Explore the riffs, solos, and sounds of the original electric jazz guitar virtuoso with this in-depth analysis of 8 songs. Hugely influential on his contemporaries and later generations of musicians, Charlie Christian set the standard for jazz guitar with his unique swing style, riffs, and soloing ability. Through a detailed breakdown of several songs, experts explore the elements that contributed to Christian's inimitable sound. Songs include: "Solo Flight," "Gone with What Wind," "Till Tom Special," "Grand Slam," "Air Mail Special," "Seven Come Eleven," "Benny's Bugle," and "Shiver."
First, a few myths get cleared up by the very existence of this box, which goes far beyond the original Columbia compilations with the same name. For starters, Columbia goes a long way to setting the record straight that Charlie Christian was not the first electric guitarist or the first jazz guitarist or the first electric guitarist in jazz. For another, they concentrate on only one thing here: documenting Christian's seminal tenure with Benny Goodman's various bands from 1939-1941. While in essence, that's all there really is, various dodgy compilations have been made advertising Christian playing with Lester Young or Lionel Hampton.
12 of Christian's classic tunes including: Seven Come Eleven * Air Mail Special * Grand Slam * Solo Flight.
The second Great Guitars album features guitarists Charlie Byrd, Barney Kessel, and Herb Ellis matching wits and generally inspiring each other throughout this studio set. The trio, along with bassist Joe Byrd and drummer Wayne Philips, are heard together on four numbers (best are "Undecided" and Ellis' "H & B Guitar Boogie"; Ellis and Kessel duet on "Down Home Blues"; Byrd has two features to himself; and a medley combines together short versions of "Benny's Bugle & and "Latin Groove" with the typically exuberant "Charlie's Blues" A fine all-around effort.
Charlie's extraordinary technique and unique arrangements have influenced guitarists everywhere.