Coltrane 24bit

Thelonious Monk, John Coltrane - Thelonious Monk With John Coltrane (1961/2016) [Official Digital Download 24bit/192kHz]

Thelonious Monk With John Coltrane (1961/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 45:51 minutes | 1,24 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Recorded over three sessions in 1957, when Thelonious Monk was leading a band that included John Coltrane, this historic meeting of two legends was not released until 1961 due to contractual issues. By that time Coltrane was a household name, leading his own band, at least as famous or even more so than Monk. This album was inducted into the Grammy Hall of Fame in 2007.
John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 516 Mb | MP3 @320 -> 159 Mb
Full Artwork @ 600 dpi (png) -> 262 Mb | 5% repair rar | 24-bit remaster
© 2014 Universal Japan / Blue Note / Capitol | BN 75th The Masterworks | TYCJ-81001
Jazz / Hard Bop / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
Slide Hampton - Jazz With A Twist (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27048}

Slide Hampton - Jazz With A Twist (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27048}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 235 Mb | MP3 @320 -> 83 Mb
Full Artwork @ 600 dpi (png) -> 108 Mb | 5% repair rar | 24bit remaster
© 1962, 2012 Atlantic / Warner Japan / Rhino | WPCR-27048 | Jazz Best Collection 1000 Series
Jazz / Bop / Hard Bop / Trombone

Features 24 bit digital remastering. Comes with a description. A firey stormer from the great Slide Hampton! The album's one of his few early sides for Atlantic – and like the others, it's a groundbreaking batch of larger group material, with slide out front on trombone, and the rest of the ensemble vamping along like a tight Blue Note combo. Players are excellent – and include George Coleman on tenor, Horace Parlan on piano, Hobart Dotson on trumpet, and Ray Barretto on drums – and Slide makes them come together so tightly, you'd think they were working together every night of the week! Titles include "The Barbarians", "Strollin", "The Jazz Twist", "Red Top", "Slide Slid", and "Day In Day Out".
Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}

Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 225 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 117 Mb | 5% repair rar | 24-bit remaster
© 1963, 2012 Warner Japan / Atlantic / Rhino | WPCR-27094 | Jazz Best Collection 1000 Series
Jazz / Cool / Post Bop / Piano

A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
The Slide Hampton Octet - Somethin' Sanctified (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27237}

The Slide Hampton Octet - Somethin' Sanctified (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27237}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 188 Mb | 5% repair rar | 24-bit remaster
© 1960, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27237 | Jazz Best Collection 1000 Series
Jazz / Bop / Hard Bop / Trombone

Features 24 bit remastering and comes with a mini-description. Somethin' Sanctified is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961. In 1959, trombonist Slide Hampton was known mainly for the excellent arrangements he did for the Maynard Ferguson Band, so it was no surprise that he formed his octet band and began making a serious bid for recognition as a top jazz artist and arranger, recording his first album for the small label Strand. His impact was immediate and in 1960 Slide signed for Atlantic resulting in two studio albums, Sister Salvation and Somethin Sanctified, which were the octets first for the label.
Herbie Hancock - Mwandishi: The Complete Warner Bros. Recordings (1994/2016) [24bit/192kHz]

Herbie Hancock - Mwandishi: The Complete Warner Bros. Recordings (1994/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 125:04 minutes | 5,32 GB
Studio Master, Official Digital Download | Artwork: Front cover

This release includes Herbie Hancock's music from 1969-1971 for the Warner Brothers label, released originally as three albums, one of Herbie Hancock's most creative periods. The earliest album, Fat Albert Rotunda, features a fine sextet highlighted by tenor saxophonist Joe Henderson, like Hancock a master at maintaining strong rhythmic grooves while stretching outward. The later music, with a regularly working band, becomes increasingly expansive and exploratory. Like Miles Davis on Bitches Brew, Hancock was increasingly interested in layering rhythms and textures, emphasizing percussion, electric keyboards, and potent soloists, and broadening his palette of sounds to eventually include synthesizers. There are significant contributions from the inspiring drummer Billy Hart and some potent, if neglected, soloists in multireed player Bennie Maupin (also on Bitches Brew) and trombonist Julian Priester (a Sun Ra associate), who also provided the extended compositions "Water Torture" and "Wandering Spirit Song," respectively. This is a sometimes overlooked period in Hancock's music, bracketed by the quality of his earlier acoustic music, both with Davis and as a leader on Blue Note, and his later commercial success, but it's some of his most innovative work.
Ferenc Snetberger - In Concert at Liszt Academy (2016) [Official Digital Download 24bit/96kHz]

Ferenc Snétberger - In Concert at Liszt Academy (2016)
FLAC (tracks) 24 bit/96kHz | Time - 60:16 minutes | 1 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

This ECM debut from renowned guitarist Ferenc Snétberger features the widely-acclaimed Hungarian musician in a spellbinding solo performance recorded live in 2013 before a rapt audience at the Liszt Academy in Budapest.
Mel Torme - Comin' Home Baby! (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27148}

Mel Torme - Comin' Home Baby! (1962) {2012 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27148}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 210 Mb | MP3 @320 -> 78 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1962, 2012 Atlantic / Warner Japan / WEA / Rhino | WPCR-27148 | Jazz Best Collection 1000 Series
Jazz / Vocal Jazz / Cool / Traditional Pop Vocal

Features 24 bit remastering and comes with a mini-description. The 1960's represented a very interesting time for musicians of all genres; three particular reasons began a trend for future generations of musical artists. The Beach Boys, The Beatles, and The Rolling Stones were the 3 reasons which permanently altered the musical landscape and basically made it impossible for stars of the past to remain economically viable in the present. The only 2 exceptions to the rule of course were Mel Tormé and Frank Sinatra.
The Clare Fischer Big Band - Thesaurus (1968) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27243}

The Clare Fischer Big Band - Thesaurus (1968) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27243}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 240 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 300 dpi (png) -> 26 Mb | 5% repair rar | 24bit remaster
© 1968, 2013 Atlantic / Warner Japan / WEA / Rhino | WPCR-27243 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Latin Jazz / World Fusion / Modern Big Band / Piano

Features 24 bit remastering and comes with a mini-description. Clare Fischer's big-band release was only briefly available as an Atlantic LP but it has finally reappeared in the CD era after a brief appearance under another title on LP some ten years after its first release. Fischer's potent originals and first-rate arrangements bring out the best in his musicians, which include Warne Marsh and Conte Candoli (featured on "Miles Behind"), Bill Perkins on a work trumpeter Stewart Fischer specially composed for the baritone saxophonist ("Calamus"), and alto saxophonist Gary Foster featured with Marsh on Lennie Tristano's "Lennie's Pennies."
Frank Rosolino - Turn Me Loose! (1961) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27233}

Frank Rosolino - Turn Me Loose! (1961) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27233}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 221 Mb | MP3 @320 -> 75 Mb
Full Artwork @ 600 dpi (png) -> 163 Mb | 5% repair rar | 24bit remaster
© 1961, 2013 Reprise / Warner Japan / WEA / Rhino | WPCR-27233 | Jazz Best Collection 1000 Series
Jazz / Cool / Bop / Trombone

Features 24 bit remastering and comes with a mini-description. Those only familiar with Frank Rosolino’s trombone work may be surprised to find out that he also dabbled in vocals as well. Rosolino was highly regarded as a trombonist, especially on the West Coast scene, but seldom recorded as a leader; Free For All on the Specialty label is probably his best known work. Turn Me Loose features Rosolino doing double duty as soloist and vocalist, a la Chet Baker, and one could judge solely by the cover that this is an entertaining record by a man who is marching to the beat of a different drummer.