Unquestionably, the clarinet quintets of Mozart and Brahms have earned time-honored and well-deserved places in the repertoire of clarinetists worldwide. In the informative and well-written annotations by Eric Hoeprich, we read that “they embody the maturity, depth, experience, and possibly even a premonition of an otherworldliness soon to be experienced firsthand.”
This pair of clarinet quintets from the revivified Sony Classical label presents a performer and a composer who have both been shaped by Jewish vernacular materials, and the combination delivers everything you hope it will. Osvaldo Golijov's Dreams and Prayers of Isaac the Blind was composed 1994, before this Argentine composer entered a period of sustained popularity. Unlike his later riotously genre-crossing style, this one focuses on his own Jewish musical background.
OSLO KAMMERAKADEMI performs chamber music for winds with the historical Harmoniemusik instrumentation as a foundation. Founded by Artistic Director and oboist David Friedemann Strunck (solo oboe, Oslo Philharmonic), the ensemble has established itself as a leader in Europe, with critically acclaimed CD recordings and invitations to prestigious festivals including the Schleswig-Holstein Music Festival.
Walter Gieseking is joined by stellar wind players, including the great hornist Dennis Brain; and the Quintets have a gleaming, robust quality that make them irresistible. They were recorded in the mid- 1950s, a time when Gieseking sometimes operated on automatic pilot, but here he sounds involved and fluent; the keyboard part played with aristocratic grace and, where appropriate, sparkling high spirits. The filler is one of Herbert von Karajan's few successful Mozart recordings, aided immeasurably by the expert first-desk soloists of the Philharmonia.
Mozart?s concerto actually began life as a concerto for basset horn (not basset clarinet) and was written in the key of G. The manuscript ended abruptly after the 191st measure of the first movement. Mozart rethought his plan, decided to recast the concerto in A, and overhauled the solo part for basset clarinet, an instrument developed by his friend Anton Stadler The version that entered the repertoire after Mozart?s death was an adaptation of the original.
40 CD box set featuring concerts, quartets, divertimenti, symphonies, arias, opera scenes, famous overtures, sonatas and so much more.