Couperin’s Trois Leçons de Ténèbres are amongst the small amount of the composer’s sacred music that was published during his lifetime. They are intensely personal, depicting the prophet Jeremiah’s bitter anguish in settings that are quite unique. Also included here are Couperin’s joyful motets Laetentur caeli and Venite, exsultemus Domino, and a remarkable Magnificat.
This beautiful recording, once long out-of-print, is now remastered in high definition multi-channel hybrid SACD, and is the first album made by Jordi Savall for the Astrée label, now reissued on Alia Vox. With this rare 1975 disc, Savall confirmed François Couperin as a master composer for viola da gamba with affinities to the previous masters of French music. On the recording Mr. Savall plays an authentic 7-string bass viol, anonymously constructed in 17th century France. He is joined by musicians Ton Koopman playing a Gilbert des Ruisseaux harpsichord built in the late 17th century and Ariane Maurette playing a Barak Norman bass viol constructed in London in 1697. Couperin’s music for these colorful instruments is marvelous, contemplative and beguiling. The highly collectible album, a must-have of the Savall oeuvre, is now available again and features a very informative booklet.
Original released by Auvidis France in 1986. This reissue released by Auvidis-Naïve in 2000 (ES 9956). Couperin places himself between the Italian and French musical styles of his day to create something rather greater than either. For the most part early works, these sonatas with dance suites combine the style of Lully and Louis XIV's court with Corelli's brilliance: the result is a Grand Tour of the high Baroque, given, s'il vous plait, with a French accent. Savall's rendition, true to form, is dark, elegant, and supple. He assigns the trio-sonata texture to differing combinations of violins, oboes, and traversi, all with a large and inspired continuo group. Performers: Monica Huggett, Chiara Banchini, Ton Koopman, Hopkinson Smith, Stephen Preston, Ku Ebbinge &c. Highly recommended.
Marc-Antoine Charpentier (1643 - February 24, 1704) was a French composer of the Baroque era.
He was a prolific and versatile composer, producing music of the highest quality in several genres. His mastery in the composition of sacred vocal music was recognized and acknowledged by his contemporaries.
The confidential, almost secretive, musical world of François Couperin is known through the innumerable emotional connections made in his harpsichord works, but he was also able to produce the same sensations when writing for the viola da gamba. Paolo Pandolfo has brought together on one new album on Glossa these works of Couperin’s full maturity, demonstrating the composer’s spiritual and mischievous tendencies in equal measure (as well as his own mastery of the subtleties of the gamba).