Features 24 bit remastering and comes with a mini-description. Paul Smith, jazz pianist, widely known as Ella Fritzgerald’s conductor and pianist, an active studio musician with a brilliant technique. Paul Smith also worked with renowned Jazz figures, such as: Dizzy Gillespie, Anita O’Day, Buddy DeFranco, Louie Bellson, Steve Allen, Louie Bellson, Stan Kenton, Mel Torme and many others. Pick of the day, Paul Smith’s rendition to Bossa Nova. This is Paul Smith Piano and Orchestra – Brazilian Detour (1966), for Warner. Paul Smith is a virtuoso piano player; he goes from the “liquid sounds” slow playing to a faster approach, hitting keys strongly. Paul Smith also leads the orchestra.
2009 release from the Jazz great containing Smith's complete classic Sermon sessions, in chronological order, together for the first time ever on a single set. These are his only preserved collaborations with Lee Morgan, the formidable trumpet player whose life came to a tragic end after being shot by his girlfriend at the tender age of 33. Tenor saxophonist Tina Brooks is also featured here. The outstanding reedman would pass away at the age of 42 after a life of drug addiction and self abuse. The great Jimmy Smiths was a Jazz musician whose performances on the Hammond B-3 electric organ helped to popularize this instrument.
Jimmy Smith brought the Hammond organ into hard bop and jazz in the 1950s, and his piano-fast solo runs on the instrument have never been equaled. This warm set from Blue Note Records, the label where Smith built most of his impressive legacy, selects eight of his performances for the label, including a 20-minute (and ten second) version of "The Sermon," the bouncing "Back at the Chicken Shack," and a fun romp through "See See Rider," among other delights, making this a quick introduction to the peak creative era of this one-of-a-kind jazz artist's long career.
Violinists Stéphane Grappelli and Stuff Smith performed together on a few occasions, but this 1965 studio session, first issued by Barclay, was one of the more difficult dates to acquire until Universal Music reissued it on CD in 2002, as a part of their extensive Jazz in Paris series. With a solid rhythm section (pianist René Urtreger, bassist Michel Gaudry, and drummer Michel Delaporte) that pretty much sticks to a supporting role, it is clear that Smith's gritty tone rubs off on Grappelli as the session progresses.
Reissue with SHM-CD format and new 24bit remastering. In 1957, Johnny Smith was at the height of his artistic power when he cut this album for the Roost label. Smith had a patented method for shifting from single-string statements of the melody line to complex chordal structures with amazing ease. This ability is put to use for each of the cuts on this album, but is especially useful on such cuts as "Angel Eyes" and "You Go to My Head." Smith's guitar also seemed to have a one of a kind resonance to it, which energized every melody he played, whether on the melody itself or when improvising, making his playing immediately recognizable.
Reissue with SHM-CD format and new 24bit remastering. An overlooked 50s set from guitarist Johnny Smith – one that features a piano added into his trio, hence the "foursome" in the title! The pianist here is Bob Pancoast, who has a fluid, sometimes gentle touch on the keys – one that spins out Smith's guitar a bit more than usual, with a lyrical flair that we really like – and which is sometimes a bit of a contrast to his better-known mellow mode. The rest of the group features Knobby Totah on bass and Jerry Segal on drums.
Reissue with SHM-CD format and new 24bit remastering. The Johnny Smith sound is a wonderful one – not just the sound that he makes with his groundbreaking work on the strings of the guitar, but also the way he records the instrument – which set a new standard in jazz guitar albums, and also helped pave the way for countless generations to come! A date like this is a great example of the standard-setting work that Smith was able to give us in his prime – and the approach slightly updates the Smith guitar sound of the early 50s – clarifying it a bit, but still keeping that great tone right out front – with a group that includes Hank Jones on piano, George Duvivier on bass, and Ed Shaughnessey on drums.