Very Rare 1985 release by the legendary Don Cherry. The connection between the spacey jazz trumpet of Don Cherry, and the later urban funk of his daughter Nenah, always seems a bit weak – until you hear this 1985 effort, which has Cherry working in a strange mix of contemporary rhythms and his older funkier styles. Cherry actually lays down vocals on a number of tracks, in a self conscious bluesy sort of way that's almost in a pomo kitschy style. The effect doesn't always work, but there's more than a few interesting moments on the LP. Titles include "Art Deco", "Call Me", "Rappin Recipie", and "Treat Your Lady Right".
If Eternal Rhythm was Don Cherry's world fusion masterpiece of the '60s, then Brown Rice is its equivalent for the '70s. But where Eternal Rhythm set global influences in a free jazz framework, Brown Rice's core sound is substantially different, wedding Indian, African, and Arabic music to Miles Davis' electrified jazz-rock innovations. And although purists will likely react here the same way they did to post-Bitches Brew Davis, Brown Rice is a stunning success by any other standard. By turns hypnotic and exhilarating, the record sounds utterly otherworldly: the polyrhythmic grooves are deep and driving, the soloing spiritual and free, and the plentiful recording effects trippy and mysterious.
"7 Seconds" is a song composed by Youssou N'Dour, Neneh Cherry, Cameron McVey and Jonathan Sharp, released in 1994 as a single performed by Youssou N'Dour and Neneh Cherry. It reached the top three in several countries, including the United Kingdom, Sweden, Portugal, Germany, The Netherlands, Australia, Russia and Poland…
Two previously unreleased 1960s performances by Don Cherry in quintet format. The first show was recorded in Denmark in 1963 (but a different date that the release on Storyville) and showcases the New York Contemporary Five, featuring Cherry with Archie Shepp, John Tchicai, Don Moore and J.C. Moses.
One of Don Cherry's most spiritual, far-reaching projects – a wonderful record that builds both on his key avant work of the 60s, and some of the globally-inspired sounds he was cutting overseas! This date was done in close collaboration with the New York underground of the time – and the large group features work from a rich array of great musicians – including Charles Brackeen on soprano and alto sax, Carlos Ward on alto, Frank Lowe and Dewey Redman on tenors, Charlie Haden on bass, Carla Bley on piano, and Ed Blackwell on drums – working with additional string and percussion players in a sound that's completely sublime! There's a great ear here for unusual sonic twists and turns, yet these are mixed with some deeper organic tones, and some freer jazz passages – all to really ignite a great fire as the set rolls on.