This grande dame of the piano world, possessed of an extraordinarily modest, charming personality – focused on the music, devoted to deeply understanding it – has performed three times during the Chopin and His Europe Festival at the invitation of The Fryderyk Chopin Institute. The recordings on this album come from her concerts in 2010 (when she performed the Piano Concerto in F minor op. 21 with the Sinfonia Varsovia orchestra under the baton of Christopher Warren-Green) and 2014 (when she performed a recital including, among other items, the Nocturnes presented here). A presentation of – by nature – completely different interpretations, which nonetheless form an extraordinarily coherent artistic whole. Superb creations displaying the most beautiful side of pianistic art.
This selection received a Grammy nomination for "Best Classical Album" and "Best Instrumental Soloist Performance (without Orchestra)." The comparative simplicity of Chopin's Op. 28 Preludes (when placed against his Etudes, for example) and their status as "miniatures" often hide the fact that they are, in fact, extremely demanding pieces, especially in interpretation. These works, probably written in homage to Johann Sebastian Bach's 'Well-Tempered Clavier,' have been the eminent domain of such great pianists as Artur Rubinstein, Vladimir Horowitz and Claudio Arrau. The Preludes now belong to young Evgeny Kissin.
Jascha Heifetz was a Lithuanian-born American violinist. He was born in Vilnius. As a teen, he moved with his family to the United States, where his Carnegie Hall debut was rapturously received. He had a long and successful performing and recording career; after an injury to his right (bowing) arm, he focused on teaching. The New York Times called him "perhaps the greatest violinist of all time."
Revered pianist Mari Kodama shows off her pianistic technique on this program of exciting piano concertos from heavyweight composers, Loewe and Chopin. The polished instrumentalist delivers renowned interpretations of Chopin’s Piano Concerto in F Minor and Loewe’s Piano Concert in A. With superb sonic clarity, this album rejuvenates these familiar works.
This is set of records of violin virtuoso Jascha Heifetz, one of the best violinists ever. It was originally issued in seventies on vinyl and it is mono. As you can read in the booklet. "The selections on these compact disks were recorded before noise-reduction methods were available. In the digital remastering, effort was made to minimize the inherent noise; radical methods were not used in order to preserve the full-frequency content of the original recordings. Therefore, some noise may be experienced in reproduction on wide-range equipment".
From the notes: Rosita Renard was born in Santiago, Chile, on February 8, 1894, the daughter of a building contractor; she showed extraordinary gifts as a child, and made her pianistic debut at the age of fourteen playing the Grieg Concerto with the Chilean Symphony Orchestra. A year later the government awarded her a scholarship to study in Berlin at the Stern Conservatory. Arriving there in 1910, Rosita was put in the master class of Martin Krause, a Liszt pupil today remembered as the teacher of Edwin Fischer, who was Renard's classmate and friend, and Claudio Arrau, her countryman, who was seven years Renard's junior. The two families were friendly and when it came time for the nine-year-old Arrau to audition fro Krause in 1912, it was Rosita Renard who actually took the young boy by the hand to the audition" Notes by Edward Blickstein