Complete Wiki

Elias String Quartet - Ludwig van Beethoven: The Complete String Quartets, Vol.1 (2015) 2 CDs

Elias String Quartet - Ludwig van Beethoven: The Complete String Quartets, Vol.1 (2015)
EAC | FLAC | Image (Cue&Log) ~ 509 Mb (incl 5%) | Mp3 (CBR320) ~ 275 Mb (incl 5%) | Scans included
Genre: Classical | Label: Wigmore Hall Live | # WHL0073/2 | Time: 01:53:30

At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.

Nightwish - Deep Silent Complete (2000)  Music

Posted by Oksana_m at Nov. 26, 2016
Nightwish - Deep Silent Complete (2000)

Nightwish - Deep Silent Complete (2000)
EAC | Flac(Image) + Cue + Log > 60 Mb | Mp3 CBR 320Kpbs > 27 Mb
Symphonic Power Metal | Label: Spinefarm | Cat. # SPI105CD | Finland
Scans (Jpg) Included | NitroFlare, FileFactory

Deep Silent Complete is the seventh single by Finnish symphonic metal band Nightwish, released as the second single from their album Wishmaster. The title track contains some lines written by William Shakespeare, and was dedicated to oceans…
Johnny Cash - At San Quentin (The Complete 1969 Concert) (1969) Expanded Reissue 2000

Johnny Cash - At San Quentin (The Complete 1969 Concert) (1969) Expanded Reissue 2000
EAC | FLAC | Tracks (Cue&Log) ~ 405 Mb (incl 5%) | Mp3 (CBR320) ~ 179 Mb (incl 5%) | Scans included
Country, Rock, Rock & Roll, Gospel | Label: Columbia/Legacy | # 498176 2, COL 498176 2 | 00:59:13

While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best.
Catalyst - The Complete Recordings Volume 1 & Volume 2 (2010) 2 CD

Catalyst - The Complete Recordings Volume 1 & Volume 2 (2010) 2CD
EAC | FLAC | Image (Cue&Log) ~ 968 Mb (incl 5%) | Mp3 (CBR320) ~ 388 Mb (incl 5%) | Scans included
Fusion, Jazz-Funk, Jazz-Rock | Label: Porter Records | # PRCD-1509, PRCD-1510 | Time: 02:25:02

In the early 70's a band named Catalyst was formed in the heart of Philadelphia. The core of the group was Odean Pope, Sherman Ferguson, Eddie Green and Al Johnson (who was replaced by Tyrone Brown after their first album). The band drew from a wide range of musical styles; jazz, funk, R&B, avant garde and fusion all found their way into the creative sonic tapestry of Catalyst. With the given talents of Catalyst they could have and should have been bigger but sadly they found themselves with little promotion or recognition outside the proximity of Philadelphia. Thankfully Catalyst were able to leave behind four extraordinary recordings that will appeal to both jazz heads and those in the hip hop community.

Cheap Trick - At Budokan: The Complete Concert (1998)  Music

Posted by Oksana_m at Nov. 14, 2016
Cheap Trick - At Budokan: The Complete Concert (1998)

Cheap Trick - At Budokan: The Complete Concert (1998)
EAC | Flac(Image) + Cue + Log > 572 Mb | Mp3 CBR 320Kpbs > 194 Mb
Hard Rock, Power Pop | TT - 45:22 + 36:43 | Label: Epic | Cat. # E2K 65527 | US
Scans (Jpg) > 52 Mb | NitroFlare, FileFactory

While their records were entertaining and full of skillful pop, it wasn't until At Budokan that Cheap Trick's vision truly gelled. Many of these songs, like "I Want You to Want Me" and "Big Eyes," were pleasant in their original form, but seemed more like sketches compared to the roaring versions on this album…
Roxy Music - The Complete Studio Recordings (1972-1982) 40th Anniversary 10CD Box Set 2012 [Re-Up]

Roxy Music - The Complete Studio Recordings (1972-1982) 40th Anniversary 10CD Box Set 2012
EAC | FLAC | Image (Cue&Log) ~ 2.65 Gb (incl 5%) | Mp3 (CBR320) ~ 1.1 Gb (incl 5%) | Scans ~ 1.25 Gb
Art-Rock, Glam Rock, Proto Punk, New Wave, Pop/Rock | Virgin | # 5099944021795 | 07:50:58

The Complete Studio Recordings 1972-1982, is the first complete Roxy Music box set to be released on CD. It includes each of the eight ‘Roxy Music’ Studio albums: Roxy Music, For Your Pleasure, Stranded, Country Life, Siren, Manifesto, Flesh And Blood and Avalon. Each of the studio albums have been taken back to their original form. New 2012 flat transfers from the original analogue master tapes ensure the audio sounds truer to its original LP sound. The box set is completed with two bonus discs of singles, B-sides and alternative mixes.
Louis Armstrong & Duke Ellington - The Complete Louis Armstrong & Duke Ellington Sessions, 1961 (1990)

Louis Armstrong & Duke Ellington - The Complete Sessions, 1961 (1990)
EAC | FLAC | Tracks (Cue&Log) ~ 333 Mb (incl 5%) | Mp3 (CBR320) ~ 171 Mb (incl 5%) | Scans included
Swing, Vocal Jazz, Mainstream Jazz | Roulette Jazz/Capitol | # CDP 593844 | 01:08:27

Louis Armstrong and Duke Ellington were (and are) two of the main stems of jazz. Any way you look at it, just about everything that's ever happened in this music leads directly – or indirectly – back to them. Both men were born on the cusp of the 19th and 20th centuries, and each became established as a leader during the middle '20s. Although their paths had crossed from time to time over the years, nobody in the entertainment industry had ever managed to get Armstrong and Ellington into a recording studio to make an album together. On April 3, 1961, producer Bob Thiele achieved what should be regarded as one of his greatest accomplishments; he organized and supervised a seven-and-a-half-hour session at RCA Victor's Studio One on East 24th Street in Manhattan, using a sextet combining Duke Ellington with Louis Armstrong & His All-Stars. This group included ex-Ellington clarinetist Barney Bigard, ex-Jimmie Lunceford swing-to-bop trombonist Trummy Young, bassist Mort Herbert, and drummer Danny Barcelona. A second session took place during the afternoon of the following day.
Jerry Goldsmith - Alien: Complete Original Motion Picture Soundtrack (1979/2007) 2CD [Re-Up]

Jerry Goldsmith - Alien: Complete Original Motion Picture Soundtrack (1979/2007) 2CD
Perfomed by National Philharmonic Orchestra, Conducted By Lionel Newman

EAC | FLAC | Tracks (Cue&Log) ~ 633 Mb (incl 5%) | Mp3 (CBR320) ~ 303 Mb (incl 5%)
Genre: Soundtrack, Score | Label: Intrada | # MAF 7102 | Time: 02:06:22 | Scans ~ 79 Mb

For fans of Jerry Goldsmith's score for Ridley Scott 1978 movie Alien, this two-disc Intrada set is the ultimate fantasy. Everything is here and then some. Disc 1 contains Goldsmith's entire score as he originally intended it with every cue in place, including those that were later cut from the film plus his recomposed versions of cues the director made him change (Goldsmith's original main theme, for example, appears without its signature heroic trumpet melody because the director thought it wasn't creepy enough). Disc 2 includes the original soundtrack as issued on LP plus six other bonus tracks of demonstration takes and even the brief except from Eine kleine Nachtmusik used in the film. The stereo sound here is fabulous, the performances definitive, and the liner notes exhaustive. And the score, like the film, is a classic of its genre. With its mixture of the ecstatic chromaticism of Scriabin, the skittering strings of Penderecki, the harmonic waves of Ligeti, and the atmospheric percussion of Herrmann, Goldsmith's score became a template for all subsequent science fiction/horror movies.

Buddy Guy - The Complete Chess Studio Recordings (1992)  Music

Posted by popsakov at Oct. 17, 2016
Buddy Guy - The Complete Chess Studio Recordings (1992)

Buddy Guy - The Complete Chess Studio Recordings (1992)
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 687 Mb | MP3 CBR320 ~ 335 Mb
Scans (PNG, 300 dpi) ~ 179 Mb | RAR 5% Recovery
Chicago Blues, Electric Blues | Chess / MCA Records #CHD2-9337

Here's everything that fleet-fingered Buddy Guy waxed for Chess from 1960 to 1966, including numerous unissued-at-the-time masters, offering the most in-depth peek at his formative years imaginable. Stone Chicago blues classics ("Ten Years Ago," "My Time After Awhile," "Let Me Love You Baby," "Stone Crazy"), rockin' oddities ("American Bandstand," "$100 Bill," "Slop Around"), even a cut that features guitarist Lacy Gibson's vocal rather than Guy's ("My Love Is Real") – some 47 sizzling songs in all.
Pepe & Celedonio Romero; Sir Neville Marriner - Mauro Giuliani: Complete Guitar Concertos (1996) 2CDs

Mauro Giuliani - Complete Guitar Concertos (1996) 2CDs
Pepe & Celedonio Romero, guitars; Academy of St. Martin in the Fields; Sir Neville Marriner, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 750 Mb (incl 5%) | Mp3 (CBR320) ~ 400 Mb (incl 5%) | Scans included
Genre: Classical, Classical Guitar | Label: Philips | # 454 262-2 | Time: 02:37:27

An acclaimed Italian guitar virtuoso and composer, Mauro Giuliani, along with Fernando Sor, was one of the last great classical proponents of his instrument until its revival in the early twentieth century. He studied counterpoint and the cello, but on the six-string guitar he was entirely self-taught, and that became his principal instrument early on. Italy abounded with fine guitarists at the beginning of the nineteenth century (Carulli remains the most familiar today), but few of them could make a living because of the public's preoccupation with opera. So Giuliani embarked on a successful tour of Europe when he was 19, and in 1806 he settled in Vienna, where he entered the musical circle of Diabelli, Moscheles, and Hummel. He solidified his reputation with the 1808 premiere of his Guitar Concerto in A major, Op. 30, and was soon heralded as the greatest living guitar virtuoso. Even Beethoven noticed Giuliani, and wrote of his admiration for him. Perhaps to return the favor, Giuliani played cello in the 1813 premiere of Beethoven's Symphony No. 7.