The late Charles Rosen’s renown as a writer, scholar, musical thinker, and teacher tends to overshadow his reputation as a pianist. However, at his best Rosen was a probing virtuoso who embraced a wide, eclectic, and seemingly contradictory range of repertoire. All the more reason to celebrate Sony/BMG’s original jacket boxed set devoted to Rosen’s complete Columbia and Epic recordings, many of which have not been available on CD.
Quando apparve questo libro, Robert Craft scrisse: «Si può dire con certezza che La generazione romantica di Charles Rosen – che segue Lo stile classico – sia il più importante libro di musica non solo del 1995, ma di molti anni a venire»…
This long-deleted Essential Classics reissue (available again courtesy of Arkivmusic.com’s on-demand reprint program) comprises the first CD remastering of two separate Bach piano releases. One disc features Rosalyn Tureck’s Bach Album, an early-1981 digital production made up mostly of short pieces, plus the Aria and Variations in Italian Style. The close-up yet warm sonics capture the full measure of Tureck’s technical specificity, subtle use of color, and micromanaged dynamics. Notice her absolute linear control in the F minor suite’s Prelude (first sound clip), or how her seemingly over-detached articulations (the seventh Italian variation) always maintain a lilting presence.
The London symphonies, sometimes called the Salomon symphonies after the man who introduced London to Joseph Haydn, were composed by Joseph Haydn between 1791 and 1795. They can be categorized into two groups: Symphonies No.93 through 98, which were composed during Haydn's first visit to London, and Symphonies No.99 through 104, composed in Vienna and London for Haydn's second London visit.