Jazz at Greville Lodge vol.2 features pianist Mike Carr and guitarist Jim Mullen. Live recording from November 2009. Mike Carr (b. 1937), jazz pianist and organist, established his reputation on the London jazz scene working with such heavyweights as Dizzy Gillespie, Coleman Hawkins, Johnny Griffin, Illinois Jacquet and Art Farmer. "l've never heard an organist who has all that swinging“ commented Oscar Peterson. Carr is a prolific musician who released numerous highly acclaimed albums. Jim Mullen (b. 1945) is a truly original voice in contemporary jazz guitar, who has won many British music awards including ,,Best Guitar“ in the BT Jazz Awards in 1994, 1996 and 2000. With many recordings to his credit, Mullen has recently recorded as a member of The All Stars Collective on the Paul McCartney-produced album All About The Music.
Caught in the Crossfire is the debut solo album by the English rock musician John Wetton, released in 1980 by E.G. Records. Featuring guitarist Martin Barre of Jethro Tull, drummer Simon Kirke of Bad Company as well as saxophonist Malcolm Duncan, the album's release took place in a transitional spell after Wetton had left U.K. but before he had formed Asia. Caught in the Crossfire has been reissued numerous times with various album covers. The artwork of the original UK vinyl edition was designed by Hipgnosis art studio.
Although he was not an original member of Kiss, drummer Eric Carr was automatically accepted and held in high regard by their legions of fans. Born Paul Caravello in Brooklyn, NY on July 15, 1950, the youngster discovered rock & roll the way many others did in the early '60s, via the Beatles…
While heavily influenced by Art Tatum, this performer was hardly considered a heavyweight pianist during his career. Born Louis F. Bush, or Busch depending on the source, the keyboard maestro who would also make heavy use of the stage name of Joe "Fingers" Carr managed to make it into Leonard Feather's Encyclopedia of Jazz, but with the following disclaimer: "A novelty performer rather than a jazz artist." The novelty itself was a kind of heavily sexed-up ragtime piano style that caught on in the very dawn of the hi-fi era. The invention was in sharp contrast to lounge music and would most likely have the opposite effect than a seduction if played in a bachelor pad. Carr began driving his piano this way while working as an A&R man for Capitol. In a brainstorm based on a sharp analysis of current trends, he decided to sign himself up as the mysterious "Fingers."
Lou Busch was a major arranger/conductor who created an alter ego for himself in the guise of Joe 'Fingers' Carr, the ragtime and honky-tonk pianist. Lou Busch, who played piano with Hal Kemp in the '30s, re-emerged in the '50s and '60s as a ragtime revivalist. These 1960 and 1961 LPs (the latter with Ira Ironstrings) capture his finest finger work as you hear six sweet medleys plus Too Fat Polka; Stumbling, and more!
Lou Busch was a major arranger/conductor who created an alter ego for himself in the guise of Joe 'Fingers' Carr, the ragtime and honky-tonk pianist. For the first time on one compilation we present both facets of the spectacular Lou Busch / Joe 'Fingers' Carr career. All of Joe 'Fingers' Carr's hits are included "Let's Do It Again!", "Music! Music! Music!", "Maple Leaf Rag", "Portuguese Washerwomen", "Sam's Song", "Down Yonder", "Tiger Rag", "Beer Barrel Polka", "The Old Piano Roll Blues" and many more! In addition are his great orchestral works plus his hit recordings with wife Margaret Whiting and all three tracks from Roger And Hammerstein's 'The King And I'.