Rome.