Well-traveled pop and rock session bassist/vocalist David Paton returns to his proverbial roots with this collection of songs about triumph, defeat, pride, camaraderie and farewell. These are not unusual topics in the realm of Scottish music, but there are some particularly curious components to Fragments. Paton's rather unique voice lies somewhere between that of Phil Keaggy and the Proclaimers' Reid brothers; while an abundance of traditional and Celtic-rock bands exist, those utilizing Celtic elements paired with accessible pop music seem to be quite scarce (the Corrs come to mind); plus, setting 18th-century poet and songwriter Robert Burns' works to contemporary pop arrangements is also an intriguing concept. Paton pays homage to six Burns compositions, but the the real attention-getter is the opening anthem by Corries member Roy Williamson, titled "The Bonnie Blue Bonnets.
Happy feel good music. If you like the song "Magic" you'll love this album from the same composer. Catchy songs that stay in your head. All songs have been carefully selected with high quality music and musicianship being the main priority.
Ammonia Avenue is the seventh studio album by the British progressive rock band The Alan Parsons Project, released on 7 February 1984 by Arista Records. The Phil Spector-influenced "Don't Answer Me" was the album's lead single, and reached the Top 15 on the US Billboard Hot 100 and Mainstream Rock Tracks charts, as well as the fourth position on the Adult Contemporary chart. The single also reached the Top 20 in several countries and represents the last big hit for the Alan Parsons Project. "Prime Time" was a follow-up release that fared well in the top 40. "Since The Last Goodbye" was a minor hit.
Fish was the unique voice and mastermind behind progressive rock legends Marillion and on this recording he is captured at his best live. 'For Whom the Bells Toll', is an amazing testament to Fish's special live magic which he conjures up so brilliantly. With sleevenotes written by Fish, the recording was straight to tape and was made on New Years Eve in 1991 at the Edinburgh Playhouse. The line up consisted of Fish (vocals), Frank Usher (Guitar), Robin Boult (Bass), David Paton (bass), Mickey Simmonds (keyboards) and Kevin Wilkinson (drums). David Paton played with Pilot and featured on Kate Bush's first two albums and has also worked with Rick Wakeman. Mickey Simmonds has worked with Mike Oldfield and Kevin Wilkinson has played with China Crisis and Squeeze. This CD was originally issued only to the fan club for mail order sale but is finally available to the retail record buying public. As an added bonus this double CD is priced as for a single which offers great music at great value.
Digitally remastered and expanded edition of this 1976 album from the British Pop trio including bonus tracks. Signed to EMI in April 1974, consummate musicians David Paton/Billy Lyall/Stuart Tosh expertly meshed catchy tunes, punchy guitars and strong harmonies to score major international success with three albums in three years. This third album was recorded at Morin Heights in Quebec, Canada and this time had Roy Thomas Baker (Queen) producing. Heavier Power Pop sound and songwriting contributions from more band members mark this album as a progression. It still retains the Pilot stamp of quality, and yielded a major hit in the single 'Penny In My Pocket' . This edition features the demo version from David Paton's archive, together with three more unreleased songs as bonus tracks. RPM. 2009.
The tension between David Paton's pop songcraft and Billy Lyall's art rock aspirations is one of the things that made the band Pilot so interesting. Lyall left Pilot because he felt that Paton's twee power pop ditties were overshadowing his arty songs, but the split was amicable enough that his former bandmates played on his lone solo album, Solo Casting. The result is not very different from what a Pilot album would sound like if Paton's potential hit singles were removed. Lyall was a classically trained pianist-turned-synth player, so the main stylistic difference between Pilot and Lyall's solo effort is the prominence of the synthesizer.
Digitally remastered and expanded edition of this 1974 album from the British Pop trio including bonus tracks. Signed to EMI in April 1974, consummate musicians David Paton/Billy Lyall/Stuart Tosh expertly meshed catchy tunes, punchy guitars and strong harmonies to score major international success with three albums in three years. From The Album Of. was written by Paton and Lyall and majorly demoed before they ever got to EMI's studios, whereupon they picked Alan Parsons from the in-house staff list to produce. Soft Rock meets Prog Rock with enough mainstream hooks to keep the customer more than satisfied. The Top 10 single 'Magic' is here in album form and original 'pre-strings' version. Bonus tracks also include two unreleased songs and a rare early off-shoot single released as Scotch Mist. RPM. 2009.
Based on music Wakeman wrote for the finale of a Dickens Festival in Rochester-upon-Medway, England, this is an unclassifiable melange of an album, stylistically similar to Phantom Power or Time Machine…