Cyro Baptista is a Brazilian musician, teacher, and recording artist specializing in percussion in the genres of jazz and world music. Since arriving in the U.S. in 1980, Cyro Baptista has emerged as one of the premier percussionists in the country. Coinciding with the rise of the public's interest in world music, Cyro has recorded and toured with some of musicâs most popular names. His mastery of Brazilian percussion and the many instruments he creates himself, have catapulted him into world renown.
Nova Express is one of Zorn’s most dynamic and sensitive ensembles: an MJQ-tinged quartet featuring piano, vibraphone, bass and drums. For their first foray into the world of Masada, they are joined by the ever-popular Brazilian percussionist Cyro Baptista to create a fabulous program of space-age bachelor pad music for the 21st century. Relaxing and unique instrumental music performed by an all-star quintet of musical masters touching upon the exotic language of The Dreamers, Les Baxter, Martin Denny, Bert Kaempfert, Afro-Cuban bop and more.
Drawing inspiration from the life and work of the towering spiritual figure Georges Ivanovitch Gurdjieff, Mount Analogue is one of Zorn’s greatest creations. Taking the form of a mystical journey, the music jumps from one world to another weaving a rich tapestry that blends world music, jazz, contemporary classical and more.
The dynamic sextet featured in two of Zorn's most recent and popular musical projects-The Dreamers and O'o-jump another level in Ipos, their most beautiful and powerful recording to date. Featuring ten new compositions from the lyrical Book of Angels, the music draws exotica, surf, world music, latin jazz, rock, film music and more into a seductive new musical world. Perfect for the early morning, late at night, at home or in the car, The Dreamers play Masada is truly a magical combination. Powerful new music performed by an all-star band of downtown masters.
With his release of BAR DEL MATTATOIO, a challenging and irreverent fusion of jazz, classical, Tropicália, and experimental musics, SEIGEN ONO transports the listener to a place that is nearly tactile, sweaty, absolutely sensual, intellectually challenging, and maybe even a bit psychedelic, while maintaining a delicate humanity that is shadowed with melancholy. The music is bold, but never overbearing, humble without timidity, and presents an incredible trip through, what might seem a contradiction of musical terms, but is, instead, a cohesive, complex musical statement, bound together by a strong sense of rhythm and a wicked, if understated, sense of humor and good will. BAR DEL MATTATOIO is a bold and gorgeous work of music that, at times, shyly pretends to look in the other direction, but never loses focus.
Laurie Anderson's third proper studio album, coming over five years after 1984's Mister Heartbreak (1986's Home of the Brave was a film soundtrack), is a near-total departure from anything she had done before or, indeed, anything she did after. The most purely musical of Anderson's albums and the one on which she does the most actual singing (though her trademark deadpan spoken-word passages are still present and accounted for), Strange Angels seems to be Anderson's idea of a straightforward pop album.