Johann Baptist Vanhal's clarinet sonatas are mostly notable for their historical value. Written between 1801 and 1810, they legitimized the clarinet as an equal partner in the sonata form. They did for that instrument what Beethoven did for the cello around the same time. Until the turn of the century, the clarinet had mainly appeared in ensembles with multiple other instruments, like the great quintets of Mozart and Weber.
Two of the greatest and best-loved chamber works for clarinet. Maximiliano Martin, one of the most charismatic players of his generation, is principal clarinet of the Scottish Chamber Orchestra. The Badke Quartet, formed in 2002, is widely recognised as one of Britain's finest string quartets, receiving widespread acclaim for its energy and vibrancy. 'Martin elegantly conveys the soul and introspection of Brahms…'
Franciscus (30 October 1934 – 13 August 2014) was a Dutch conductor, recorder player and baroque flautist.
This is a very fine set of Mozart's "complete" wind concertos, though Deutsche Grammophon does not make that claim, to their credit. The Flute Concerto #2 is not here, though that work is simply a lazy reworking of the Oboe Concerto. Some fragments for horn are also missing, though we get the Andante for Flute. The Orpheus Chamber Orchestra plays very well throughout, with instrumentals carefully and beautifully balanced.
Unquestionably, the clarinet quintets of Mozart and Brahms have earned time-honored and well-deserved places in the repertoire of clarinetists worldwide. In the informative and well-written annotations by Eric Hoeprich, we read that “they embody the maturity, depth, experience, and possibly even a premonition of an otherworldliness soon to be experienced firsthand.”
This pair of clarinet quintets from the revivified Sony Classical label presents a performer and a composer who have both been shaped by Jewish vernacular materials, and the combination delivers everything you hope it will. Osvaldo Golijov's Dreams and Prayers of Isaac the Blind was composed 1994, before this Argentine composer entered a period of sustained popularity. Unlike his later riotously genre-crossing style, this one focuses on his own Jewish musical background.