Castor et Pollux is arguably Rameau's finest creation in the tragdie lyrique style. Its libretto, based in mythology, focuses on an unusual theme: the self-sacrificing love between Castor, who is mortal, and his immortal brother, Pollux. When Castor is killed while defending his beloved Tlare from an attempted abduction, Pollux resolves to give up this immortality and take Castor's place in the Underworld. After passionate debate over who will live and who will die, the brothers are eternally united, transformed into the constellation Gemini. The striking luminous sets, depicting a stylized version of the constellation, give this fabulous production a glorious 21st century baroque look.
One of the first QuadraDisc LPs that RCA ever released, Dimension III holds the unique distinction of being a “single inventory” title, meaning the four-channel quadraphonic mix was the only mix of the album done, as the label wanted to tout the backwards compatibility of quadraphonic records with existing stereo systems. In the wake of Castor’s acrimonious departure from RCA in late 1973, the label took Dimension III out of print and it has remained that way – until now. This new SACD edition presents the original quadraphonic mix in all its glory, along with a stereo fold-down of the quad mix – more than forty years later the universal compatibility of the QuadraDisc fulfilled in a way its inventors could never have imagined.
Créé en 1995 par Jean-Christophe Frisch, premièrement sous le nom de XVIII-21 Musique des Lumières, XVIII-21 Le Baroque Nomade est un ensemble français ayant participé à un renouvellement de l’interprétation de la musique baroque, en s’appuyant sur les découvertes musicologiques les plus récentes. L’ensemble a notamment développé le concept de baroque nomade, travaillant sur les rencontres historiquement avérées entre musiques baroques européennes et musiques extra-européennes.
Pinchgut Opera presented one of the glories of the French baroque for the first time in Australia. Castor & Pollux is Rameau's finest creation. It's a story based in mythology about the self-sacrificing love between two brothers. The music goes straight to the heart. With some of the most beautiful vocal and orchestral writing of the period, the opera was an instant hit when it was first presented.