This is not such a bizarre cross-over as one might imagine for in the 18th century the great Irish musician Turlough O’Carolan, a blind harpist, met the Italian musician Geminiani in Dublin, and through him encountered the music of, yes, guess who, Antonio Vivaldi. So here we have a case of substituting Irish instruments for baroque ones, using baroque instruments to accompany Irish themes, by creating dialogues between Celtic and baroque instruments, or by letting all the musicians improvise. One moment we appear to be listening to a ‘straight’ baroque concerto, then all of a sudden the conventional string continuo/ripieno of the baroque ensemble (Le Orfanelle della Pieta) gives way to celtic musicians playing a jig or reel on anything from a Irish bouzouki to a fiddle. The baroque group consists of three each of first and second violins, one viola, two cellos, a bass and harpsichord while the Irish musicians play Irish fiddle, an Irish flute (like a baroque flute), tin and low whistles, Uileann pipes, Irish bouzouki, mandolins, bodhran, bones, and the Celtic harp (played here with metal strings to resemble its harpsichord counterpart in the other group).
Armed with just his "Feels So Good" quintet and occasionally a couple of brass players, Mangione's more grandiose ambitions are pretty much behind him on his final A&M release. The emphasis is almost entirely on spinning pretty tunes for his new mass audience without alienating or challenging it much. Not that this collection is completely soporific or lacking the jazz touch; "Pina Colada" revives things with some uptempo flights for Mangione's flugelhorn and Chris Vadala's tenor, and the title cut is an amiably jumping, if repetitive funk workout for the quintet. The major push, however, went to "Give It All You Got" – another upbeat, optimistic, good-times motivating tool, heard extensively at the 1980 Winter Olympics – and Chuck gives it to us again at a listless tempo with the title, "Give It All You Got, But Slowly." As things transpired, this would be his last halfway decent studio album for at least the next decade.
This import version of Chuck Mangione's A&M hits collection contains three more tracks than its domestic counterpart, as well as his volume in the Universal 20th Century Masters collection. The bottom line when it comes to Mangione's music: his biggest period was in the '70s for A&M, when he had his monster hit "Feels So Good." That one has to be here, but so are other noteworthy (and very successful) singles such as "Land of Make Believe," "Chase the Clouds Away," and the overture for "Children of Sanchez."
This is a bass method book designed to help beginning bassists, or anyone wanting a solid foundation for creating walking bass lines. It covers all the basic principles of walking bass line construction, time feel tips, ear training, and transcriptions of every bass note the author plays on the accompanying play-along CD. Endorsed by Eddie Gomez, Jimmy Haslip, John Goldsby, Ben Allison, etc.