The Augsburger Domsingknaben, or boy singers of Augsburg Cathedral, have a claim to be the perfect group to interpret the music of the south German composer Hans Leo Hassler, a student of Andrea Gabrieli whose music straddles the Renaissance and Baroque eras. The young choristers come from the same area where the music originated, and, like some of the English cathedral choirs, they have a history going back to the middle of the last millennium (although not quite so continuous).
This is an excellent and varied selection of composers from the very well known like Palestrina, Monteverdi, Bach and Vivaldi, through the less famous but familiar like Frescobaldi, Sainte-Colombe and Zelenka, to the downright obscure. It is all delightful: the musicians are uniformly excellent, and include such great names as Gustav Leonhardt, Cantus Colln, Christopher Hogwood and so on. They give fine performances both of the familiar works and of the less familiar ones. Obviously there will be discs you like more than others and you may already have favourite versions of some works, but these discs are never less than very good and are often outstanding.
At the end of his life, Horowitz had chosen to record for Deutsche Grammophon. The Hamburg label reissues all of its recordings, 6 CDs, commemorating the centenary of the birth of the pianist.
The first new release for ten years from Martha Argerich and Claudio Abbado is their first ever album of concertos by Mozart. The legendary pianist and conductor add the sublime music of Mozart to their unrivaled, multi award-winning DG discography of concertos by Tchaikovsky, Chopin, Ravel, Prokofiev, Beethoven and Liszt. Both concertos were recorded with Claudio Abbado s Orchestra Mozart, at concert performances at the 2013 Lucerne Festival that had critics searching for new superlatives. The album contrasts two very different works. Written in D minor, the key of the Queen Of the Night and the opening of Mozart s Requiem, the darkly dramatic No.20, K.466 has a stormy, operatic temperament that looks forward eighteen months to the premiere of Don Giovanni. With its majestic and radiant opening and a march famously reminiscent of the Marseillaise, No.25 in C major, K.503 is the culmination of the twelve transcendent concertos Mozart wrote in Vienna between 1784 and 1786. This release is Martha Argerich s first recording of solo concertos by Mozart on Deutsche Grammophon.
Giulio Caccini (c.1550-1618) was born in Rome, and soon took up an important musical post in Florence under the Medicis. He was widely famous, and apparently a very controversial figure, having boasted of inventing the solo chordally-accompanied song. His two collections entited Nuove Musiche of 1602 & 1614 are certainly important to this development, and Caccini was one of a handful of composers to first work in this new style. However, it had become common practice to perform older madrigals in this way via intabulations, so any notion of invention is hazy at best. Nonetheless, Caccini's detailed ornaments given to the printed vocal part are a landmark in composition.