Christine Perfect's (or McVie's) earliest work on the Blue Horizon label is as bluesy as it is dated. While it never offers a dull moment, with McVie singing with a convincing amount of energy, "The Complete Blue Horizon Sessions" never offers the later songwriting chops McVie would later gain in Fleetwood Mac…
Collection includes all studio albums by Australian alternative rock band from Sydney. In 2010, their album Diesel and Dust ranked no. 1 in the book The 100 Best Australian Albums.
Rawhide is an American Western series starring Eric Fleming and Clint Eastwood that aired for eight seasons on the CBS network on Friday nights, from January 9, 1959 to September 3, 1965, before moving to Tuesday nights from September 14, 1965 until January 4, 1966, with a total of 217 black-and-white episodes. The series was produced and sometimes directed by Charles Marquis Warren, who also produced early episodes of Gunsmoke.
This first volume of John Cage’s complete works for flute spans a fifty year period, from the Three Pieces for Flute Duet of 1935—deft studies in chromatic writing—to the 1984 Ryoanji, which involves the use of pre-recorded flutes and percussion with resultant diverse and intricate textures. Two is the first of Cage’s important ‘number’ series and is edgily ruminative, while Music for Two, written for any combination of the 17 different instrumental ‘parts without scores’ provided by the composer, is heard in an arrangement described by Katrin Zenz as a ‘new piece for flute and piano’.
The penultimate volume in Hyperion’s four-part survey of the complete solo piano music of Ernő Dohnányi focuses on music from the period when the composer’s pre-eminent position was being assured. The titles of the largest works here, Ruralia hungarica and the Variations on a Hungarian Folksong, mask in their nationalistic ostentation the skill of a true master of piano composition. Martin Roscoe inhabits the world of Dohnányi’s music like no other—appraisals of the earlier volumes attest to this—and this new recording is a joy.
The contents of the EMI box are too numerous to list but all the sonatas, variations, and most short pieces are here: absent is the London Sketchbook, which is trite juvenalia.
At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.
Deep Silent Complete is the seventh single by Finnish symphonic metal band Nightwish, released as the second single from their album Wishmaster. The title track contains some lines written by William Shakespeare, and was dedicated to oceans…
While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best.
In the early 70's a band named Catalyst was formed in the heart of Philadelphia. The core of the group was Odean Pope, Sherman Ferguson, Eddie Green and Al Johnson (who was replaced by Tyrone Brown after their first album). The band drew from a wide range of musical styles; jazz, funk, R&B, avant garde and fusion all found their way into the creative sonic tapestry of Catalyst. With the given talents of Catalyst they could have and should have been bigger but sadly they found themselves with little promotion or recognition outside the proximity of Philadelphia. Thankfully Catalyst were able to leave behind four extraordinary recordings that will appeal to both jazz heads and those in the hip hop community.