X-Static is the eighth studio album by Daryl Hall & John Oates, released in 1979 by RCA Records. Buddah Records re-released the album with two bonus tracks in 2000. "Wait for Me" reached #18 on the Billboard charts and won a BMI airplay award.
There's one thing wrong with The Very Best of Daryl Hall & John Oates, and it's minor – the promotional 12" mix of "Adult Education" is included in favor of the 7" version. This isn't a big deal and it doesn't mar what is the best overview of Hall & Oates' RCA years, the era when they became the biggest-selling duo in the history of rock…
Considering that soul has been at the foundation of Hall & Oates' sound throughout their career – even their early folk-rock records had soulful underpinnings – it only made sense for the duo to eventually cut their own soul tribute album. As the title suggests, that's exactly what 2004's Our Kind of Soul is: Hall & Oates' spin on their favorite soul sounds. This includes, of course, heavy doses of Philly soul and Motown, along with other smooth soul of the '70s. Most of the album is devoted to covers – usually familiar tunes like "Standing in the Shadows of Love," "I'll Be Around," and "Used to Be My Girl," yet there are a couple of more obscure entries and a heavily rewritten "I Can Dream About You" (in his excellent track-by-track liner notes Daryl Hall reveals that Dan Hartman wrote the song with the duo in mind) – but there is a handful of originals that fit into the vibe quite well, such as the lush "Soul Violins" and "Let Love Take Control.
Three Hearts in the Happy Ending Machine is a 1986 solo album by Daryl Hall. The album features his only Top 10 solo single, "Dreamtime", which peaked at #5 on the Billboard Hot 100. The single, "Foolish Pride", reached the Top 40, peaking at #33.
Sacred Songs is American singer/songwriter Daryl Hall's first solo album. It was produced by guitarist Robert Fripp, who also played on the album. The album was recorded in 1977 but Hall's label, RCA, did not release it for three years. According to Nick Tosches, who wrote Dangerous Dances, the authorized biography of Hall & Oates, "RCA refused to release Sacred Songs on the grounds that it wasn't commercial". When finally released, it had decent sales, but ultimately did not yield a hit single.