Features 24 bit remastering and comes with a mini-description. Paul Smith, jazz pianist, widely known as Ella Fritzgerald’s conductor and pianist, an active studio musician with a brilliant technique. Paul Smith also worked with renowned Jazz figures, such as: Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louie Bellson, Steve Allen, Louie Bellson, Stan Kenton, Mel Torme and many others. Pick of the day, Paul Smith’s rendition to Bossa Nova. This is Paul Smith Piano and Orchestra – Brazilian Detour (1966), for Warner. Paul Smith is a virtuoso piano player; he goes from the “liquid sounds” slow playing to a faster approach, hitting keys strongly. Paul Smith also leads the orchestra.
A great Capitol moment from pianist Paul Smith – an artist who really cut some of his best material ever for the label ! The Smith sound is at the height of its powers here in the late 50s — kind of a blend of jazz and more easy-going pianistic modes — often stretched out with lots of flourishes by Smith on the keys, but never the too-flowery styles used by some of his contemporaries ! Instead, Paul keeps things nice and lean — always enough to be plenty swinging in all the right moments — with quartet help from Barney Kessel on guitar, Joe Mondragon on bass, and Stan Levey on drums.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Guitarist Johnny Smith in a sweet, laidback trio setting – just the kind of mode that's perfect for his gentle sense of color and tone – a style he virtually invented for jazz guitar in the 50s! The album's one of his classics for the Roost label, and it's a masterpiece in chromatic hues – subtle, simple, but completely fantastic – at a level that makes Johnny Smith one of the true legends in jazz guitar from the 50s. Accompaniment is by George Roumanis on bass and Mousie Alexander on drums – but both players are extremely gentle, and leave most of the sound to Johnny – as it should be. Titles include "Little Girl Blue", "My Funny Valentine", "Polka Dots & Moonbeams", "Everything Happens To Me", "Pavanne", and "Blues Back Stage".
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. Sublime guitar work from the great Johnny Smith – a musician who was years ahead of his time, and influenced a generation with his clean, clear tone on the instrument! Smith's in a perfect setting here – a Roost label quartet date that includes Bob Pancost on piano, George Roumanis on bass, and Mousie Alexander on drums – a very understated group that really lets Johnny's wonderful tones and colors stand strongly out front! Titles include "0500 Blues", "Old Girl", "Tired Blood", "Un Poco Loco", and "More Bass". Great CD version – one of the few proper issues of this material!
Features 24 bit remastering and comes with a mini-description. Paul Smith is well-known to jazz fans for his sterling accompaniment on a number of Ella Fitzgerald's best albums, particularly Ella in Berlin. But the veteran pianist has recorded quite a bit on his own, though few of his LPs (like this Warner Bros. album from the 1960s) have been reissued on CD. Joining him on this trio date are bassist Wilfred Middlebrooks (who worked alongside Smith with Ella) and drummer Frank Capp.
Features 24 bit remastering and comes with a mini-description. Alto sax player, arranger, and composer Buster Smith recorded sparingly during his career and this seven-track set, recorded in a single session on June 7, 1959 and released by Atlantic Records a month or two later, was the only album Smith did as a bandleader. It's a low key, pleasant affair featuring five original Smith compositions, including the lightly swinging "Buster's Tune" and the odd, wonderfully disjointed "King Alcohol," as well as versions of Kurt Weill's "September Song" and Will Hudson's "Organ Grinder's Swing."
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. The gentle genius of guitarist Johnny Smith – perfectly captured in this late nite trio session from the 50s! There's a lot more jazz here than you might guess from the "easy listening" title – and Johnny's working with drummer Charlie Mastropaolo and bassist George Roumanis, in a style that's very much in keeping with his other best Roost work at the time. Smith has this way on the strings that's like few other players of his time – a style of playing the guitar that's so gentle, so spacious, the notes come off the instrument almost by themselves – with a lightly ringing quality that's the best part of the unique Johnny Smith tone.
Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources. The only reason I can think of for there not yet being a review of these four boxed sets, is that those who own them are just too busy having one hell of a blast listening to them. Some people moan about the 50 year copyright law for audio recordings in Europe, but without it this highly entertaining, eye-opening and educational undertaking could never have taken place. These 100 discs (spread over four boxed sets of 25 discs) tell the story of jazz from 1898 to 1959.
SHM-CD reissue. Comes with a mini-description. Features new remastering if it comes from Parlophone. A Johnny Smith album with a real difference, and that difference is vibes – handled her by a young John Rae, whose tones make a perfect accompaniment to Smith's chromatic style of guitar! The balance of vibes and guitar is beautiful – handled with all that sense of space that both Johns could bring to their 50s work – with just a bit of extra help from George Roumanis on bass and John Lee on drums – players who can come in strong when needed, but often lay back and let the chromes take over!