Quigley Down Under interprets the modern Western score from a distinctly Australian perspective. Basil Poledouris' aw-shucks melodies and quirky arrangements employ French horn, banjo, and clarinet to create a vivid evocation of gunslinger life in the Outback. While Lonesome Dove remains Poledouris' definitive work in the Western arena, Quigley Down Under possesses no shortfall of charm or imagination; its playful approach bubbles with an energy quite uncommon to the genre, avoiding portent and ponderousness to communicate the joie de vivre of its characters and setting. Most impressive is Poledouris' stirring main theme, a bold, oddly funky reinvention of the classic Western fanfare that immediately serves notice that Quigley Down Under is a horse of a very different color.
After a nice shower, Linnea does some warm-up stretches and then goes for a run. She encounters some flabby zombies who follow her back to the house, where she leads them in some poolside aerobic routines. Later she unwinds by inviting some girlfriends over for a slumber party and some exercise. When something goes bump in the house, her friends begin experiencing an attrition problem.