Beat music, British beat, or Merseybeat (after bands from Liverpool and nearby areas beside the River Mersey) is a pop and rock music genre that developed in the United Kingdom in the early 1960s. Beat music is a fusion of rock and roll (mainly Chuck Berry guitar style and the midtempo beat of artists like Buddy Holly), doo-wop, skiffle and R&B. The genre provided many of the bands responsible for the British Invasion of the American pop charts starting in 1964, and provided the model for many important developments in pop and rock music, including the format of the rock group around lead, rhythm and bass guitars with drums. The Beat Of The Pops - excellent selection of beat tracks.
The score to Little Shop was written by Fred Katz. Katz, born in 1919, was a child prodigy on both piano and cello, but would become a well-known cellist in the Los Angeles music scene of the 1950s—the first really to take the cello into the jazz arena. He became part of the very unique Chico Hamilton Quintet and was both heard and seen in the film Sweet Smell Of Success. At some point in the late 1950s, Corman found Katz or Katz found Corman and the two collaborated on several films, including A Bucket Of Blood, The Wasp Woman, Ski Troop Attack, Little Shop, and Creature From The Haunted Sea. Katz’s score perfectly accompanies a film that is occasionally worthy of Ionesco in its surreal weirdness. In fact, Katz’s music is as much fun as the film—it’s funky, jazzy, beat, hipster music, with occasional horror touches, that will keep a smile on your face or conjure up wonderful memories of Seymour Krelboin, Gravis Mushnick, Audrey Fulquard, Burson Fouch, Wilbur Force, and, of course, the great Audrey Junior.
Ministry of Sound present Funky House Classics. An album dripping with a glittering mix of sexy house and funky disco. Featuring 4 CDs/80 tracks of the cream of the crop of uplifting vocal tunes, it is sure to put a smile on anyone’s face. With just about every funky track you know and love the album perfectly blends mainstream chart hits and underground anthems for the definitive feel good experience. Within the rich history of club music, Funky House has always played an important role. This colourful type of music has made countless clubs across the continents break out a sweat on the dancefloor.
It is no exaggeration to call Little Walter the Jimi Hendrix of the electric harp: he redefined what the instrument was and what it could do, pushing the instrument so far into the future that his music still sounds modern decades after it was recorded. Little Walter wasn't the first musician to amplify the harmonica but he arguably was the first to make the harp sound electric, twisting twitching, vibrant runs out of his instrument; nearly stealing the show from Muddy Waters on his earliest Chess recordings; and so impressing Leonard Chess that he made Muddy keep Walter as his harpist even after Waters broke up his band. Chess also made Walter into his studio's house harpist and started to release Little Walter solo records with the instrumental "Juke" in 1952. "Juke" became a smash hit and turned Little Walter into a star, making him a steady presence on the '50s R&B charts.